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Max Payne Movie Script

Writer(s) : Beau Michael Thorne

Genres : Action, Crime, Drama, Thriller

Search IMDb : Max Payne


           
          
          
          
                       MAX PAYNE
          
          
          
                       Written by
          
                  Beau Michael Thorne
          
          
          
          
                                                8/24/2007

                                               OVER BLACK:
          
                                MAX'S VOICE
                                                              C
                      I don't believe in heaven, but I have
                      this idea about it. Something I heard in
                      a song.
          
          FADE IN:
          
           White.
          
              pristine, empty frame.   Clean and peaceful.
          
                                 MAX'S VOICE
                      Heaven is a place where nothing ever
                      happens.
          
          There's gentle motion in the blank frame, like swirling 16mm
          grain. A RUMBLE starts to build, low but growing louder...
          
          The grain moves faster, big chunks fluttering, now a dirty
          dishwater grey. The RUMBLE becoming a HOWLING WIND.
          
          Churning black water LAPS at the bottom of the frame...
          
          EXT. HUDSON RIVER - DAWN
          
          A blizzard, at the peak of its power. Visibility zero, New
          York reduced to the hulking shapes of buildings on the banks.
          MAX PAYNE thrashes in the water, a long way from shore.
          
          
                                MAX'S VOICE
                      There's an army of bodies under this
                      river. Criminals, people who ran out of
                      time, out of friends.
          
          
          Chunks of ice float in the dirty water around him. Max's
          body freezing, skin turning blue. Heavy winter clothes
          saturating, like an anchor dragging him down...
          
                               MAX'S VOICE
                      The next time they drag this river,
                      they'll find me on the bottom with the
                      rest of them. And there won't be anybody
                      left to say I was different.
           
          Max's face sinks below the surface...
          
                                                                CUT TO:
          
          
          
          INT. HALLWAY - DAY
          
          Nothing to orient us to the location, the time. Just a flash
          of golden light filling the hall, warm as the river was cold.
          Around a closed door, sunlight streams through the gaps...
          
          BEDROOM
          
          A WOMAN sleeps on the bed, curled up around a bundled BABY.
          Is this the final, peaceful memory of a drowning man?
          
          Something's wrong, then: the woman's body in an unnatural
          position, more thrown than laid across the bed. The crib
          tipped over, blankets scattered. Her eyes frozen open.
          
          Something BLACK flutters against the window pane, CRACKING
          into the glass. The sound of the BLIZZARD creeps in...
          
          RESUME - HUDSON RIVER
          
          Wind POUNDS the river where Max had once been, but there's no
          more thrashing in the water. Mixed in behind the falling
          snowflakes, BLACK SHAPES swirl and dive closer to the water.
          
                              MAX'S VOICE
                    I could feel the dead down there, just
                    below my feet. Reaching up to welcome me
                    as one of their own.
          
          Max breaks the surface - GASPING, STRUGGLING against the
          undertow. Not simply trying to breathe...trying to swim.
          
                              MAX'S VOICE
                    It was an easy mistake to make.
          
                                                            CUT TO:
          
          EXT. STREET (NYC) - NIGHT
          
          Abruptly, the snow is gone. Just a bitter wind left in its
          place, whipping through desolate streets long after midnight.
          Shuffling up the littered sidewalk, three rough-looking MEN
          duck out of the wind by descending down to the subway...
          
          On the dark side of the street, a pair of BOOTS follows them.
          
          TITLE CARD:      ONE WEEK EARLIER
          
          INT. ROSCOE ST. STATION - DAY
          
          A filthy platform, empty except for the three Men huddled on
          a bench. A squeaking TURNSTILE catches their ear...
          
          The same boots grind towards the Men. We don't see the
          walker's face, distracted by something else: a gleaming gold
          wristwatch. As if to make certain the Men notice, he pulls
          back his sleeve to check the time. Quarter past three...
          
          The watch glints as it passes into a dark doorway marked
          `MEN'S.' The Men follow, exchanging wicked grins. Too easy.
          
          SUBWAY BATHROOM
          
          The Men slink into the bathroom, smirking at their oblivious
          prey at the sink. Steam rising, he sets the watch on the
          edge of the sink before washing his hands...
          
                                 MAN #1
                       Hey, that's a really nice watch.
          
          No answer. One of the Men LOCKS the door.       At the sound of
          the lock SNAPPING, he raises his head...
          
          Max Payne, but not yet the man struggling for life in the
          river: clean-shaven, skin like bleached bone. Haunted eyes.
          In the murky mirror, Max sees the Men circling closer...
          
                                 MAN #1
                           (drooling over the watch)
                       Kinda reminds me of one I lost--
          
                                 MAX
                       You didn't lose it. You pawned it up on
                       128th a few hours ago.
          
          Max shuts off the water and calmly turns to face them.
          
                                 MAX
                           (nodding to Man #2)
                       Ask Doug. He was there with you.
          
          Doug frowns, deeply confused about being called by his name.
          
                                 DOUG
                       You've been following us all night?
          
                                 MAX
                       No.
                            (pointing)
                       I'm only following you.
          
          While Doug digests that, PAWNSHOP pulls a pistol and trains
          it on Max's forehead. The third man - not much more than a
          KID, visibly frightened - backs towards the door.
          
                                                      
          
                                                                     4.
                     
          
          
                                 PAWNSHOP
                       You a cop, or something?
          
                                 MAX
                       Not tonight.
          
                                 PAWNSHOP
                       Too bad.
                           (to Doug)
                       Go get my watch.
          
          Distractedly eyeballing Max, Doug brushes the watch off of
          the sink. It hits the dirty tile, delicate crystal CRACKING.
          
          In a sudden blur of movement, Max has one hand on the pistol,
          the other one SMASHING into Pawnshop's windpipe...
          
          Doug steps forward to help... BOOM! The pistol goes off as
          Max pries it free. Max looks up at Doug. Nowhere to run, he
          races into the farthest stall and SLAMS the door.
          
          In the same instant, the Kid bolts for the door. Max has to
          pick: follow or stay with the man he's tracking...
          
          In the stall, Doug crawls on his stomach across the sticky
          floor, trying to squeeze under the divider. Max raises the
          pistol and BLASTS a hole through the door of the next stall.
          
                                 DOUG
                         (craving, eyes closed)
                       Watch over me, watch over me...
          
          The newly-perforated door flies open. Handcuffs SNAP,
          restraining a WHIMPERING Doug to the toilet pipe.
          
                                 MAX
                       Open your eyes, now.
          
          Doug finds himself staring at the pistol's front sight. Max
          reaches into his pocket and produces a tattered photograph...
          It's the woman from Max's golden vision in the river.
          
                                 MAX
                       Have you ever seen her before?
          
          Doug shakes his head violently, confusion and terror rising.
          
                                 MAX
                       You got busted robbing a house in New
                       Jersey with William Preston three--
          
                               DOUG
                     Bill's dead.
          
                               MAX
                     That's why I'm talking to you.
                         (moving the photo closer)
                     Did he ever say anything about this
                     woman? Did you ever hear anyone--
          
                               DOUG
                     Bill died because their wings couldn't
                     lift him up.
          
                               MAX
                     No, he got shot robbing a liquor store.
                     What are you talking about?
          
                               DOUG
                          (incoherent, rambling)
                     Their wings are golden, the feathers only
                     look black...
          
          Sighing, Max unlocks Doug from the pipe, hauling him up and
          slamming into the wall as he cuffs his hands behind his back.
          
          PLATFORM
          
          Max stalks out of the bathroom, pushing Doug ahead of him.
          Down on the tracks, the Kid shrinks into the shadows...
          
          SUBWAY TUNNEL
          
          The Kid runs down the dark tracks, nervously glancing back at
          the receding light of the platform.   He slows gradually,
          relaxing as escape seems certain.
          
          Down to a walk, he startles at movement in the tunnel ahead:
          FLAPPING WINGS - a bird, lost and trapped underground?
          
          The Kid freezes, his frightened BREATHS almost enough to
          drown the sound out. It grows, though, more WINGS joining...
          
          He turns to retreat up the tracks, but the WINGS suddenly
          seem to be echoing towards him from all directions.
          
          Panicked, the Kid becomes disoriented in the growing RACKET,
          the tunnel ahead begins to glow brighter as he spins...
          
          Visible now in the growing light, BLACK SHAPES flicker above
          the tracks - dozens becoming hundreds, swelling larger, their
          POUNDING wings joined by a train RUMBLING closer...
          
          
                                                                          
          
                                                                      6.
                     
          
          
          Frozen, the Kid can only squint into the headlights closing
          in, petrified by the dark wings SWIRLING around him...
          I
           NT. COLD CASE OFFICE - DAY
          
          The front room of the cold case department is a mess - desks
          piled high with paperwork and a week's worth of coffee cups.
          
          Halfway in the front door, a young DETECTIVE stands holding a
          box of his belongings. He looks around for signs of life.
          SERGEANT ADAMS wanders down the hall, frowning at the draft.
          
                                 SGT. ADAMS
                       You my new guy?
          
                                 DETECTIVE
                       I didn't think anybody was here.
          
                                 SGT. ADAMS
                       Everybody's usually a little late.
          
          HALLWAY
          
          Sgt. Adams leads the detective down a hall, giving the tour.
          
                                 SGT. ADAMS
                       All the cold investigations in the city
                       are collected and delivered over to us.
                       We call each witness to see if they can
                       add anything to their original statement.
          
                                 DETECTIVE
                       And if they can?
          
                                 SGT. ADAMS
                       We send the file back to the original
                       precinct for follow-up. Don't get your
                       hopes up, though.
          
          The Sergeant continues towards the center of the building,
          farther from the light of the windows. He stops at a door.
          
                                 SGT. ADAMS
                       Once you've gone through the file and
                       come up empty, bring it here...
          
          FILE ROOM/MAX'S OFFICE
          
          They enter a windowless cave, long rows of metal cabinets
          stretching on forever into the heart of the building. At a
          desk in the corner, Max slumps over a stack of files.
          
          
                                                                           
          
          D
          
          
          
          
          M
          
          
          
          
                                                                       7.
                     
          
          
                                 SGT. ADAMS
                       Max here handles our filing. Once it
                       hits his desk, a case is officially dead.
          
           ax looks up, dark circles from his long night in the subway.
          He nods, but the Detective is too busy making a note to see.
                               D
                                  ETECTIVE
                       What if there's no phone number for a
                       witness? Should I follow up in person?
          
                                 SGT. ADAMS
                       Nope, we don't do that down here.
          
           iscretely, Max slides his cut-up knuckles under the desk...
          
                                 DETECTIVE
                       I don't understand, then how--
          
                                 SGT. ADAMS
                       How do you solve that unsolvable murder
                       mystery and redeem yourself?
          
                                 DETECTIVE
                       The grand jury couldn't find--
          
                                 SGT. ADAMS
                       Stop. Trust me, there's a tragic story
                       behind why I'm here giving you this tour.
                       We all did something, so just save it.
                           (moving for the door)
                       Follow me to the break room...
          
          The Detective turns to Max, embarrassed after his reprimand.
          
                                 DETECTIVE
                       We should get a beer after work, or
                       something...
          
          Max smiles and nods, but his eyes give him away as a liar:
          
                                  MAX
                       Yeah.   Maybe so.
          
          HALLWAY
          
          The Detective steals a look at Max as Adams shuts his door.
          
                                 DETECTIVE
                       So what did he do?
          
          
          
                                                                            
          
          W
          
          
          
          
          M
          
          
          
          
                       J
          
          
          
          
                                                                       8.
                     
          
          
                                 SGT. ADAMS
                           (sharply)
                       Nothing.
          
          Naturally, this reaction piques the detective's curiosity.
          
                                  SGT. ADAMS
                       R
                        emember when you were a kid, and you'd
                       hold your breath when you went past a
                       graveyard?
          
          The detective nods.     Adams glances through the window at Max.
          
                                 SGT. ADAMS
                        ust...try to leave him alone.
          
          MAX'S OFFICE
          
          Max sneaks a sideways glance to the door, watching Adams lead
          the new Detective away. Once they're gone, Max reaches into
          his desk and removes a file... `PRESTON, WILLIAM A.'
          
           ax goes to a rusted cabinet and buries the file deep inside.
          
          INT. MAX'S APARTMENT - NIGHT
          
          A lock POPS.     Max steps inside, only silence to greet him.
          
          Max lays his jacket across the back of a worn leather chair,
          footsteps REVERBERATING because there's little other
          furniture to absorb the sound. He keeps walking...
          
          KITCHEN
          
          ...past a table with one chair, past gleaming counters. Max
          fills a glass of water from the tap. Eyes blank, patient.
          
          LIVING ROOM
          
          Carefully, Max rests the full glass on the arm of the chair.
          Reaching underneath the chair, Max produces an artist's
          sketchbook and places it delicately on the table before him.
          
          Sith trembling hands, Max turns back the battered cover...
           uddenly, colors burst into the monochrome room: bright
          swirls of oil pastels sketch out a still life in Technicolor.
          
          Gradually, Max's eyes lose their hardness. His breaths come
          FASTER, ragged. Jaw clenched, he turns the page...
          
          
          
                                                                            
          
                                 V
          
          
          
          
          I
          
          
          
          
                                                                         9.
                     
          
          
          More flowing brush strokes, the artist's feminine initials...
          Max reaches up to turn the page, hands shaking severely...
          
          He takes hold of the corner of the page, but his muscles
          won't cooperate - as if the page ways more than Max can lift.
          
          Max's skin flushes red...tears almost welling...
          
          And then at once, Max slams the book shut and turns away.
          
          CLOSET
          
          The door swings open. Hanging inside, the battered coat we
          saw Max wear in the subway. A pistol on a hook by the door.
          Urban armor, scarred by countless nights of service.
          
          Max dresses himself for battle, eyes returning to stone.
          
          EXT. STREET - NIGHT
          
          Max climbs out of the subway into a neighborhood with a foot
          in two worlds: the buildings are old and crumbling, but the
          shops inside are sleek and expensive. A jarring combination.
          M
           ax walks up the street, brushing past HOMELESS PEOPLE and
          FASHIONISTAS jostling for the same space on the sidewalk.
          
           NT. APARTMENT BUILDING - HALLWAY
          
          The hallway is ancient brick, but the doors are pristine
          steel. Pausing at one with a dozen locks, Max KNOCKS.
          
          The door cracks.    An EYE appears.   Squinting, evaluating.
          
                                  OICE (O.S.)
                       You can't come here anymore.
          
                                 MAX
                       William Preston was a dead end.
          
          The door cracks enough to reveal the speaker: TREVOR, skinny-
          fat in an sharp suit and sunglasses, shirt open a little far.
          
                                 TREVOR
                       You can't come here, I said. I'm done
                       helping you. I've already...
                           (lowering his voice)
                       ...paid my debt to society, you know?
                       I've cooperated enough.
          
                                 MAX
                       We need to talk.   Won't take long.
          
                    T
          
          
          
          
                    I
          
          
          
          
                              M
          
          
          
          
                                                                     10.
          
          
          
          TREVOR'S APARTMENT - ENTRANCE HALL
          
          Max follows Trevor inside. The narrow brick entry opens into
          a cutting-edge loft beyond, filled with modern art and a
          gathering of BEAUTIFUL PEOPLE milling around enjoying it.
          
                              TREVOR
                    I thought you found Bill's partner.
          
                              MAX
                    I did, but Doug only wanted to talk about
                    pigeons, or something. I need a new
                    name, someone robbing houses to feed a
                    habit around that same time.
                              T
                               REVOR
                    Three years is a lifetime for guys like
                    that. One way or the other, they're
                    probably all gone now.
                        (a little self-satisfied)
                    Either way, I'm not the one to ask
                    anymore. I cater to a better class, now.
          
          One of the guests catches Max's eye: NATASHA, young and
          beautiful, returns his gaze for an extra moment and smiles.
          
                              MAX
                    I can see that.
          
                              TREVOR
                    This is a party. These are my friends.
                    You remember friends?
          
                               AX
                    I need another name, or I start frisking
                    your friends.
          
          Trevor stands his ground, not flinching at Max's threat.
          
                               TREVOR
                      don't have one to give you, Max. Look,
                    you've gone through all your living
                    leads, now you're running out of dead
                    ones...
                        (beat)
                    I don't think this guy's out there.
          
          Max nods, fatigue fighting the determination in his eyes.
          
                              TREVOR
                     ry sleeping at night every now and then,
                    you'd see that for yourself.
          
                                                                          
          
          W
          
          
          
          
          M            N
          
          
          
          
                       Y
          
          
          
          
                       T
          
          
          
          
                                                                     11.
                     
          
          
          Max doesn't answer. His eyes have drifted back to Natasha.
          She plucks a drink from a passing tray, revealing a dark
          smudge across the inside of her wrist as she does.
          
                                 TREVOR
                       I'd invite you in, but...
          
          Suddenly intent, Max pushes past Trevor and into the loft.
          
                                 MAX
                        hanks.
          
          LIVING ROOM - CONTINUOUS
          
          Max weaves through the party towards Natasha, out of place in
          his utilitarian clothes. She looks up as he gets closer...
                               N
                                  ATASHA
                        ou decided to stay for a while.
          
          She speaks with a Russian accent - smiling, a little nervous.
          Rather than answering, Max's eyes drop to her wrist.
          
                                 NATASHA
                        ow it's your turn to say something...
          
           ax takes her hand, gently turning it to reveal her tattoo: a
          black wing, stylized feathers tracing faint blue veins.
          
                                 MAX
                       That's interesting.
          
                                 NATASHA
                       Thank you. It's...
                           (glancing past Max)
                       Shit.
          
          Max follows her gaze to the front door, where Trevor is
          nervously greeting another new arrival: MONA SAX. She's
          striking, beautiful but also a little frightening. It
          doesn't hurt that she's flanked by BODYGUARDS. Russian Mob.
          
          Seeing Natasha standing with Max, Mona barrels across the
          room towards them. People stand aside to let her pass.
          
           ithout preamble, Mona begins YELLING at Natasha in Russian.
          Natasha RESPONDS in kind, clearly intimidated by Mona.
          
          Abruptly, Mona grabs Natasha's arm, jerking her off balance.
          
                                 MAX
                       Why don't you let go--
          
                                                                           
          
          S
          
          
          
          
                                                                     12.
                     
          
          
                                 MONA
                           (in perfect English)
                       Mind your business.
          
          Mona returns to Natasha, dragging her towards the door.
          Natasha's tone becomes PLEADING, physically no match for
          Mona. Max steps in, reaching up to touch Mona's shoulder...
          I
           t happens in a flash: Mona spins and takes hold of Max's
          arm. Incredibly, he's just as fast, slipping free of the
          grip that would surely have snapped his wrist...
          
          For a moment, Max and Mona stare each other down. Surprised,
          reevaluating each other. Natasha continues to TALK, her
          Russian anxious as Mona's bodyguards push through the crowd.
          
          Mona's eyes drop to Max's chest, where the tussle pulled his
          coat open to reveal a low-pro holster and tarnished badge.
          
          With the flick of her wrist, Mona stops her guards' advance.
          
          The crowd begins to notice the altercation. Natasha keeps
          TALKING, trying desperately to make peace and reassure Mona
          of something. Mona's eyes cut between Natasha and Max...
          
           till apprehensive, Mona shakes her head and walks away.
          
                                  NATASHA
                       My sister.
                           (beat)
                       Sort of a bitch.
          
          As Max nods at the understatement, Trevor rushes over,
          forcing a broad smile to reassure his guests. He pulls Max's
          coat closed over the badge and ushers him towards the door.
          
                                 TREVOR
                       You have to go. Now.
          
                                 MAX
                           (pulling free)
                       Fine. I just want to ask her something
                       first...
          
          Max turns to the spot where Natasha had been.   She's gone.
          
          HALLWAY - LATER
          
          The party has grown more crowded. Max fights his way down a
          dark hall, searching the shadowed faces he passes. Back
          here, the music is nothing but GROWLING BASS.
          
          
                                                                           
          
                                 N
          
          
          
          
          S
          
          
          
          
          A
          
          
          
          
                                                                    13.
                     
          
          
          A flickering glow escapes the gaps around one door...
          
          DARK ROOM
          
          A ring of candles in the center of the floor provides the
          only light. It's not enough to really see the PEOPLE inside.
          We hear them CHANTING, low voices MURMURING in unison...
          
          Quick glimpses in the candle light, bare flesh writhing.
          Cast on the walls, corresponding shadows twist and shift...
          
          A black feather billows across the floor between candles.
          Spreading up the wall, a new shadow rises above the rest...
          
              pair of wings - long and distorted in the candle light.
          
          Max appears in the doorway as the shadows loose their shape -
          Max only catching a glimpse, not sure what he's seeing...
          
          HALLWAY
          
          As Max strains to see detail in the dark room, a face
          materializes in the haze: cheeks laced with tattoos, eyes
          twinkling flames sunk in deep shadow. JACK LUPINO.
          
           uddenly, Max turns and sees Natasha standing beside him.     We
          immediately notice something different about her: staring
          boldly into Max's eyes, all her earlier shyness vanished.
                               N
                                  ATASHA
                       Looking for me?
          
          Natasha glances through the door at the shifting shadows,
          smiling at what she sees. Max follows her eyes...
          
                                 MAX
                       Were you in there?
          
                                  ATASHA
                           (shrugging, coy)
                       Take me somewhere, I'll tell you.
          
          INT. MAX'S APARTMENT - NIGHT
          
          Max leads Natasha inside. Before he can even shut the door,
          Natasha pounces - kissing, hands running over his body. As
          he pushes back, Natasha's hands slip into Max's pockets...
          
          Abruptly, Natasha breaks away and looks around the apartment.
          
                                 NATASHA
                       You just move in?
          
                                                                         
          
                       I
          
          
          
          
                       T
          
                                 M
          
          
          
          
                                                                       14.
                     
          
          
          Not really interested, Natasha walks deeper into the room.
          
                                  AX
                        hree years ago. So we're somewhere,
                       now: who was that guy--
          
          In response, Natasha unbuckles her pants and lets them drop.
          Still walking, opening her shirt on her way out of the room.
          
          HALLWAY
          
          Max moves down the hallway, following a trail of clothing.
          From inside a room, we hear the faint sound of CHANTING...
          
          BEDROOM
          
          In Max's bed, a thin sheet barely covers Natasha's body. Her
          lips tremble with a slurred SONG. With predatory eyes, she
          watches Max stop in the doorway, something holding him back.
                               N
                                  ATASHA
                           (frustrated sigh)
                       Fine. What was her name?
          
                                 MAX
                       Who?
          
                                 NATASHA
                       The girl from the boring story you want
                       tell me. The one that ends with you
                       living here. Very sad.
          
          Caught off guard, Max tries to figure out how much he'll say.
          Natasha resumes CHANTING as she waits - a stream of frantic
          SYLLABLES rattling off, nothing recognizable as words.
          
                                 NATASHA
                         tell you what...
                           (beat, evil smile)
                       Call me by her name.
          
                                 MAX
                           (startled)
                       What?
          
          Natasha grins, legs spreading, sheet starting to fall away...
          
                                 NATASHA
                       That way you can make love to her again,
                       just like she never left you.
                           (shrill, mocking voice)
                       Oh, Max, I miss you...
          
                                                                             
          
          A
          
          
          N
          
          
          
          
                       Y
          
          
          
          
                                    M
          
          
          
          
                                                                    15.
                     
          
          
          Like a switch, Max's face closes off again.
          
                                  AX
                       You should go.
          
                                    NATASHA
                       Excuse me?
          
                                 MAX
                           (exhausted, to himself)
                       There's nothing you can tell me.
          
          Natasha explodes out of the bed, springing up naked in front
          of Max - shoulders heaving with rage, eyes wild black holes.
                               N
                                  ATASHA
                        ou're kicking me out of your bed?
          
          For a moment, it seems like Natasha is about to attack.    Not
          physically intimidated, Max stares at her in disbelief.
          
                                    MAX
                       Yeah.
          
          Natasha stomps into the hall, gathering her clothes. She
          pulls a cell phone from her crumpled pants and dials...
          
                                 NATASHA
                           (on phone)
                       Owen, pick up if you're awake...
          
          Max watches her disappear down the hall, front door SLAMMING
          a moment later. He looks around, silence returning again.
          
          EXT. STREET - NIGHT
          
          Natasha walks down a dark, desolate block, the sound of her
          HEELS echoing off of the crumbling buildings around her. Her
          eyes are still wild, her stride quick and aggressive.
          
          A group of MEN huddle in a stairway to avoid the wind. As
          Natasha passes, they look up at her with equally wild eyes.
          
           atasha steps off the sidewalk and into an alley, plunging
          into the darkness like she's been there many times before.
          In the distance, faint MUSIC rumbles through the street.
          
              moment later, the few working lamps on the street dim...
          
                      N
          
          
          
          
          R
          
          
          
          
          A
          
          
          
          
                                                                         16.
          
          
          
          ALLEY
          
          Natasha barrels down the alley, squinting to see ahead.        The
          music is a little louder, BASS shaking the dumpsters.
          A
              wind picks up, garbage blowing...
          
          Suddenly unsettled by something, Natasha's pace slows.      She
          tenses, all her swagger vanishing before our eyes...
          
              can RATTLES in the alley behind her.    Natasha spins...
          
          Nothing - just the FLICKERING of moths swarming the alley's
          only light, their shadows black shapes against the bricks.
          
          The sound of much larger BEATING WINGS fills the alley...
          
          Eyes wide with terror, Natasha searches for something in the
          shapes cast by the moths, dread deepening as she finds it:
          
           eal winged shapes mix with the shadows, FLAPPING wildly...
          
          Natasha CRIES OUT, stumbling back.      She turns, running...
          
                                 NATASHA
                       ot yet!   Please, just let me...
          
          Natasha's SCREAMS seem lost in the chaos of wind and WINGS
          and distant MUSIC. She suddenly stops running...
          
          More SHADOWS assemble ahead of her, their black wings open.
          
          INT. MAX'S APARTMENT - BEDROOM - MORNING
          
          Max hurriedly dresses, wearing the same suit from yesterday.
          He picks up his keys, searching around for something else -
          feeling the pockets of his jacket, down in the cushions...
          
          OFFICE
          
          Max moves up the sidewalk, nearly at the steps of his office.
          A rough-running ENGINE idles up the street, getting closer.
          Slowly, Max realizes that he's being followed. He turns...
          A
           LEX HILLMAN sits behind the wheel - about Max's age, but in
          much rougher condition, everything about him a little ashen.
          He watches Max turn away from the office and move closer.
          
          Max returns Alex's stare. We don't know if they're about to
          smile or open fire. They don't seem to know, either.
          
          Alex slides over and throws the passenger side door open.
          
                    S
          
          
          
          
          A
          
          
          
          
                                                                   17.
          
          
          
          INT. ALEX'S CAR - DAY
          
          Alex and Max ride in silence, a palpable tension in the car.
          
           lex pulls a pack of cigarettes from his pocket and shakes
          one out. He holds the pack out to Max, who shakes his head.
          
          Alex nods, smiling, using his lighter and then laying it with
          the pack within Max's reach. Max doesn't even glance down.
          After a silent moment, Alex looks over at Max and frowns.
          
                              ALEX
                    You're not serious, are you?
          
          Shaking his head in disbelief, Alex pulls to the curb.
          T
           hey've parked at a crime scene - the alley in front of them
          sealed with police tape, COPS posted to keep onlookers away.
          
                              MAX
                    What's this?
          
          Alex pulls a flask from under his seat, taking a quick pull.
          
                              ALEX
                    I need you to look at something.
          
          EXT. ALLEY - DAY
          
          Alex approaches the alley, pulling on a leather jacket and
          snapping a badge onto his belt. The cops let him pass.
          
          Max follows Alex, slowing as he crosses the police tape. By
          the crowd of CSI TECHS, what started here didn't end well.
          There's blood everywhere, a dozen white sheets on the ground.
          
                              MAX
                    What happened to them?
          
                                 ALEX
                    Her.     Just one.
          
          Confused, Max studies the sheets. On second look, they
          aren't covering anything quite big enough to be a whole body.
          
                              ALEX
                     omebody found her leg near the sidewalk,
                    called it in a few hours later. We found
                    the other one in the dumpster over there.
          
                              DETECTIVE #1 (O.S.)
                    I don't believe it.
          
                                                                       
          
          M
          
          
          
          
                                 A
          
          
          
          
                                                                      18.
                     
          
          
          Max and Alex turn to see that they've attracted spectators,
          the other DETECTIVES D the alley watching them intently.
                               in
          
                                  ETECTIVE #1
                       Don't tell me you two are gonna start
                       working together again. I'd--
          
                                  LEX
                           (ignoring)
                       What do we know?
          
                                 DETECTIVE #1
                       Only that it didn't happen here. Beyond
                       that, I don't even know how to describe
                       it in my report. `Disassembled,' that's
                       the word we came up with.
          
          The Detective grins, proud of his wit. Alex and Max move on
          without comment. Max looks at the sheets, shaking his head.
          
                                 MAX
                       Why are you showing me this?
          
          Alex pulls out a plastic evidence bag, holding it out...
          
          Max's wallet.
          
                                 ALEX
                       We found it here, by her heart.
          
          Inside the clear bag, Max's ID picture is smeared with blood.
          
                                 ALEX
                       As far as we know, the victim--
          
                                 MAX
                           (quiet)
                       Natasha.
          
           ax kneels down over a tarp. The edge is pulled back,
          revealing a pale forearm with a delicate tattoo of a wing.
          
                                 MAX
                           (remembering)
                       They couldn't lift him up...
          
                                 ALEX
                       What did you just say?
          
          Max looks up at Alex, who is suddenly quite agitated. He
          glances back at the other detectives - they're staring at
          Alex and Max, whispering something amongst themselves.
          
                                                                            
          
          F
          
          
          
          
                                                                   19.
                      (2)
          
          
                              ALEX
                    We need to talk, Max. Tonight.
                        (writing something)
                    Here's my address...
          
                              MAX
                    For God's sake, I know where you--
          
                              ALEX
                        (somber)
                    No, I moved out.
          
          Alex hands over the address and hurries away, leaving Max
          standing in the alley, surrounded by Natasha's remains.
          
          EXT. APARTMENT BUILDING - NIGHT
          
          Max steps out of his car, moving up the sidewalk to a
          surprisingly nice apartment building: uniformed doorman, the
          works. Double-checking the address, Max steps inside...
          
          INT. APARTMENT BUILDING - HALLWAY - NIGHT
          
          Near the end of the hall, Max stops at an apartment door.
          The wood is splintered, pieces of the frame hanging loose...
          
           orced open.
          
          Max checks the hall in both directions, drawing his pistol...
          
          ALEX'S APARTMENT - LIVING ROOM
          
          Careful not to make a sound, Max steps into a living room so
          messy that it's hard to say for sure if it's been ransacked.
          Max flips a switch by the door, but no lights come on.
          
                               MAX
                    Alex?   Are you in here?
          
          Max pauses so his eyes can adjust to the traces of
          streetlight sneaking through the blinds. He moves deeper...
          
          KITCHEN
          
          Pistol ready, Max moves into the kitchen. Dirty dishes,
          flies swarming around the necks of countless liquor bottles.
          U
           nseen behind Max's back, the front door pushes closed...
          
          HALLWAY
          
          Max creeps down a hallway.   His shoes CRUNCH in something:
          
                                                                        
          
          A
          
          M
          
          
          
          
                                                                     20.
                     
          
          
          A broken mirror scattered in the hallway, the pieces growing
          more concentrated towards the dark end of the hall.
          
          Max reaches an open doorway.   Cautiously, he sweeps inside...
          
          In the hallway behind Max, SOMETHING moves in the shadows.
          
           ax moves deeper into the darkness, gleaming shards of mirror
          grinding underfoot. Something lies in the floor ahead...
          
            BODY - legs stretched across the hall, upper torso not
          visible inside a room. A badge on the belt, a service
          revolver limp in it's fingers, tattered leather jacket.
          
          Alex.
          
          At the moment that registers, a NOISE in the hallway behind
          him sends Max ducking for cover in the doorway beside him.
          Max crouches, gun raised, staring at Alex's motionless body.
          
                               MAX
                       Alex!
          
          FOOTSTEPS grow closer...slow, steady...
          
          Max uses the fragments of mirror scattered around Alex's
          legs, each giving a tiny view of the hallway...
          
          One piece shows a FIGURE moving closer, shrouded in darkness.
          A
           nother reflection shows a set of eyes. Frozen. Frantic.
          It's Alex, staring at Max, seeming to silently beg for help.
          Max looks from the reflection to the legs. There's no way...
          
          There's no way Alex's head is still attached to his body.
          
          Thunderstruck, Max looses track of the shadows moving closer
          to his hiding spot, unable to pull his eyes away from Alex.
          The Figure lunges out of the shadows, slamming into Max...
          
          The Dark Shape's slashing blows glint in the moonlight, cold
          metal slicing the air faster than Max can fend off...
          
                                                             CUT TO:
          
          A RAPID SERIES OF IMAGES:
          
          Max drags himself up the hall, hands slicing on the shards.
          The air echoes with angry VOICES, LAUGHTER and SCREAMS.
          Blood drips down the walls, shadows teem with movement...
          
          
          
                                                                        
          
                                 B
          
          
          
          
                       T
          
          
          
          
                       Y
          
          
          
          
                                                                       21.
                     
          
          
          The FLAPPING grows louder, gusting WIND scattering glass.
          Max SHOUTS, disoriented, instinctively pushing himself on.
          Alex's eyes, frozen wide, watch as Max crawls closer...
          
          Shadows in the air above Max roil with movement. Demonic
          HOWLS rattle the windows. Max reaches out to Alex...
          
          Above them, black wings POUND.
          I
           NT. HOSPITAL ROOM - DAY
          
          Max's eyes pop open.
          
          He lies in a hospital bed, surrounded by flashing machinery.
          Beyond the soft WHIR of equipment fans, the room is silent.
          
                                 BB (O.C.)
                       The E.R. doctor's old man was a patrolman
                       in the 45th. I got him to get you a
                       private room.
          
          In a chair by the bed, BB HENSLEY (50s) watches Max wake up.
          BB's face is weathered and hard, but his smile is kind.
          
                                 BB
                        our contact information was... pretty
                       out of date, you know, but one of the
                       dispatchers remembered me and your dad
                       riding together back in the day.
          
          Max nods groggily, struggling to find his bearings...
          
          Suddenly, something breaks through.
          
                                 MAX
                       Alex.
          
          BB nods, shivering at the mental image his name produces.
          
                                 BB
                        he first unit to respond must've scared
                       them away before they could do the same
                       thing to you. Pretty remarkable,
                       considering your luck.
          
                                 MAX
                       He was trying to tell me something.
          
                                  B
                       Was he alive when you showed up?   Did you
                       get a look at the guys who--
          
          
                                                                             
          
                                  M
          
          
                       J
          
          
          
          
                                  M
          
          
          
          
                                                                        22.
                     
          
          
                                   MAX
                       No.   I get Bflashes, but it's...wrong.
          
                                  B
                       I hate to say it, but you need to come up
                       with something better than that. They've
                       got nothing for leads, so the whole force
                       has you pegged as the prime suspect.
          
                                  AX
                       You tell them where to find me.
          
                                  BB
                       No need.   The funeral starts in an hour.
          
          Max pops up, tangling the IV tubes running into his hand.
          
                                 BB
                        ust slow down.   You need to--
          
          Max wraps the clear tube around his hand and SNAPS it free.
          
                                  AX
                       What I need is to borrow some dress
                       blues. Can you help me out?
          
                                 BB
                           (reluctant)
                       Yeah. My office is on the way.
          
          As Max takes an unsteady step onto the cold tile floor, a
          concerned BB throws his overcoat across Max's shoulders.
          
          INT. BB'S CAR - DAY
          
          BB and Max ride in silence, RADIO overpowered by the blasting
          heater. Max closes the overcoat over his hospital gown.
                               D
                                  .J. (V.O.)
                       --with a major system moving down from
                       Canada tonight, transportation
                       authorities are bracing for a blizzard...
          
          BB pulls against the curb on a block unfamiliar to Max.
          
          EXT. ASGARD BUILDING - DAY
          
          A massive stone structure, squat like a military fortress and
          black under the storm clouds. There have been updates over
          the years, but nothing could to hide the age of the building.
          
          
          
                                                                              
          
          I
          
          
          
          
                           (
          
          
          
          
                                 B
          
          
          
          
                                                                      23.
                     
          
          
          BB starts across the sidewalk to the entrance. Max follows,
          giving a confused frown at the building they're approaching.
          
                                 MAX
                       You quit working for Aesir?
          
          BB leads Max through a wrought-iron gate, into a small
          courtyard leads back to the thick wood doors of the entrance.
          
                                   B
                       I didn't quit, they made me head of
                       security for the whole parent company.
                       That comes with its own building, such
                       that it is.
                            beat)
                       Check this out.
          
          A proud parent, BB points at a deep pit in the stone wall.
          
                                 MAX
                           (impatient)
                       It's a bullet hole.
          
                                 BB
                       Yeah, from a musket ball. The British
                       used this place as a military prison
                       during the Revolutionary War. Think
                       about that. It's older than St. Paul's.
          M
           ax looks up at the crumbling gargoyles perched above.
          
           NT. ASGARD BUILDING - BB'S OFFICE - DAY
          
          The double doors fly open onto a massive office - dark wood
          panelling, a wall of windows glowing white from the snow.
          
          Max goes to the windows. Spreading out bellow him, the wide
          black expanse of the East River rolls past. Bridges arc up
          into the storm clouds and disappear before they hit Brooklyn.
          
                                 BB
                       W
                        hen the weather isn't so shitty, the
                       view is unbelievable.
                           (going to the closet)
                       I'm not making any guarantees that any of
                       this will fit.
          
          While BB roots around inside, Max absently scans his desk.
          
          A slick company newsletter - `AESIR PHARMACEUTICALS.' On
          the cover, NICOLE HORNE - 50's, dignified, not quite smiling.
          `A HOLIDAY MESSAGE FROM THE CEO' printed below her face.
          
                                                                            
          
          E
          
          
          
          
          M
                       I
          
          
          
          
                       T
          
          
          
          
                       T
          
          
          
          
          M
          
          
          
          
                                                                       24.
                     
          
          
                                 BB
                       I saved one of those for you.
                           (off Max's confusion)
                       Third page from the back.
          
          Max flips the pages - smiling scientists, sparkling labs...
          
           ICHELLE PAYNE, bright smile illuminating a bland corporate
          portrait. The same face in the photo Max showed the Junkie.
          
                                 BB
                        hey're going to set up some kind of
                       scholarship in her name.
          
          Taken by surprise, Max doesn't seem to hear BB's explanation.
          
                                   BB
                        hey kept coming to me for suggestions
                       over what she might want. I guess since
                       we go back so far, maybe they think I'm
                           (
                       family. Nobody knew how to find you...
                             beat)
                       I said art. She liked art, right?
          
          Max nods, turning his eyes away from the photograph.
          
                                 BB
                        t's a nice thing, a scholarship.   Good
                       way to remember somebody.
          
           ax eagerly takes the old uniform from BB, happy to have
          something else to focus on. BB studies his body language.
          
                                 BB
                       You still haven't been out there, have
                       you?
          
          Max doesn't answer, slipping into a wrinkled dress shirt.
          
           XT. CEMETERY - DAY
          
          Cars line the drive leading into the cemetery. People leave
          their warmth and hurry through the iron gates - these
          mourners especially determined, a community out to honor a
          fallen brother. BB and Max follow them onto the...
          
          CEMETERY PATH
          
          Max's eyes are on the cemetery. BB follows his gaze...
          Two marble angels on the hill. One smaller than the other.
          
          
          
                                                                             
          
                                 M
          
          
          
          
          B
          
          
          
          
          M
                           (
          
          
          
          
                                                                      25.
                     
          
          
                                 BB
                           (gently pushing)
                       It's a nice spot. I'll go up there with
                       you after, if you want...
          
          Max shakes his head.
          
          Up ahead, a young mother tends to two little girls dressed in
          black, escorted through the cemetery gate by the HONOR GUARD.
          CHRISTA HILLMAN, Alex's widow. Face blank, still in shock.

                               B
                                  B
                            suddenly anxious)
                       Go ahead up and say something to Christa.
                       I'll find us some seats...
          
           ax threads his way through the mass of UNIFORMED COPS
          waiting to enter the cemetery. One by one they notice Max,
          jaws clenching. Max doesn't realize the gauntlet he's in,
          distracted by a glance of BB slinking into the graves...
          
          ...where NICOLE HORNE watches the funeral from among the
          headstones, almost overdressed in head-to-toe black. Close
          at hand, JASON COLVIN holds Nicole's umbrella.
          
           B approaches Nicole, body language weak and deferential...
          
          Max glances back at the path and finds himself facing a wall
          of angry cops. He keeps walking, no sign of backing down.
          
                                 CHRISTA (O.C.)
                       Let him through.
          
          Even with the cops making way, the walk to Christa is hard -
          the heartbreak and grief on her face slowing Max's gait.
          
                                  AX
                       Christa, I'm really sorry about what--
          
                                 CHRISTA
                       Don't talk to me like some stranger.
          
          Christa's eyes bore into Max with all the weight of a long
          and deep friendship, momentarily shaming him into silence.
          
                                 CHRISTA
                       Who did this to him, Max?
          
                                 MAX
                       We don't have a lot, yet...
          
          Christa steps towards Max, teeth gritted with powerless rage.
          
                                                                            
          
                      N
          
          
          
          
                      I
          T
          
          
          
          
                                                                   26.
                      (2)
          
          
                                CHRISTA
                          (seething)
                      When everything happened to you, Alex
                      completely fell apart. He ruined his
                      life, he cared that much. So what are
                      you going to do for him, now?
          M
           ax could melt under those eyes, but Christa turns her back
          and continues up the path to Alex's waiting coffin.
          
          Shamed, Max turns away and starts back down the path alone.
          
                                BRAVURA
                      Detective Payne?
          
          Everyone turns to see JIM BRAVURA (40s) leaning on the fence.
          
                                 BRAVURA
                       .A.   I need you to come with me.
          
           hough they'd been moments from brawling, there's a common
          reaction from the other cops: nobody likes this guy. Max
          looks around, humiliated.
          
                                 MAX
                       ow?
          
                                 BRAVURA
                      Now.
          
          GRAVESIDE
          
          The honor guard stands in formation by the flag-draped
          casket. The PRIEST waits, his bible ripping in the wind...
          
          Christa twists around in her chair, looking down at the
          cemetery gate. She sees the crowd, Max being escorted away.
          
                                CHRISTA
                          (sad, to the priest)
                      Okay.
          
          Above them all, Nicole Horne stands like a shadow between the
          graves, too far away to hear the words of the priest.
          
          INT. BRAVURA'S OFFICE
          
          A cramped office, packed with boxes - a civil servant's tomb.
          Wedged behind the desk, Bravura sorts through his notes. Max
          and BB sit across the desk, left on ice while Bravura reads.
          
          
          
                                                                         
          
                       I
          
          
          
          
                       H
          
          
          
          
                                                                        27.
                     
          
          
          Bravura slides a folder over to Max - photographs of the
          alley, Natasha's covered body. Bravura watches his reaction.
          
                                 BRAVURA
                        ow'd the girl have your wallet?
          
                                 MAX
                       She stole it.
          
                                 BRAVURA
                       Like...picked your pocket?
          
          Max shrugs.
          
                                 BRAVURA
                       So you didn't know she was a prostitute?
          
          The slightest uncomfortable look passes between Max and BB.
          
                                 MAX
                       No, I didn't.    We met through a friend.
          
                                 BRAVURA
                       Trevor Duncan. He's your friend?
          
                                  MAX
                       I guess.
          
                                 BRAVURA
                       That's classy. You know what Trevor does
                       for a living, I assume?
          
                                 MAX
                       He used to snitch for me.
          
                                 BRAVURA
                       T
                        ell me, Max, what's a glorified file
                       clerk still need a snitch for?
          
          Max stays stone-faced, burying any emotion Bravura could use.
          
                                  BRAVURA
                         see.   So you'd piss in a cup for us,
                       right?
          
                                 BB
                           (standing)
                       I think you just said the magic words.
                       Call once you hear from the union lawyer.
          
          Bravura replaces Natasha's pictures with a stack of shots
          taken in Alex's apartment. Despite himself, Max freezes.
          
                                                                              
          
                     L
          
          
          
          
          B
          
          
          
          
                     Y
          
          
          
          
                                                                      28.
                      (2)
          
          
                               BRAVURA
                      ou and Detective Hillman haven't worked
                     together since your reassignment. What
                     made you get back in touch?
          
          Max is distracted by the photographs: enormous blood stains
          in stark flash bulb light, no longer hidden by the shadows.
          
                               MAX
                     He wanted me to help him with something.
          
                                  BRAVURA
                            (making a note)
                     And?
          
          Max looks up from the picture, realizing he's been baited
          into saying more than he'd meant to. He starts for the door.
          
                               MAX
                     That's what I'm going to do.
          
           ravura gives Max a hard look.      Mad, but genuinely searching.
          
                               BRAVURA
                      ook at this from my perspective: I've
                     got two bodies in ten body bags. You
                               M
                     were the last person to see either one...
          
                                AX
                         (pointing to the photos)
                     And some of that blood is mine.     Good
                     luck with your case.
          
          As Max storms out, BB calmly stands and pulls on his jacket.
          
                               BB
                     Nice work, detective.
          
          As BB turns to leave, Bravura stands from behind his desk.
          
                               BRAVURA
                     You've been around long enough to know
                     I'm his only way out.
          
          BB looks back and sees the business card Bravura's holding
          out. After a conflicted moment, BB slips it into his pocket.
          
          ELEVATOR
          
          Still fuming from the encounter with Bravura, Max watches the
          numbers over the door fall. BB stands beside him, anxious.
          A car load of PEOPLE surround them, pressed tightly together.
          
                                                                           
          
          M
          
          
          
          M
          
          
          
          
          A
          
          
          
          
                                                                       29.
                     
          
          
                                 BB
                       Well, I hope that felt good.
          
          Max doesn't respond, eyes drifting to the directory mounted
          above the buttons. `2ND FLOOR, TRAFFIC VIOLATIONS,' `5TH
          FLOOR, NARCOTICS....'
          
                                 BB
                       It makes you look guilty. You understand
                       that, right? Now it's not just Alex's
                       unit that thinks you're the guy...
          
          Max's eyes find `10TH FLOOR, HOMICIDE DIVISION.'
          
          The doors open with a CHIME, and the CROWD presses forward.
          H
           ALLWAY - CONTINUOUS
          
          BB steps out with the other passengers, still talking to Max.
          
                                 BB
                       You need friends on the force right now.
                       There's only so much I can do outside...
          
          BB turns to see if his words are doing anything to reach Max.
          
          However, Max is still standing in the elevator, the only one
          left on the car. He presses the button for the tenth floor.
          
                                 BB
                       Where are you going?
          
          The doors LURCH shut.
          
          HOMICIDE OFFICE
          
          Max steps into the room.
          
           t once, you're struck by how this is the opposite of the
          cold case department: desks cluttered by labor instead of
          neglect, DETECTIVES engaged in their telephone conversations.
          
          Eyes start to find him.
          
           ax marches forward, ignoring the spreading wave of shock.
          
          Max stops at a door marked `ALEX HILLMAN.'    It's locked.
          
           ax JIGGLES the door knob.
          
          
          
          
                                                                             
          
          F
          
          
          
          
          M
          
          
          
          
          B
          
          
          
          
                                                                       30.
                     
          
          
                                    DETECTIVE #1
                              (shouting)
                       Hey!
          
          Max doesn't look up.       He keeps SHAKING the handle, desperate.
          
                                 DETECTIVE #1 (cont'd)
                       Hey asshole, that door's locked for a
                       reason.
          
          One by one, the detectives climb to their feet, expressions
          showing outrage and anger. They close in on Max...
          
                                 DETECTIVE #2
                       God damn it, that means you need a--
          M
           ax gives the knob a final twist, and the door swings open.
          
                                 MAX
                           (to himself)
                       There wasn't ever a key.
          
          Max steps inside.       Enraged, the detectives start to follow...
          
           ut the door SLAMS again in their faces.
          
          ALEX'S OFFICE
          
          The doorknob RATTLES, no method this time. SHOUTS and BANGS
          ring through the door. Ignoring it, Max surveys the room...
          
          The office is bare, no decorations or personal touches. Max
          walks deeper into the room, opening a filing cabinet. Empty.
          
          Trying to remain calm while the door SHAKES violently, Max
          turns his attention to the desk. One drawer empty...
          
          Max tries another drawer, and finds this one locked.
          
           ax drives his boot into the drawer, AGAIN and AGAIN.
          
                                 DETECTIVE (O.C.)
                       What are you doing in there?
          
          Teeth gritted against the pain, Max delivers a final KICK.
          
          The drawer front shatters and collapses.       Max reaches inside.
          
           iles - not criminal jackets like the ones in Cold Case.
          More official, somehow. Max flips through one at random...
          
          `GREEN, OWEN A.'       Not a mug shot, but a military ID photo.
          
                                                                            
          
          M
          
          
          
          
          A
          
          
          
          
                                                                   31.
                     
          
          
          Out in the hall, the crowd of detectives seems to grow
          larger, the POUNDING on the door becoming more severe.
          T
           he SLAMMING sounds outside push Max deeper into the desk,
          frantically spilling the contents onto the floor...
          
          Michelle's face.
          
          Max's eyes go wide.
          
          Another photograph of Michelle.
          
           nother.
          
          Shaking, Max's hands dig deeper...
          
          An impact sends CRACKS splitting up the length of the door...
          
          HOMICIDE OFFICE
          
          Two detectives throw their shoulders into the door. The rest
          crowd around them, foaming at the mouth to get inside to Max.
          
          One more lunge...
          
          The door SHATTERS, sending the detectives tumbling inside...
          
          ALEX'S OFFICE
          
          Photos and documents are scattered across the floor, over
          Alex's desk, mixed in with the fragments of the broken desk.
          
          From an open window, the storm's first flurries drift inside.
          
          Max is gone.
          
          EXT. STREET - NIGHT
          
          The snowfall has picked up, flurries giving way to thick
          heavy flakes already sticking to the sidewalk. Max leans
          into the stinging wind, lost in the night's revelations.
          
          Hax slows abruptly, looking back at the street behind him...
           eavy shadows pool around the alleys, doorways and swelling
          cars. The streetlights seem to carry less in the snow.
          
          A FIGURE walks down the opposite sidewalk. With heavy snow
          filling the space between them, it's hard to make out much...
          
          ...but there's something flowing out from the figure's back.
          
          
                                                                       
          
                       W
          
          
          
          
          T
          
          
          
          
                                                                      32.
                     
          
          
          Max turns back to the sidewalk ahead, jaw clenching...
          
          ALLEY
          
          Abruptly, Max's ducks into the mouth of alley. Back pressed
          to the cold brick, he draws his pistol and CHAMBERS a round.
          Unseen by Max, something moves in the shadows behind him...
          
           he street lamps begin to sputter. In the strobing light,
          long black shadows billow from the Figure's shoulders...
          
          Max backs away from the corner, deeper into the dark alley
          where three SHAPES are surging forward to meet him...
          
          Max dodges, but his pistol's KNOCKED to the pavement. Max
          stumbles, bringing up his guard. The Man charges again. Max
          sidesteps, grabbing an arm as he does, SNAPPING the bone...
          O
           ut on the street, the Man's SCREAMS mix with the howling
          wind. The Figure steps into the street, towards the alley...
          
          Max is jumped from all sides, opponents finally coordinating
          to overwhelm him. The Figure steps out of the wind...
          
          ...and what seemed to be wings turns out to be a long coat.
          Mona Sax moves closer, opening that coat to reveal a thick
          metal chain. Max GROWLS as arms pull him upright.
          
                                 MAX
                       Lose your dog?
          
          Mona whips the chain into Max's face, CLANKING as it strikes
          bone. Instantly, blood begins streaming from his mouth...
          
                                 MONA
                       We need to talk about my sister.
          
          The chain CRACKS again, Max's teeth rattling from the blow.
          
                                 MAX
                        hoever killed your sister did the same
                       thing to my partner--
                           (louder)
                       It was the same person.
          
                                  MONA
                       Yeah.   You.
          
          Mona HITS Max again, this time in the shins.    Max CRIES OUT.
          
          
          
          
                                                                            
          
                                    M
          
          
          
          
                             (
          
          
          
          
                                                                      33.
                     
          
          
                                 MAX
                            slurred)
                       So stupid...
          
          Slowly at first, Mona WHIRLS the chain into a larger loop...
          
                                 MONA
                       You left your wallet lying beside her
                       body. Who's stupid?
          M
           ax slumps to the side, spitting out a stream of blood...
          
                                 MAX
                       Does that sound like something a Homicide
                       cop would get wrong?
          
          Mona whips the chain faster, CUTTING the air...thinking...
          Gasping at the pain, Max slowly straightens up again.
          
                                 MAX
                       You know somebody named Owen?
          
          Mona lets the chain's speed gradually slow again.
          
                                 MONA
                       Owen Green?
          
                                 MAX
                       Natasha called him on her way out of my
                       apartment. Give me one day to--
          
          Mona drops the chain with a CLANK.
          
                                     ONA
                       No.   Now.
          
          She motions for her men to haul Max to his feet.
          
          INT. OWEN'S BUILDING - HALLWAY - NIGHT
          
          Mona and Max storm down a dim apartment hallway in tense
          silence. Max wipes the blood from the cuts on his face.
          
                                 MAX
                       Who is this guy?
          
          Mona lets her coat fall open, revealing a machine gun.
          
                                 MONA
                       Somebody my sister used to hang around
                       with. Nice kid.
                                 (MORE)
          
                                                                            
          
                                                                       34.
                                  MONA(CONT'D)
                           (chambering a round)
                       You better hope he backs your story up.
          
                                 MAX
                       I have things I need to ask him, myself.
          
          Mona flashes Max a look before POUNDING on a door.
          
                                 MONA
                           (calling through the door)
                       Owen, open up.
          
          A louder, longer KNOCK.
          
                                 MONA
                       Open--
          
          A muted SCREAM filters through the door, cutting her short.
          Max DRIVES his boot into the door, splintering the jam...
          
          INT. OWEN'S APARTMENT - CONTINUOUS
          
          Max and Mona rush into the room, breath smoking from the
          cold. All of the windows are open. Gusts of snow blow
          inside, drifts of white powder extending into the room...
          
                                 MAX
                           (calling out)
                       Owen?
          
          He SCREAMS his response from the next room.    They rush...
          
          LIVING ROOM
          
          ...through the door, weapons drawn.    Both stop short:
          
          OWEN GREEN is all alone in the room. SCREAMING, swatting at
          empty air around him, each limb moving a different direction.
          M
           ax lowers his pistol - ready for anything, not for this.
          
          Owen's feet slip over the snow, toes curling desperately on
          the ice, searching for traction as they slide closer...
          
                                 OWEN
                           (breathless, to no one)
                       Help me.
          
          ...to an open window on the other side of the room.
          
                                 MONA
                       Owen?
          
          
                                                                             
          
          .
          
          
          
          
                                                                       35.
                     
          
          
          He doesn't seem to hear - sweat streams down his terrified
          face, snowflakes frosting the perspiration on his chest.
          Owen's eyes are instead drawn through the open windows...
          
           ..where SILHOUETTES flicker against the storm-darkened sky.
          
          Oblivious to the shapes outside, Max and Mona watch Owen's
          terror intensify, his dervish dance growing more frantic...
          
          Outside every window, BLACK SHAPES float closer in the air
          above the street - vaguely human, long wings POUNDING...
          
          ...sending gusts of wind ripping through the windows, kicking
          up snow and ice. Max and Mona shrink back, shielding their
          eyes at the blast as Owen's tortured SCREAMS fill the room...
          
          Twisting like he's trying to pull free from invisible hands,
          Owen reaches the window. As if trying to push back, his
          hands and feet fly up to the trim around the window...
          
                                 MAX
                       Owen, wait...
          
          Unable to turn around, Owen's eyes find the reflected images
          of Max and Mona in the window he's being pulled to...
          H
           is attention is torn from their reflections on top of the
          glass by the spectres looming beyond it outside. Their claws
          reach in, raking his body, pulling him closer...
          
          Realizing that Owen isn't stopping, Max rushes towards him.
          
                                 OWEN
                           (screaming)
                       Make them stop, tell them I can't fly...
          
          Max lunges forward, trying in vain to cover yards...
          
          ...when Owen only has inches.    He's ripped into the void...
          
          EXT. OWEN'S BUILDING - CONTINUOUS
          
          Max throws himself forward into the window, looking down...
          
          ...where Owen falls, looking up at Max helplessly...
          
          ... then less terrified, as the wind keeps RUSHING past...
          
          ...and then, just before impact, relieved.
          
          Owen CRASHES into the sidewalk.
          
          
                                                                             
          
          B
          
          
          
          
                                                                    36.
                     
          
          
          Mona races up to join Max in the window. For a stunned beat
          they look down at the shattered body of Owen Green - his
          unblinking eyes frozen on the heavens, collecting snowflakes.
          
                                 MONA
                           (shaken)
                       What did we just see?
          
          No answer, Max studies Owen's twisted body. Long, finger-
          like bruises trace out from his neck, blending with the
          tattoos that lace his grey skin. Grinning skulls, the USMC
          eagle/globe/anchor...
          
          ...and a pair of wings, just like Natasha's.
          I
           NT. TATTOO PARLOR - NIGHT
          
          Max drops a Polaroid of Owen's tattoo onto a glass counter.
          
           lue water ripples through translucent pipes in the walls and
          floor, the air of the small room glowing like the ocean. A
          mirrored ceiling repeats the tattoo parlor again above.
          
                                 MAX
                       You're sure this is the place?
          
                                 MONA
                       Natasha had all her work done here.
          
          An elderly TATTOO ARTIST moves up behind the counter.
          
                                 ARTIST
                       Something I can help you with?
          
          Max slides the photograph across to the Tattoo Artist.
          
                                 MAX
                       What if I wanted this tattoo?
          
                                 TATTOO ARTIST
                       Then you're probably in the Marine Corps.
          
                                 MAX
                           (pointing to the wings)
                       This one.
          
          The Artist stoops closer, tensing when he sees the design.
          Mona leans over the counter, locking onto the Artist's eyes.
          
                                 MONA
                       What is it?
          
          
                                                                          
          
                                                                       37.
                     
          
          
          As encouragement, Mona lets her coat open to reveal her gun.
          
                                 TATTOO ARTIST
                           (intimidated)
                       It's a Norse superstition. The Vikings
                       used to wear them for protection.
          
                                 MONA
                       Trust me, my sister had all the guardian
                       angels she needed.
          
                                 TATTOO ARTIST
                       Not angels. Valkyries.
          T
           he Artist goes to a shelf bulging with old books - his
          reference library. He searches through dusty volumes...
          
          Just past the shelves, a doorway is cracked open. A young
          APPRENTICE artist hovers in the dark and listens in on the
          conversation unnoticed - sweating, his pupils drawing back...
          
          Returning with a book, the Artist finds the page: a winged
          woman led by a pack of wolves over a grizzly battlefield.
          
                                  TATTOO ARTIST
                       In Norse mythology, the only way you get
                       to go to heaven is to die in violence.
                       Die in your sleep, you go to hell.
                       Valkyries fly over the battlefields,
                       picking out the righteous dead. They
                       reward the people who draw first blood.
                           (beat)
                       A soldier's angel.
          
          Nodding, Mona lets her gun drift away from the Artist.
          
                                 TATTOO ARTIST
                       I'm generally thrilled to have referral
                       business, but I tell people looking for
                       those wings to find ink closer to home.
          
                                 MONA
                       Where's home?
          
                                 TATTOO ARTIST
                       Some club down in Alphabet City.
          
          Mona turns to leave, satisfied, but Max is stuck on the book -
          the valkyrie's empty eyes, bloody bodies at her feet...
          
                                 MAX
                       Protection from what?
          
                                                                             
          
          I
          
          
          
          
                                                                      38.
                      (2)
          
          
          Suddenly, all the lights go out.
          T
           he pipes stop glowing, blackness replacing the blue lights.
          
          Out of the corner of his eye, Max sees a DARKER SHADOW race
          across the room towards them, almost too fast to be human...
          
          Max and Mona have time to duck; the Artist isn't so lucky. A
          CRACK of bone, the old man's skull taking the brutal force...
          
          Mona's weapon BARKS, a short burst RIPPING through the air.
          
           n the momentary fire, Max can see the Shape swinging a club.
          The bat CUTS through the air, SMASHING open glass pipes in
          the wall behind Max, the shards raining down over him...
          
          The Figure charges at Max again.   Max's pistol CRACKS.
          
          The room is abruptly silent.
          
          The lights flash on.   Mona steps out of the back room...
          
          Max is stunned to find himself standing over nothing more
          monstrous than the Apprentice - one hand over the hole in his
          chest, the other weakly swinging a shard of glass at Max.
                               A
                               PPRENTICE
                        (gurgling, to Max)
                    They see you...they see you...
          
                              MONA
                    Do you know this guy?
          
          Max shakes his head, struck mute by the look in the dying
          man's eyes.
          
          INT. MAX'S CAR - NIGHT
          
          Max pushes the car over slick streets, clothes covered in the
          Artist's blood. Lost in thought, Mona looks out the window.
          
                              MONA
                        (without conviction)
                    Maybe it isn't anything new.   People get
                    strung out, act crazy...
          
                              MAX
                    You think they were both on something?
          
          
          
          
                                                                           
          
          M
          
          
          
          
                                                                    39.
                     
          
          
                                  MONA
                       Crystal meth, maybe, some amphetamine
                       that raises your body temperature in an
                       overdose. Explains why they were both
                       sweating like that, trying to cool off.
                           (beat)
                       Of course, a junky won't usually jump out
                       the window if there's someone left in the
                       room to beg or rob.
          
           ax nods his agreement, replaying Owen's death in his mind.
          
                                 MAX
                       You were standing right beside me.
          
                                    MONA
                       And?
          
                                 MAX
                       Jumped is not the word I'd use.
          
          
          EXT. RAGNA ROK - DUSK
          
          In a block of abandoned storefronts, only one retains a spark
          of life, its red sign burning in the dying light: RAGNA ROK.
          T
           he streets are more crowded there, people shuffling towards
          that sign and the sounds of DARK MUSIC filtering from inside.
          
          INT. MAX'S CAR - DUSK
          
          Max's car turns onto the block, slowly approaching Ragna Rok.
          Max and Mona silently absorb the scene on the street. Even
          from halfway down the block, BASS from the club reaches them.
          
                                 MONA
                       They all look...
          
          Across the street, Max watches someone dragging a limp body
          by one leg. Nobody he walks past seems to notice.
          
                                    MAX
                       Like Owen.
          
          Max keeps his speed slow, idling away up the block.
          
                                 MAX
                       This isn't anything I've seen before.
          
          
          
          
                                                                          
          
                                 M
          
          
          
          
                                                                       40.
                     
          
          
          Ragna Rok recedes in the mirror, the block between it and the
          car studded with more smoldering cars and dead-eye faces,
          their numbers seeming to grow even as Mona watches.
          
                                  ONA (CONT'D)
                       You ever been to Rome?
          
          Max doesn't answer, the coming plague before him registering.
          Mona glances up at a passing street sign - "LITTLE ITALY."
          
                                 MONA (CONT'D)
                       Better cities than this one have fallen.
                           (pointing to the curb)
                       This is far enough.
          
          Mona opens her car door and climbs out, leaning back inside.
          
                                 MONA (CONT'D)
                       Sorry about the chain.
          
          Mona SLAMS the door and moves off down the sidewalk, blending
          into the crowd. Max drops the car into gear, giving one last
          glance to Ragna Rok before pulling away.
          T
           here's some flicker of movement on the rooftop...
          
          U
          EXT. RAGNA ROK - ROOFTOP - DUSK
          
           p on the roof, MUSIC inside the club RATTLES old pipes.
          Perched at the edge of the roof, a figure CHANTS along...
          
          Jack Lupino - the tattooed face we caught   a glimpse of in the
          candle light of Trevor's party, now fully   visible in the
          failing sun and no less frightening. His    colorless eyes
          absorb the street, the SCREAMS, Max's car   pulling away...
          
          On his back, the tattoos of two elaborate black wings. Steam
          rises from ink-blackened skin, snow melting before it lands.
          
          INT. MAX'S APARTMENT - NIGHT
          
          Max sits in his chair in the silent room, turning the pages
          of Michelle's book. There's more than grief on his cut and
          bruised face tonight, hands not trembling the way they were.
          
          Fruit bowls, delicate charcoal nudes flip past...
          
          Frustrated, Max lets the images drift by with less sentiment:
          images no longer speaking to the questions he needs answered.
          With an exasperated sigh, Max slams the book closed...
          
          A faint white sliver appears in the cover.
          
                                                                             
          
          T
          
          
          
          
                                                                    41.
                     
          
          
          Max leans closer. It's the corner of a piece of paper,
          protruding from a razor-thin cut in the spine of the
          sketchbook, invisible under all but the closest inspection.
          
          Max runs his thumbnail into the gap, spreading glue CRACKLING
          - he flinches, almost afraid to cause the book pain.
          F
           or a moment, Max is caught between his desire to protect the
          memento and to see what's hidden inside. A deep breath...
          
          With a sharp pull, the cover of the book SHEARS away.
          
          The pages wad and wrinkle, old paint flaking off. The cover
          he'd caressed RIPS. Fluttering to the floor, a sheaf of
          yellowed pages hidden in the cover flutter to the floor.
          
          Max opens the folded pages. The first is nearly identical to
          what we saw inside: a bouquet of flowers, unfinished. Max
          scrutinizes the pencil strokes...suddenly, his eyes go wide:
          
          A little pair of bat-like wings. In the corner of the page,
          having nothing to do with the rest of the still life.
          
          Max turns to the next page. There's a another drawing of
          wings - larger this time, pencil strokes more energetic.
          
          Horrified by what he's seeing, Max's hands tremble as they
          turn the page. On the next, the wings are the main drawing.
          
          On the next, they're scrawled in smeared ink.
          
                                 MAX
                           (nauseous, to himself)
                       No...
          
          The wings begin to lose their shape, overlapping.
          
          Growing together.
          
          The last page is completely black.
          
          INT. COP BAR - NIGHT
          
          Even with everybody out of uniform, the builds and body
          language mark this as a cop bar. BB rushes inside, hair
          giving him away as having been asleep shortly before.
          
           he bar is still decorated with plastic mistletoe and fake
          snow. BB looks at the BARTENDER, who motions to the back...
          
                                                                       42.
          
          
          
          BACK BOOTH
          
          BB fights his way to a corner booth, where Max is slumped
          over a beer and a shot. A matching set wait for BB across
          the table. BB pulls off his coat and sits, forced casual.
          
                                  BB
                       It was sitting at this very table that
                       your father told me I needed to retire.
                           (beat)
                       For about a minute, I just sat here
                       thinking about knocking him out of his
                       chair. The job was everything to me, to
                       the point that I couldn't see the writing
                       on the wall - what it was doing to my
                       marriage, my health. Your old man knew
                       if I was going to listen to reason, it
          B            could only happen in here.
          
           B stoops down to find Max's eyes, trying for a connection.
          
                                 BB
                       There's nothing you can't say in here.
                       It's like hallowed ground.
          
          For a long beat, Max works up the nerve to speak.
          
                                 MAX
                       I watched a guy throw himself out of a
                       window tonight. The things he was saying-
          
                                 BB
                       Any guy who throws himself out a window,
                       I wouldn't pay any attention to the
                       things he said.
          
                                 MAX
                       The problem is, I knew what he was
                       talking about.
          
          BB tries to nod his understanding, but concern creeps in.
          
                                 MAX
                       I haven't been really afraid of anything
                       since...that night.
          
                                 BB
                       And you are now?
          
                                 MAX
                       There's something going on, and I can't
                       find a rational explanation for it.
                                 (MORE)
                                                                             
          
                                    B
          
          
          
          
          M
          
          
          
          
          B
          
          
          
          
                                                                        43.
                                     MAX(CONT'D)
                       There's...something out there, hurting
                       people--
          
                                 BB
                       Okay, calm down.
          
                                    MAX
                       It's real.     I'm not crazy.
          
                                 BB
                       Then stop acting like it. Max, you're
                       breaking into offices, I.A. is all over
                       you, you won't even show up for work...
          
                                 MAX
                       The night Alex died, there was something
                       else in the room with us. I saw it.
          
                               B
           B goes a bit pale, smile fading as Max's words continue.
          
                                  B
                       It's really important that you be careful
                       how you talk to people about this, okay?
                       You're already under suspicion--
          
                                 MAX
                       It's the same thing these people are
                       seeing right before they die.
                           (beat, pained)
                       I think Michelle saw it, too.
          
                                 BB
                       For God's sake, don't drag her into this.
          
           ax stands up, storming towards the exit. BB pulls out a
          thick money clip and overpays before following...
          
          EXT. COP BAR - NIGHT
          
          BB rushes out, struggling to keep up with Max's longer legs.
          
                                 BB
                       What's really going on here?
          
                                 MAX
                       Alex found something out about what
                       happened to her. Something new.
          
                                  B
                       There's no way.    He would have told us.
          
                                 MAX
                       He was trying, right before he died...
          
                                                                              
          
                           (
          
          
          
          
                                                                   44.
                     
          
          
                                 BB
                       Listen, okay? Why don't you come back
                       with me, let Beth make up the guest room
                       for you. Just for tonight.
          
          Max nods, but keeps moving away from BB.
          
                                 BB
                       You need to take some time. Get some
                       sleep, heal up. See if it still feels
                       real after that...
          
                                    MAX
                       It's real.
          
          Max crosses against the light, cutting through the driving
          snow. BB tries to follow, but traffic pushes him back.
          H
           elpless, BB can only bury his hands in his pockets and watch
          Max fade away. After a moment, he pulls something out...
          
          A business card: `J. BRAVURA, I.A.'
          
          EXT. TRAIN PLATFORM - NIGHT
          
          In a ticket booth, an elderly ATTENDANT shivers by a space
          heater, ticket windows plugged with make-shift insulation.
          
          The attendant looks up from his book and sees Max approaching
          through the snow. Max slows as he gets closer, looking up at
          the glowing threshold to the trains beyond. He stops.
          
                                 ATTENDANT
                           (via intercom)
                       You riding?
          
          Max holds for a moment. For all the danger he's faced, this
          is the most hesitation we've seen from him so far.
          
                                 ATTENDANT
                            via intercom)
                       If you're coming, you better come on.
                       Way it's looking, might be the last train
                       tonight.
          
          Max takes a step into the light of the ticket booth. The
          attendant opens the ticket slot, letting a gust of freezing
          air blow inside. Max slides a few bills through.
          
          Ticket in hand, Max starts his solitary march to the trains.
          
                          (
          
          
          
          
                                                                     45.
          
          
          
          INT. GOGNITTI'S HOTEL - BAR - NIGHT
          A
            dingy, dark bar on the first floor of an even sleazier
          hotel. It's nearly empty, only the dedicated DRUNKS
          venturing out in the storm. The front door swings open...
          
          The old men shiver at the stiff blast of wind rushing in,
          turning to look. Napkins flutter. Snowflakes blow inside.
          
          From a booth in the corner, VINNIE GOGNITTI (50s, pudgy)
          shoots a hard look at the open door, not immediately
          recognizing the SILHOUETTE in the passage...
          
                              VINNIE
                    In or out, asshole.
          
          Mona steps inside, boots heavy with ice. Her MEN follow.
          Flanked by MEN of his own, Vinnie freezes when he sees Mona.
          
                                 VINNIE (CONT'D)
                    So?
          
                               MONA
                    We need to talk.
                        (beat)
                    Talk.
          
          Gradually, Vinnie and his men relax.
          
                               VINNIE
                    Shut the door, then. You Ruskies may be
                    used to it, but I'm freezing my dick off
                    over here.
          
          BACK OFFICE
          
          They've packed into a tiny back office - Russian gunmen on
          one side of the desk, Italians on the other. Mona and Vinnie
          represent their different sides, the only people seated.
          
                                 VINNIE
                    Okay.     So talk.
          
                              MONA
                    Something was taken from me. It involves
                    a club in Italian territory, so I need
                    your blessing to go make it right.
                              V
                               INNIE
                    You're asking my permission?
                         smirking to his men)
                    Well in that case, sweetheart...
          
                                                                          
          
                                    M
          
          
          
          
          V
          
          
          
          
                                                                       46.
                     
          
          
          Mona looks Vinnie over, bored to death by the whole thing.
          
                                 MONA
                       I said `blessing.'
          
                                 VINNIE
                       Oh. Well, blessing might cost extra.
                       Which club are we talking about?
          
                                    MONA
                       Ragna Rok.
          
           innie tries to keep a poker face, but the name chills him.
          
                                 MONA (CONT'D)
                       Over on Avenue--
          
                                 VINNIE
                       Yeah, I know.
                           (beat, rattled)
                       Sure, fine. You have my
                       permission...blessing, whatever.
          
          Mona frowns, her wishes granted a little too easily.
          
                                 MONA
                       You do still control that block, right?
                       It's south of--
          
                                 VINNIE
                       The guy's name is Jack Lupino.
          
                                 MONA
                       Well, that sounds Italian to me.
          
                                 VINNIE
                       He's no kind of Italian I've ever seen.
                       Tattooed freak, a real sicko from what we
                       hear.
          
                                  ONA
                           (sneering)
                       You're afraid of tattoos, now?
          
                                 VINNIE
                       When the club first opened, I sent
                       somebody down to collect the...you know,
                       fire insurance. A day goes by, and I
                       don't see him. Then I get two boxes
                       delivered to me. One box's got my guy's
                       hands and ears in it. The other box has
                       a quarter of a million dollars in cash.
          
                                                                             
          
          E
          
          
          
          
          M
          
          
          
          
                                                                     47.
                      (2)
          
          
                                MONA
                      This neighborhood has been your family's
                      forever. Two-fifty large is all it takes
                      to--
          
                                 VINNIE
                      What got my attention, Mona, was that the
                      boxes were delivered by a cop car. A guy
                      in uniform hands them to me in broad
                      daylight.
                          (beat)
                      I'm not scared of tattoos, or freaks, or
                      mouthy Russian bitches. But whoever's
                      watching over Lupino, whoever it is you
                      really need to bless you walking inside
                      Ragna Rok...him, I am scared of.
          
          EXT. SUBURBAN TRAIN STATION - NIGHT
          
          The platform is cleaner than the ones in the city - dressed
          up for the tastes of the COMMUTERS who step off of the train.
          
          Max threads his way through the handful of exhausted
          BUSINESSMEN arriving home, moving out into the darkness.
          
          EXT. SUBURBAN NEIGHBORHOOD - NIGHT
          
          The snow's driving just as hard out here, but peaceful houses
          with warm windows glowing make the storm feel comforting. In
          the yards, forgotten sleds disappear under new powder, gone
          for good by morning. Snowmen distort as they swell.
          
          Max Payne trudges up the center of the street, a black streak
          spoiling the peace of the evening. A trespasser.
          T
           HE HOUSE
          
          One house on the block stands out: there's no neatly shoveled
          driveway, no colorful Christmas lights flashing from the
          eaves. A black void behind every window, no life inside.
          
           ax stands in the street, looking up at the house.
          
                                BB (V.O.)
                      She was thirty-five. The daughter, two
                      months. From what we could tell, it
                      started out as a robbery.
          
           XT. HOUSE - BACK YARD
          
          A row of footprints lead around back.
          
          
                                                                          
          
          G
          
          
          
          
                       M
          
          
          
          
                       B
          
          
          
          
                       B
          
          
          
          
                                                                    48.
                     
          
          
                                 BB (V.O.)
                        oth of the men had records, mostly
                       bullshit - possession, petty theft.
          
          Hanging in the overgrown hedges, an overlooked scrap of
          yellow police tape shimmers in the wind.
          
                                 BB (V.O.)
                        ut that day...I don't know. They had
                       something else on their minds.
          
          Max stands at the back door. He touches the unpainted wood
          around the glass, repairs never fully complete.
          
                                 BB (V.O.)
                        ax was maybe ten minutes late.
          
          Max reaches for the handle...hesitant to actually touch...
          
                                                               CUT TO:
          
          INT. HOUSE - LATE AFTERNOON (FLASHBACK)
          
          A living room in the stillness of evening, golden air packed
          like amber around baby bottles and toys on the coffee table.
          The front door opens, and a man steps inside...
          
          Max Payne, different in every way: the malnourishment and
          neglect gone from his face, a fullness in his frame from
          M
          regular home-cooked meals. Shave and a haircut. Nice suit.
          
           ax picks up the mail from the floor and strolls inside...
          
          KITCHEN
          
          Tie loosened, Max gets a beer from the fridge. Unwinding, he
          takes a long sip and begins sorting through the mail.
          
           lancing up from the mail, Max sees the kitchen door...
          
          Glass smashed.    Blinds torn.   Standing open.
          
          STAIRWAY
          
          Max charges upstairs.    MEN'S VOICES echo down from above.
          
                                 MAX
                           (calling out)
                       Michelle!
          
          His eyes aren't hard yet. Rushing up the stairs, we see
          Max's faith in the world start to crack for the first time...
          
                        (
          
          
          
          
                                                                    49.
          
          
          
          HALLWAY - CONTINUOUS
          
          Max turns the corner into a hallway bathed in golden
          afternoon light, the same one he saw in the river...
          
          Between Max and the end of the hall, two JUNKIES are huddled
          against a door. Twisting the handle, SMACKING the wood.
          
          Max pulls a pistol from a low-pro holster, stepping forward.
          
                              MAX
                        (calling out)
                    Michelle?
          
          The Junkies turn to Max, eyes black and glassy.    Sick smiles.
          
                              MAX
                         shouting to the door)
                    Michelle, I'm right here...
          
          Without a word, the Junkies charge.
          
          Max takes aim and BLASTS one of them in the forehead. The
          M
          other keeps rushing, swinging a long knife at Max's neck.
          
           ax ducks, a quarter-second and a quarter-inch from a slit
          throat. The swing throws the thin man off balance...
          
          He tries again - ropy muscles straining skin speckled with
          tracks. Max grabs his arm, throwing the thin man off
          balance. They go down to the hardwood floor together.
          
          Too close to line up a shot, Max drives the butt of the
          pistol into the man's nose, SPLITTING it across the bridge.
          Blood spatters his gaunt face, but those eyes never change...
          
                                 JUNKIE
                    It's okay.     They're angels, now.
          
          Straining, he moves the knife's tip closer to Max's belly...
          
          Max jams the barrel under the Junkie's leering jaw and PULLS
          THE TRIGGER. Blood atomizes into a hanging cloud around him.
          
          Max jumps up and races to the door.    Locked from the inside.
          
                              MAX
                        (calling, frantic)
                    Michelle!
          
          Max throws his shoulder into the door, SNAPPING the hinges...
          
                                 B
          
          
          
          
                                                              C
          
          
          
          T
          
          
          
          
          M
          
          
          
          
                                                                      50.
          
          
          
          BEDROOM - CONTINUOUS
          
          The momentum sends Max tumbling inside...
          
          A MAN slips out of the window, one leg still inside...
          
           ax OPENS FIRE at the retreating shape.
          
          Curtains billow in front of the open window, a summer sunset
          outside. Max lets the gun fall to his side, breathing hard.
          M
           ichelle huddles on the bed, baby wrapped tight in her arms.
          Max rushes over to her, reaching out to touch her shoulder.
          
                              MAX
                    Michelle...
          
          Her mouth is wide open, eyes unfocused.    Muscles slack.
          
          Michelle's not stunned.    She's not unconscious.
          
           he baby isn't just sleeping.
          
          The moment that hits him, the lights go out of Max's eyes.
          
                                                                UT TO:
          
          INT. BEDROOM - NIGHT
          
          Max stands at the door, seeing the room with those same eyes.
          
          The furniture is gone, all the carpet ripped out. One window
          is still open, no frilly curtains blocking the blackness
          outside. Snow gusts in, piling on the sill.
          
                              BB (V.O.)
                    We looked everywhere for the third guy,
                    but there was nothing to go on. Not a
                    hair of him left behind.
          
          Slowly marching across the room, Max SLAMS the window shut.
          
          INT. ASGARD BUILDING - BB'S OFFICE - NIGHT
          
          BB stands in the window, watching the storm.
          
                               B
                    I called in a favor before I retired, had
                    him transferred to Cold Case while he
                    dealt with the shock of it. I thought it
                    we were patient, gave him time, Max would
                    come back to his old self again.
          
                                                                         
          
                                                                      51.
                     
          
          
          Bravura sits in front of the desk, watching BB. When BB
          finally looks over, the weight of the story showing in his
          eyes, Bravura's face B
                               doesn't reveal any hint of emotion.
          
                                  B
                       Look, I called you because I thought I
                       recognized something in you. I thought
                       if we could talk off the record--
          
                                 BRAVURA
                       I'm listening.
          
                                 BB
                           (emotional)
                       This isn't just some job stress freak-
                       out. This is a man who lost everything,
                       and who deserves a little understanding
                       from the rest of us. If you'd known him
                       before...
                           (beat, pained)
                       You'd want to believe him, too.
          
                                 BRAVURA
                       Believe him about what?
          
          Not expecting this turn in the conversation, Bravura sits up.
          
                                 BRAVURA
                       Are you saying you think Max did have
                       something to do with Alex's murder?
          
                                 BB
                       Absolutely not. Alex was his partner,
                       they were like brothers...he couldn't
                       have. There's no way.
          
                                 BRAVURA
                       Then what are we talking about?
          
                                 BB
                       Look, Max is like a son to me. Don't put
                       me in a position to have to hang him.
                           (beat, pained)
                       But you should hear the kinds of things
                       he's saying...hallucinations, none of it
                       makes any sense to me. I'm worried he's
                       going to get into another situation
                       before I can convince him to come in.
                                 B
                                  RAVURA
                       Are you telling me he was--
          
          
                                                                            
          
          T
          
          
          
          
          B
          
          
                               B
          
          
          
          
                               B
          
          
          
          
                                                                    52.
                      (2)
          
          
                              BB
                    I'm telling you to find him tonight,
                    before somebody else gets hurt.
          
          Bravura nods, reeling from the revelation of this new
          information. BB picks up his coat and starts for the door.
          
                              BB
                    Is there anything we can do to help you
                    bring him in? Unofficially, of course...
          
                              BRAVURA
                    Bringing him in won't be a problem.
                    Where I need your help will be his--
          
                               B
                    Why do you say that?
          
          Bravura stands, finishing a note.
          
                               RAVURA
                    A New Jersey unit ID'd him near his old
                    house. It shouldn't be long.
          
           B nods, somberly mulling this over.
          
                              BB
                    You have to find him first, protect him.
                    Some of the guys from Alex's unit beat
                    you to him, they won't wait for a trial.
          
          EXT. STORAGE SPACE - NIGHT
          
          At the edge of a strip mall, a ramshackle personal storage
          business sits behind a razor-wire fence. Inside the fence,
          rows of stalls for rent, covered by metal garage doors.
          
           here's the faint sound of METAL STRETCHING, and Max is over
          the fence. He moves through the rows, reading the numbers.
          
          A padlock hangs from the door, shining metal glazed over with
          a sheet of ice. Max finds a pristine key on a ring in his
          pocket. Hands shaking, he cracks the ice and tries...
          I
           NT. STORAGE SPACE
          
          The garage door raises, cold metal RATTLING as it rolls up.
          
          Max stands silhouetted in the doorway, looking in on ragged
          stacks of cardboard boxes. His breath blooming around him.
          
          
          
                                                                          
          
          `
          
          
          
          
          T
          
          
          
          
          W
          
          
          
          
                                                                    53.
                     
          
          
          Max steps inside, pulling a box marked `GARAGE' out into the
          light. Opening it, he roots around and finds a flashlight.
          Switched on, a golden beam cuts through the blue shadows.
          
          Max walks deeper into the space, brushing the light over the
          boxes. He holds his hand over one, as if warming it...
          
          Max opens the box.
          
           aiting for him under the flaps, a stuffed animal stares up
          at Max from inside the box. Silly grin, frozen eyes shining.
          
          Hands trembling, Max pushes the toy aside. Deeper in the
          box, he finds a framed picture and pulls it into the light...
          
          The photograph is of Max - younger, cleaner, genuinely
          smiling. Posed along with him, Olan Mills-style, are
          Elizabeth and the baby. Gauzy backdrop, church clothes.
          
          Max studies it, haggard new face reflecting in the glass...
          
          Abruptly, Max jumps up and moves away from the box. Long
          strides, trying in vain to physically shake the memories, to
          block out the emotions with something productive...
          
          The flashlight beam keeps sweeping, deeper and deeper. Max
          chokes back tears, occasionally glancing at the baby box.
          
           he beam hits on a document box in the back row.   `OFFICE.'
          
          Max rushes over, nearly tipping the other boxes in his hurry
          to throw the lid off the document box. Rows of folders, all
          M
          neatly labeled with feminine script.
          
           ax brushes his fingers over the tabs, smiling sadly.    Each
          year numbered -- `1998,' `1999,' `2000'...
          
                                 MAX
                           (to himself)
                       Okay, Chelle. Help me, here...
          
          Max's fingers skim to the last file in the box, marked
          `2004.' Much thinner than the others. Her last year.
          
          Only one file in the final section. Max opens it, finding
          pages of handwritten notes, photocopies, drawings...
          
          Closing the file, he checks the name on the tab and frowns.
          
           PROJECT VALHALLA.'
          
          T
          
          
          
          
                              V
          
          
          
          
                                                                     54.
          
          
          
          EXT. STORAGE SPACE - NIGHT
          
          Max steps out of the storage locker. He tucks the manila
          folder inside his coat and pulls the metal door closed.
          
          He starts away, retracing his steps to the fence. Mind
          reeling with what he's just seen, the memories flooding back--
          
          There's a second set of footprints in the snow before him.
          
          Max freezes, their significance immediately registering.
          
                               OICE (O.S.)
                    Stay where you are!
          
          A YOUNG COP steps out of the shadows behind Max, pistol
          trained on the back of his head. The cop's eyes are wide
                               M
          with panic. He assumes an awkward, textbook firing position.
          
                               AX
                        (turning slowly)
                    Relax, I'm a cop.
          
                              YOUNG COP
                    Don't move! I know who you are.
          
           he gun stays trained on Max.    Slowly, he raises his hands.
          
                              MAX
                    Just relax. I need you to trust me for a
                    minute...
          
                             YOUNG COP
                    Yeah? Is that what you said to your
                    partner?
          
                              MAX
                    You don't understand.
          
                              YOUNG COP
                        (gesturing with the gun)
                    Lay down on your face.
          
          Max studies the cop - stiff legs unsteady on the deep snow,
          his frostbitten fingers wrapped around the trigger. Trapped
          between two rows of locked doors, Max has no cover to run.
          
          Peeking through the snow at Max's feet, an extension cord
          snakes under the shivering cop's legs and down the corridor.
          
          
          
          
                                                                         
          
          T
          
          
          
          
                                                                       55.
                     
          
          
                                 MAX
                           (bending down)
                       Okay, just take it easy.
          
          Max starts to lay down, causally laying his hand over the
          power cord. The cop edges closer, smirking as Max complies.
          
                                 YOUNG COP
                       Word's gotten around about the sick shit
                       you did to him, too. If I were you, I'd
                       get ready for sort of a long ride back
                       into the city...
          
          Max wraps his hand around the cord and whips it tight...
          
          The cop pitches backward, squeezing off a SHOT as he falls.
          Before he can fire again, Max pounces on the cop, driving a
          T
          knee into his chest and wrenching the pistol away.
          
           he cop twists in the extension cord, unplugging the lights.
          Max DRIVES the butt of the pistol into the side of his head.
          
           he cop goes limp. Max pulls the clip, clears the chamber
          and lets the gun fall in the snow beside the unconscious cop.
          
          Struggling to his feet, Max races down the corridor and
          scaling the icy chain link. He drops into the snow,
          immediately breaking into a dead run on the other side.
          
          INT. ELEVATOR - NIGHT
          
          An express elevator HISSES upwards at great speed, the sleek
          interior like a European sports car. Alone inside, Jason
          Colvin watches the blur of numbers with dread.
          
          A muted CHIME, and the doors draw back...
          
          INT. AESIR SKYSCRAPER - PENTHOUSE OFFICE - NIGHT
          
          Thin steel beams loft through the air, three stories of open
          air encased by glass, a silent void projected into the heart
          of the storm. In the center of the room, a single black bar.
          
          It's a desk, obsidian, polished to a mirrored sheen. Aesir
          International's cool blue logo reflects across its surface.
          
          Jason Colvin approaches the desk, nervously watching the
          shadowed figure of Nicole Horne read through a document.
          Every hair, every stitch of clothing perfect.
          F
           ootsteps ECHOING, he reaches the desk and waits for a beat.
          
          
                                                                             
          
          O
          
          
          
          
          M
          
          
          
          
          `
          
          
          
          
          N
          
          
          
          
                                                                       56.
                     
          
          
                                 COLVIN
                       We have a problem.
          
           icole cuts her eyes to Colvin - withering, a current of fear
          passing through him. With great effort, she smiles.
          
          INT. TRAIN - NIGHT
          
          Max slumps in his seat, watching the black sky whip past.
          The manila folder closed in his hands, fingers tracing the
          edges. Slowly, carefully, he lets the folder fall open.
          
          Max's eyes skim across the handwritten notes, lingering over
          underscored phrases and circled words. Drinking it in.
          
          On the next page, a sketch of black wings pulls Max's
          attention. With dread, he reads a note below the drawing:
          
           SUBJECTS DESCRIBE DEMONIC VISIONS, HYSTERICAL RAGE...'
          
                                 MAX
                           (to himself)
                       Subjects?
          
          The hypnotic motion of the train begins to change, the rhythm
          of the RAILS faltering a little.
          
           ax turns the page. More wings, each in a slightly different
          style, each version surrounded by descriptive notes...
          
          Max skims, excited, as the train's HICCUPS grow worse...
          
          As the blue and black world sweeps past outside the window,
          Max's face softens almost into a smile...
          
          All the lights go out.    The train rapidly loses speed...
          S
           tartled voices MURMUR. Windows that had been black glow to
          life as the passengers' eyes adjust to the dark car...
          
           utside, the moonless night becomes a hazy expanse of blue
          snow, covering the embankments along the railroad tracks and
          the broken-down houses in the distance.
          
          The darkness changes Max, too, hardening his face again. He
          tucks the folder safely into his coat and zips it up tight.
          
          At the front of the car, the windows begin to fill with
          light. The door opens, a flashlight beam sweeps inside...
          
          Pistol between his knees, Max pulls the hammer back...
          
          
                                                                         
          
          C
          
          
          
          
                                                                    57.
                     
          
          
          An obese CONDUCTOR (40s) steps inside. Immediately, all of
          the other passengers begin to QUESTION HIM at once.
          
                                 CONDUCTOR
                           (shouting over)
                       Ladies and gentlemen, please remain calm.
                       The storm's caused a power failure, but
                       it's absolutely nothing to worry about.
                       We'll be up and running again before
                       long.
          
          Movement outside catches Max's eye. A FIGURE in the shadows
          alongside the train. Gravel CRUNCHES. Voices WHISPER.
          
                                 CONDUCTOR (cont'd)
                       Our policy is to move everyone up to the
                       front car until the lights come on again.
                       It'll be a little warmer if we're all
                       together...
          M
           ax splits his attention between the other passengers and the
          window, watching for more movement outside...
          
          Suddenly, the Figure breaks in the opposite direction - no
          attempt at quiet, a POUNDING run away from the train.
          
           onfused, Max straightens up.    The temperature has changed...
          
          THREE MORE FIGURES, running in the opposite direction.    Away
          from the train, up the snowy tracks it's yet to cross.
          
                                 MAX
                           (recognizing)
                       Get out of the train.
          
          PASSENGERS fill the aisle. High school girls sneaking into
          the city... An old man going to work... Drunk yuppies in red
          and green scarves, on their way back from a Holiday party...
          
                                 MAX
                           (shouting)
                       Get out--
          
          An EXPLOSION rips through the front of the car and swells, a
          ball of fire smashing through the car and blowing it apart...
          
          EXT. CITY STREET - NIGHT
          
          Up and down the dark street, shadowed GHOULS break windows
          and claw at abandoned cars, searching for anything of value.
          
          
          
                                                                          
          
          F
          
          
          
          
          W
          
          
          M
          
          
          
          
                                                                  58.
                     
          
          
          Moving comfortably through the shadows, Mona follows the
          general movement towards a BASSY QUAKE farther up the block.
          
          A red neon `RAGNA ROK' bloodies the snow in the air, marking
          the entrance to the club responsible for the RUMBLE...
          I
           NT. RAGNA ROK - NIGHT
          
          Inside, that music is EARSPLITTING - a jet engine at 200
          beats per minute. Lights strobe past red gels, frozen
          glimpses of thin limbs and black pupils on the dance floor.
          
           ona melts into a corner, inconspicuously watching the room.
          
           inding around the dance floor, CLUBGOERS - some ragged, some
          in nice clothes - queue at a metal door in the back wall.
          One after another, they wait for their moment to enter...
          
          There's a disturbance at the front door. Black-clad Guards
          force open a rift in the crowd on the dance floor...
          
          Jack Lupino walks inside the rift - his tattooed face red and
          black, eyes calmly sweeping out across the riotous crowd...
          
           ROM THE DANCEFLOOR
          
          Lupino moves through bodies roiling like a parted sea, sheer
          walls of twisting flesh towering above him to the rafters.
          
          Mixed within, the wings POUND and SWEEP, blotting the light.
          
          Hell.
          
          INT. BB'S HOUSE - BEDROOM - NIGHT
          
          BB crawls out from under the quilts, careful not to wake his
          WIFE. He passes windows frosted with ice, on his way to...
          
          HALLWAY
          
          BB shuffles down the hall, shivering in his boxers. He
          pauses at the thermostat, frowning to find the heat cut off.
          B
           B turns, startling as Max steps out of the shadows - steps
          stiff with pain, clothes dripping icy water across the floor.
          
                                 BB
                           (terrified)
                       Max? What are you doing?
          
          Max opens his coat and pulls out the file, now badly wrinkled
          and soggy. He opens it and hands BB a newspaper clipping.
          
                                                                       
          
                                   M
                       I
          
          
          
          
                                   B
          
          
          
          
                                   M
          
          
          
          
                                                                      59.
                     
          
          
          `25 CIVILIANS KILLED IN AL-HASAMAH MASSACRE'
          
                                 BB
                       Those grunts who went crazy in Iraq?
          
                                  AX
                       Go a little further, read what they did
                       to the bodies. It's the same as what
                       happened to Alex and that girl.
          
          BB reads on, frowning.
          
                                  B
                       Where did you get this?
          
                                   MAX
                       Michelle.
          
          BB looks up, startled, as Max pages through Michelle's notes.
          
                                  MAX
                       It's all in her notes: people describing
                       fevers, hallucinations...their lymph
                       nodes swell until their necks bruise like
                       something's been choking them.
                           (pointing to the drawings)
                       The angels they all talk about? Michelle
                       talks about eye spasms that make things
                       seem to flutter. Mixed with the other
                       delusions, that starts looking like
                       wings...
                           (beat)
                       She wasn't seeing them. She was trying
                       to figure out why other people were.
                                  B
                                  B
                         thought she was working on allergy
                       medicines.
          
                                  AX
                       Somebody at Aesir knows what--
          
                                 BB
                           (thunderstruck)
                       Oh, my God.
          
          Slowly, BB turns to show Max the grief in his eyes.
          
                                   BB
                       It's me.    I killed Alex.
          
          
          
                                                                            
          
                    B
          
          
          
          
                    Y
          
          
          
          
                                                                   60.
                      (2)
          
          
                              MAX
                    What are you talking about?
          
                              BB
                    He came to me about six months ago,
                    asking about one of the executives at
                    Aesir. At the time I had no reason to
                    connect it to Michelle, I just thought...
                        (beat, torn up)
                    I tried to warn him, this guy has
                    connections to some scary people--
          
                               MAX
                    Who?   What's his name?
          
          BB hesitates, rattled by the rage in Max's eyes.
          
                               BB
                    Jason Colvin. He used to be the head of
                    the pharmaceutical division, but he's
                    moved up over the last few years.
                        (beat)
                    I guess Michelle probably reported
                    directly to him...
          
          Max barely nods, jaw clenched as he scoops up the documents.
          
                              BB
                     ou've got copies of this stuff, right?
          
          Thinking for a moment, Max sets the folder down again and
          turns away towards the dark hallway. BB picks up the folder.
          
                              BB
                     e careful, Max.
          
          Max doesn't respond, storming off into the shadows.
          
          EXT. RAILROAD TRACKS - DAWN
          
          The snow isn't deep near the charred and twisted metal of the
          train, melted by the fireball. Police tape rings the area.
          D
           ETECTIVES wander between yellow tarps in the train, sipping
          coffee. Out on the tracks, Bravura works alone.
          
                              HOMICIDE COP
                    Looks like ten bodies, give or take.
                    Even in New York, that ought to be enough
                    to earn Payne the spike.
          
          
          
                                                                         
          
                                 Y
          
          
          
          
                       B
          
          
          
          
                                                                       61.
                     
          
          
                                 BRAVURA
                       The blast point is outside the train.
          
          None of the detectives want to encourage him by answering.
          
                                 BRAVURA
                        ased on the spread of the wreckage...
                       they moving very fast, either.
          
                                 HOMICIDE COP
                       He forced them to stop, first.
          
          Bravura nods at the explanation, but without conviction.       He
          continues to scan the wreckage, still not satisfied...
          
                                 BRAVURA
                       So he had the bomb with him inside, but
                       he decided to walk outside to detonate
                       it?
          
                                 HOMICIDE COP
                       Are you asking if that seems like odd
                       behavior from a guy who cut his partner's
                       head off?
          
          The Young Cop from the storage building slips down the snowy
          bank and towards Bravura. His face is bruised and swollen.
          
                                  OUNG COP
                       You wanted to see me?
          
                                 HOMICIDE COP
                       Careful what you say to him, if you ever
                       want to make detective...
          
                                 YOUNG COP
                           (to Bravura, guarded)
                       I already filled out a report.
          
          Bravura sees the Young Cop aware of the detective's presence.
          
                                 BRAVURA
                       Show me where it happened, then.
          E
           XT. STORAGE FACILITY - MORNING
          
          Bravura and the Young Cop stand on the spot where he fought
          Max the night before - disturbed snow, the frayed cord...
          
                                 YOUNG COP
                       He jumped out and wrapped that cord
                       around me, and before I had a chance...
          
                                                                             
          
                       I
          
          
          
          
          A
          
          
          
          
                                                                    62.
                     
          
          
          Bravura nods at the bullshit, focus drawn to Max's locker.
          
                                 BRAVURA
                           (pointing)
                       He was coming out of here?
          
          When the Young Cop nods, Bravura starts to step inside.
          
                                 HOMICIDE COP
                       Hey, real cops are working here...
          
          INT. MAX'S STORAGE LOCKER - MORNING
          
          A few CSI TECHS take photographs of Max's storage locker.
          Bravura walks through, eyes quickly scanning the distracting
          jumble of boxes. The Homicide Cop follows, exasperated.
          
           t the back, Bravura stops and picks something up. It's the
          lid of the box, `OFFICE' written in Michelle's pen.
          
          Bravura looks around. There's no document box to match the
          lid. However, there are dust-free rectangles in the dirt.
          
                                 BRAVURA
                           (to a CSI tech)
                       Where's the stuff you guys moved?
          
                                 CSI TECH
                       Nothing's been moved.
          
                                 HOMICIDE COP
                       What, you playing detective now?
          
          On a mission, Bravura scans the rest of the room. He sees
          another open box, a colorful stuffed animal peeking out.
          Bravura opens it, startled by the family portrait.
                               B
                                  RAVURA
                           (studying the photo)
                       This is his wife?
          
          Bravura finally looks up to see the Homicide cop smirking.
          
                                 BRAVURA
                         spent four hours up at Homicide going
                       through Alex's desk and cataloging
                       pictures of this woman, and not one of
                       you bastards bothered to mention that she
                       was Max Payne's wife?
          
          
          
          
                                                                          
          
                                                                        63.
                     
          
          
                                  HOMICIDE COP
                           (shrugging)
                       If Alex was getting a little something on
                       the side--
          
                                 BRAVURA
                       Who are you protecting?
          
          Bravura charges closer, carrying enough force that the much
          larger Homicide Cop steps back. His cool facade crumbles.
          
                                 HOMICIDE COP
                       Nobody, we just...why would anybody talk
                       to IA without a reason?
          
                                 BRAVURA
                           (livid)
                       You've got a reason, now. Tell me
                       everything you know about this woman,
                       starting with her name.
          
          EXT. AESIR BUILDING (MIDTOWN) - DAY
          
          The city is starting to shut down under the relentless snow -
          the sidewalks are nearly empty, only cabs on the icy streets.
          
          The Aesir corporate offices gleam in the diffuse light, a
          pillar of glass and steel disappearing up into the storm...
          
          R
          Jason Colvin steps out of a cab and marches up the steps.
          
           ECEPTION AREA
          
          Stepping off of the elevator, Colvin passes a RECEPTIONIST.
          
                                 COLVIN
                       You should go on home, already.   There's
                       nothing going on today...
          
                                 RECEPTIONIST
                       Well, there's someone in your office...
          
          COLVIN'S OFFICE
          
          Colvin steps through the doorway and stops short.
          
          Max stands behind Colvin's desk, inspecting the photographs
          hanging on the wall. He's cleaned himself up a little.
          
                                 MAX
                           (pointing to a photo)
                       This your daughter?
          
                                                                              
          
                                  M
          
          
          
          
                              (
          
          
          
          
                       N
          
          
          
          
                                  M
          
          
          
          
                                                                      64.
                     
          
          
                                 COLVIN
                       Yes, it is. Three years old.
          
          For reasons Colvin can't fathom, Max's mood seems to darken
          even farther. Colvin sees the badge clipped to his belt.
          
                                  COLVIN
                       Is there something I can help you with,
                       detective?
          
                                  AX
                       You can tell me about Project Valhalla.
          
                                 COLVIN
                           (nervous laugh)
                       I think you might have the wrong...
          
          Barely keeping his poker face, Colvin eyes the phone.
          
                                 MAX
                        eed to make a call?
          
                                 COLVIN
                       Maybe I'd better.
          
          Max motions for Colvin to go ahead. While the executive's
          shaking hands dial the number, Max closes and LOCKS the door.
          
                                 COLVIN
                       Yes, there's a detective here...
                            to Max)
                       What did you say your name was?
                                 M
                                   AX
                       Max.
          
          Abruptly, Max RIPS the phone cord out of the wall.
          
                                  AX
                           (low)
                       She was my wife.
          
          The words, Max's flat delivery, catch Colvin like ice water.
          Still holding the dead receiver, Colvin staggers back...
          
                                  COLVIN
                           (stunned)
                       Excuse me?
          
                                 MAX
                       Michelle Payne was my wife.
          
          
                                                                            
          
                                                                     65.
                      (2)
          
          
          What color there was to begin with drains out of Colvin.
          
                              COLVIN
                    What--
          
                              MAX
                    Before you say anything else, I want you
                    to know who I am.
          
                              COLVIN
                    Please, wait...
          
          Max throws his elbow up, CRUSHING Colvin's nose.
          
          INT. AESIR BUILDING - LOBBY - DAY
          
          Bravura enters the soaring lobby of the Aesir building,
          stomping his shoes clean. He approaches the front desk.
          
                              BRAVURA
                        (flashing his badge)
                    I need to talk to somebody about a woman
                    who used to work here.
          
          COLVIN'S OFFICE
          
          Colvin's eyes flutter open.   His nose is smashed flat.
          
          He's being held upright by his belt, which loops around his
          neck and the headrest of his ergonomic chair. His wrists are
          bound to the armrests with strips of his tie.
          
          Max sits on the edge of the desk, heavy lamp in his hand.
          
                              COLVIN
                        (weakly, eyeing the lamp)
                    Please don't hit me again.
          
          Max wraps the cord in his hand and jerks it free from the
          lamp, which he tosses with a CRASH. The cord, he keeps.
                               M
                               AX
                    A week ago, I thought the universe had
                    turned against me. Everything I loved
                    was gone, and for some reason I'd been
                    left here to suffer alone.
          
          Max strips back the insulation on the cord, exposing two
          frizzed bundles of wire: one brass, the other silver.
          Positive and negative. Colvin watches, apprehensive.
          
          
          
                                                                          
          
          T
          
          
          
          
                       B
          
          
          
          
                                                                       66.
                     
          
          
                                 MAX
                        ut it wasn't the universe that took my
                       family away from me.
          
          Max plugs in the cord.
          
                                 MAX
                       It was you.
          
          He crouches by Colvin, wire in each hand, moving them closer.
          
                                 MAX
                       Tell me about Valhalla.
          
          Colvin struggles to pull away from the approaching wires...
          
                                 COLVIN
                       There is no--
          
          Max brushes the bare wires against Colvin's throat.
          
           here's a bright SPARK.       Colvin SCREAMS.
          
                                  MAX
                       Tell me.
          
                                 COLVIN
                       There's no Project Valhalla anymore.   I
                       shut it down years ago.
          
          A timid KNOCKING starts on Colvin's door, VOICES calling in.
          Max waits for more, eyes frozen, wires hanging ready.
          
                                 COLVIN
                           (reluctant)
                       It was a disaster. The drug was so
                       addictive, the damage it did to the mind
                       was so devastating that we lost our
                       government funding. By the end, we
                       couldn't even guarantee the safety of our
                       scientists administering the experiment.
                       Test subjects would follow them home and
                       kill them for an extra dose.
                                 M
                                  AX
                       Is that what happened to Michelle?
          
                                 COLVIN
                       Nobody knows what happened to her.
          
          Max picks up a cup of coffee from the desk and pours it over
          Colvin's face as he struggles more frantically.
          
                                                                             
          
          C
          
          
          
          
                           (
          
                               C
          
          
          
          
                                                                    67.
                      (2)
          
          
          Max brings the wires closer to Colvin's wet skin.
          
                               OLVIN
                         terrified)
                    People thought Michelle might be a
                    whistle-blower. That she wasn't loyal
                    enough to Aesir, and she might go public
                    about the program.
          
          Max's eyes thaw, hit by the first true words about her death.
          
          LOBBY
          
          Bravura sits in the lobby, impatiently skimming a magazine.
          On the far side of the enormous room, movement draws his eye:
          
          A line of black-clad SECURITY GUARDS swiftly moving in
          formation into a stairwell. SWAT precision, heavy hardware.
          
          Bravura springs up, approaching the Guards left at the door.
          
                              GUARD
                    Authorized personnel only.
          
          Bravura pulls out his badge, and plans to keep moving...
          But the guards don't immediately part. They look at each
          other, silently conferring. Bravura's eyes light up.
          
                               BRAVURA
                    Don't look at him.    Move aside.
                         (louder)
                    I
                      'm authorized.
          
           OLVIN'S OFFICE
          
          Max lets the wires fall away.   Solemnly, he draws his pistol.
          
                              COLVIN
                    Why are you asking me about this?
          
                              MAX
                    I already told you.    Be quiet, now.
          
          Max chambers a round, leaving his hand up to block the spray.
          
                              COLVIN
                    But why today? It's over, I got rid of
                    everything before they moved me out of
                    the division--
          
          
          
          
                                                                          
          
          F
          
          
          
          
                           (
          
          
          
          
                                                                       68.
                     
          
          
                                 MAX
                       Then you haven't been Downtown lately,
                       because you missed a spot.
          
          Colvin looks up, Max's words suddenly scarier than the gun.
          
                                 COLVIN
                       Are you telling me that there are people
                       out there taking the drug again?
                            urgent)
                       How many of them?
          
          Max shakes his head.    Colvin's eyes show real terror.
          
                                 COLVIN
                       I knew it, I knew something was going on.
                       I told her the numbers were too good--
          
          The POUNDING outside the door is louder, more VOICES calling.
          
                                 VOICE (O.C.)
                           (calling through the door)
                       Mr. Colvin, are you okay in there?
                       Security's on its way...
          
          Max turns to the door - trapped, ready to fire on what comes
          through. Colvin looks at Max, a sudden realization dawning.
          
                                 COLVIN
                       They're not coming for you.
          
                                 MAX
                       What are you talking about?
          
          Colvin begins to struggle harder than ever, but his fear
          isn't directed at the man with the gun standing over him.
                               C
                                  OLVIN
                       You only know my name because somebody
                       high up decided to cut me loose.
                           (gesturing)
                       There's a safe in the wall. It's open.
          
           earing a trap, Max pushes aside a painting and pulls open
          the door. A small stack of DVDs sits inside.
          
                                 COLVIN
                       Show that to whoever will watch. If this
                       thing spreads, nothing will keep the rest
                       of you safe.
          
          
          
                                                                             
          
                           (
          
          
          
          
                                                                     69.
                      (2)
          
          
          Max looks at the middle manager, desire to pull the trigger
          slowly losing out to the credibility of Colvin's story.
          
          Max unfastens the belt, using it to hoist Colvin to his feet.
          
                                COLVIN
                          (terrified)
                      Wait, I'm not ready...
          
          HALLWAY
          
          OFFICE WORKERS draw back and GASP as Colvin's bloody face
          appears. Max is close behind, holding the belt around
          Colvin's neck, pressing his pistol to the back of his head.
          
                                MAX
                      Back up, all of you.   Make a path.
          
          There's a disturbance at the back of the crowd - glimpses of
          black uniforms fighting forward. The Guards.
          
          Max pivots, holding Colvin towards the Guards as a shield.
          
                                MAX
                           calling to the guards)
                      Stay back, or I'll--
          
          CRACK!    Colvin's head snaps back, blood spraying over Max.
          T
           he crowd goes crazy, SCREAMING and trampling each other...
          More SHOTS ring out, ripping through Colvin as Max lets his
          lifeless body fall and hides his retreat in the scramble...
          
          The Guards chase after Max, slowed by the panicking crowd...
          
          STAIRWELL
          
          Exhausted, Bravura plods up steps to a landing. Suddenly,
          AUTOMATIC WEAPONS erupt nearby. He fumbles for a cell phone.
          
                                 BRAVURA
                      This is Jim Bravura, IA. You need to
                      tell the units responding to the Aesir
                      call to come equipped for automatic--
                          (frowning)
                      The Aesir building, nobody's called
                      anything in yet?
                          (beat)
                      Hell yes, I'd like to report something.
                      We've got machine gun fire in Midtown.
          
          
          
                                                                           
          
          M
          
          
          
          
                                                                         70.
                     
          
          
          Bravura snaps his phone shut, trying to regulate his breath.
          Drawing a tiny service revolver he creeps to the door...
          
          HALLWAY
          
          Max stumbles up the hall. He chances a look back at the
          black-clad GUARDS crashing through office workers...
          
          A BURST of machine gun fire POUNDS the floor in front of
          Max's feet. More Guards seal off the hall ahead. Nowhere
          else to go, Max grips a cubicle wall and vaults over...
          M
           ax gets a few careful SHOTS off from his new elevation,
          dropping Guards who've lost sight of him as he jumps from
          desk to desk, working deeper into the maze of cubicles...
          
          The fastest Guards race ahead to block off a burning `EXIT'
          sign. Max's boots THUNDER across desks, papers flying...
          
          The Guards ahead FIRE, but Max shows now sign of slowing.
          Overhead lights EXPLODE, smoke and sparks raining down...
          
          Max launches himself into the air, pistol CRACKING as he
          falls. Bullets RIP through the retreating Guards...
          
          Max hits the ground hard, scrambling through the exit...
          
          ANOTHER HALL
          
          ...and around the corner.
          
                                 BRAVURA
                           (shouting)
                       Put your hands up!
          
          Max slides to a stop, startled to see Bravura aiming at him.
          While he doesn't exactly comply, Max does lower the barrel.
          
                                 BRAVURA
                           (more human)
                       You need to come in now, before anything
                       else gets pinned on you.
          
           ax shakes his head.       HEAVY BOOT STEPS rumble closer...
          
                                 MAX
                       She was trying to stop it.
          
                                    BRAVURA
                       Stop what?     Tell me what's happening--
          
          
          
                                                                              
          
          `
          
          
          
          
          S
          
          
          
          A
          
          
          
          
          .
          
          
          
          
          G
          
          
          
          
                                                                     71.
                     
          
          
          Bullets STRAFE the wall just above Max's head. He dives to
          the ground, plaster dust and smoke pluming above him.
          W
           hile Max scrambles for cover, Bravura charges forward,
          waving his badge in the air above him.
          
                                  BRAVURA
                       NYPD!   Hold your fire!
          
           uards flow into the hall, a black mass bristling FIRE. It
          takes a split second for Bravura to realize they aren't
          stopping. He slips, tumbling back as bullets RIP past him...
          
                                 BRAVURA
                           (screaming)
                       Hold your fire!
          
          Finally, the machine guns go quiet. Smoldering gunpowder
          clouds the hallway. Bravura and the Guards search...
          
           ..but Max has disappeared into the smoke.
          
          EXT. STREET - NIGHT
          
          Mona struggles up a narrow street, buffeted by the wind.
          Ahead, flashing blue and red lights electrify the snow.
          
            squad car idles towards her, searchlight flashing into dark
          shadows. Mona ducks her head away as the spotlight finds her
          at her building door. For a moment, she's in a whiteout.
          
           lowly, the cop car moves on. Mona starts to use her key...
          but the lock has already been forced open.
          
          INT. MONA'S APARTMENT - NIGHT
          
          Mona steps inside, ready for ambush.    She turns the corner...
          
          Max sits on her couch, scraped and scorched from his escape.
                               M
                                  AX
                           (pointing to the TV)
                       You need to see this.
          
          ON SCREEN:
          
          Over black, the Aesir corporate logo flashes up, quickly
          replaced by a simple block-letter title card:
          
           PROJECT VALHALLA: PROMOTIONAL SPOT #3'
          
          
          
                                                                         
          
          S
          
          S
          
          
          
          
          O
          
          
          
          
                                 A
          
          
          
          
          O
          
          
          
          
                                                                      72.
                     
          
          
                                 ANNOUNCER (V.O.)
                       From the beginning of time, great
                       generals have all wrestled with one
                       undeniable truth - morale wins battles.
          
           ver an up-tempo ROCK SOUNDTRACK, a slick montage of war
          imagery: tanks roaring over sand dunes, missiles ripping
          through palace walls, American troops firing machine guns...
          
                                 ANNOUNCER (V.O.) (CONT'D)
                       Fear, fatigue, loss of focus...the future
                       of combat medicine lies in the mind of
                       the soldier.
          
          A cutting-edge lab, SCIENTISTS working complex machinery.
          
                                  NNOUNCER (V.O.) (CONT'D)
                       Thanks to breakthroughs made by Aesir
                       Pharmaceuticals, the military of tomorrow
                       will be able of unlock the limitless
                       potential inside every soldier.
          
           n screen, the shot cuts to the interview of a YOUNG SOLDIER
          in uniform. He smiles easily, confident, eyes alert but
          maybe a little distant. Something familiar about him...
          
                       H         YOUNG SOLDIER (V.O.)
                        ow has my experience in combat changed
                       since being selected for Project
                       Valhalla?
                           (beat, smiling)
                       I'm never scared, for starters.
          
           uperimposed under his face: `PVT. JACK LUPINO.'
          
           tartled, Mona moves closer to the screen.
          
                                 MONA
                       That's the guy.
          
                                 MAX
                       What are you talking about?
          
                                 MONA
                       He's the one behind Ragna Rok. It's his
                       club where the drug's being sold.
          
                                 LUPINO (V.O.)
                       You face down a group of insurgents and
                       instead of fear, you're filled
                       with...peace, I guess.
                                 (MORE)
          
                                                                            
          
          S
          
          
          
          
                              M
          
          
          
          
                                                                    73.
                      (2)      LUPINO(CONT'D)
                    Like you're aware of the power you have
                    in your own hands to make the world a
                    better place.
          
          Max studies Lupino's image - thinner, no visible tattoos.
          All-American. There's already something in his eyes, though.
          
          As Mona sits back down, Max brushes past her to get his coat.
          
                               ONA
                    So what do we do now?
          
          Max stands up from the couch and starts away. Confused, Mona
          tries to follow, but stumbles when something pulls her back:
          
           he looks down to see she's been handcuffed to her chair.
          
                               MONA
                    What are you doing?
                         (beat, louder)
                    Uncuff me.
                         (beat, louder still)
                    Hey!
          
          On screen, Lupino smiles, beads of sweat forming on his face.
          Deliberately, Max stops the DVD and cuts off the television.
          
                    W         MONA
                     hat is this? You think just because he
                    killed your partner, you can decide
                    whether I--
          
          When Max finally speaks, the sound scrapes out of his throat
          like he hasn't used his voice in years:
          
                              MAX
                    He killed my wife.
          
          Mona struggles at the cuff, chain CLANKING but holding.
          
                              MONA
                    I've been inside that club.   You don't
                    have a chance on your own.
                        (realizing)
                    But you don't care.
          
          Max stoops down to pick up Mona's machine gun where it leans
          against the base of the couch. Mona THRASHES helplessly.
          
                              MONA
                    You don't want my help, because you think
                    if he puts you out of your misery, you'll
                    get to see her again.
          
                                                                         
          
          E
          
          
          
          
          B
          
          
          
          
          I
          
          I
          
          
          
          E
          
          
          
          
                                                                    74.
                      (3)
          
          
          Without a look back, Max starts out the door.
          
                                MONA
                      I hope that's really the way it works.
          
          The door pulls shut behind him.
          
           XT. RAGNA ROK - NIGHT
          
          The red neon sign is only an ember, muted under caked ice.
          
           n a chair blocking the front door, a GUARD watches the
          silent street, shivering uncontrollably.
          
           NT. RAGNA ROK - NIGHT
          
          Inside, the dance floor is empty. Sitting at the top of the
          stairs, another GUARD sleeps, rifle propped beside him.
          
           ACK ROOM
          
          A room like the inside of a smoker's lung - walls painted
          black, haze from candles and whatever else blurring the air.
          Jack Lupino sits on the floor surrounded by candles, watching
          the flames with manic focus. Two GUARDS stand above him.
          I
           nto a bent spoon, Lupino taps greenish powder from a small
          glass vial. He uses the candle to heat the spoon. Checking
          his watch, one of the guards produces a cell phone and dials.
          
                                GUARD #1
                          (on phone)
                      All quiet, 4 a.m.
          
          Lupino dips a needle into the spoon, drawing the bubbling
          green liquid into the body of the syringe.
          
           XT. RAGNA ROK - NIGHT
          
          The guard stomps his feet, trying in vain to keep some blood
          flowing. Blowing in his hands, he looks both ways down a
          street that is still just as empty as it has been for hours.
          
                                GUARD
                          (chattering, to himself)
                      Screw this...
          
          Frozen fingers fumbling with the keys, the Guard opens the
          door. Moving the chair just inside the doorway, the guard
          settles in the alcove...
          
          
          
                                                                          
          
          L
          
          
          
          
          M
          
          
          
          
                                 L
          
          
          
          
                                                                        75.
                     
          
          
          He pulls the door shut. It won't. Something's blocking it.
          The guard stands up, opens it wider to build some momentum...
          
          Max stands on the top step.
          
          BACK ROOM
          
          Lupino shoots up, gritted teeth tugging his belt tourniquet
          tight. Eyes clinched, beads of sweat already forming.
          
          The muffled BLAST of a machine gun, out on the dance floor.
          The Guards surrounding Lupino spring into action.
          
                                 GUARD #1
                       W
                        ait here, Mr. Lupino.
          
          Lupino lets the belt slip free, a deep SIGH rattling out. He
          opens his eyes, just in time for us to see the irises
          retracting. Candles shine in the black holes left behind.
          
                                  UPINO
                       I don't need protection.   I have my own.
          
          The Guards at the door lock and load, moving out...
          
          BALLROOM
          
          Max walks into the ballroom, motionless Guard bleeding out on
          the dance floor before him. Gunsmoke hangs in the air...
          
          In that final stillness, Max checks his clip.     Stone-faced.
          
          Thundering BOOTS echo out from the belly of the building.
          Doors fly open - Guards racing out from the kitchen on the
          first floor, two more from the office CRASHING out upstairs.
          
           ax OPENS UP, flames of automatic fire lighting his way.
          
          BACK ROOM
          
          Lupino and the Guards listen to the SHOOTING grow closer.
          Suddenly, the metal door flies open, BANGING at the stop.
          With lightning reflexes, THE GUARDS BLAST down the hallway.
          
           upino slowly stands, eyes glowing in the guard's muzzle
          flash. Forgotten now, he fades away into the smoke.
          
          The Guards crumble and fall until the room goes SILENT.
          M
           ax melts out of the smoke, weapon raised.     Hunting.
          
          
          
                                                                              
          
          I
          
          
          
          
                       C
          
          
          
          
          L
          
          
          
          
          U
          
          
          
          L
          
          
          
          
                                                                     76.
                     
          
          
          The back room is deeper than the poor light gives away.
          Max's boots grind over burned-out candles, occult runes...
          
          Lupino launches out of the darkness at Max.   Before he sees
          it coming, Lupino drives a hard punch into Max's skull.
          
          Max stumbles forward, ears ringing from the blow. Lupino
          draws a gleaming knife from his boot and springs on Max.
          
           upino swings the knife so quickly it becomes a blur, blade
          WHISTLING as it cuts through the smoke. He slashes the knife
          across Max's thigh, dropping him to the ground.
          
           nable to stand, Max thrusts the rifle up for protection.
          The blade CLANKS against the barrel, carving deep trenches in
          the stock, finally gashing the back of Max's fingers.
          
          Blood rushes from the cuts, loosening Max's grip on the
          weapon. Teeth gnashing like an animal, Lupino reaches out
          and tries to pull the machine gun out of Max's hands.
          
           upino buries the knife into Max's shoulder.    He CRIES OUT.
          
                                 LUPINO
                        an you hear them, now?
          
          Lupino drives his knee into Max's chest. Arm numb from the
          stab wound, Max's grip on the gun is slowly overpowered.
          Helplessly watching it slip away, Max SCREAMS with rage...
          E
           XT. RAGNA ROK - NIGHT
          
          Outside, no voice could carry on that raging WIND. TWO
          FIGURES walk up the street, closing slowly on Ragna Rok.
          
           NT. RAGNA ROK - BACK ROOM - NIGHT
          
          Lupino leans over Max, one hand grinding the knife deeper
          into his shoulder, the other wrenching the machine gun free.
          Max desperately tries to dig his nails into the grip...
          
                                 LUPINO
                       We'll see which one us they're flying
                       for. We'll see who they love best.
          
          Sweat streams down Lupino's face, dripping down onto Max.
          Fingernails splitting, Max finally loses hold of the gun.
          The sudden shift in momentum pitches Lupino back.
          
          For an instant, they are apart.
          
          
          
                                                                          
          
          S
          
          
          
          
          B
          
          
          
          
                       Y
          
          
          
          
                             (
          
          
          
          
                                                                       77.
                     
          
          
          In that instant, Max pulls the knife from his own shoulder
          and buries it to the hilt in Lupino's stomach.
          
          Lupino drops the machine gun. Max clamps his hand over
          Lupino's throat, using his grip to force the knife deeper.
          While Lupino GASPS, eyes wide, Max struggles to his feet.
          
                                 MAX
                       Who is your contact at Aesir?
          
          Lupino looks down at the knife in his stomach.       Fascinated.
          
                                 MAX
                            louder)
                       Who sent you after Michelle?
                                 L
                                  UPINO
                           (with difficulty)
                       You are so blessed.
          
          Max looks at Lupino - up close, his undyed skin is ashen and
          pockmarked, older than his age. Blood drools from his lips.
          Lupino's eyes swim around, lost in a fog of drugs and pain.
          
                                 MAX
                        ou don't know what I'm talking about, do
                       you?
          
          Lupino's eyes stop swimming.    For a moment, he sees Max.
          
                                 LUPINO
                       The angels are not done with you yet.
          
          Lupino's skull explodes.
          
          Max spins towards the hall, but another SHOT rakes across his
          shoulder and slings him to the ground. Defenseless, Max can
          only lift his eyes to see who's coming to finish it...
          
           B steps out of the smoke.
          
          As Max reels at the sight of BB, JOE SALLE (50'S) rumbles in.
          
           alle stomps on Max's wrist, in the same motion telescoping a
          metal baton and CRACKING it across his skull. With the grace
          of an old pro, Salle snaps on a pair of handcuffs.
          
                                   MAX
                             (in shock)
                       BB?
          
          Max is hauled to his feet - bleeding, cuffed, and trapped.
          
                                                                            
          
          B
          
          
                                 B
          
          
          
          
                    G
          
          
          
          
                           (
          
          
          
          
                    A
          
          
          
          
                                 M
          
          
          
          
                                                                     78.
                      (2)
          
          
          And BB walks right on by.
          
                               AX
                    What's going on here, BB?
          
          As Max watches in disbelief, BB paces around the room taking
          stock - noting the dead Guards, crouching over Lupino's body.
                               B
                               B
                     t ease, soldier.
          
          Max struggles to break free of Salle's grasp.
          
                                 MAX
                    Hey!
          
                                 JOE SALLE
                           (draws pistol, re. Max)
                    Now?
          
                              BB
                    Not unless you feel like carrying him out
                    of here. Max knows me, and I definitely
                    don't know Mr. Lupino.
          
                              MAX
                         shouting)
                    Look at me, BB.    At least face what
                    you're doing...
          
          BB finally does look at Max.    Cold, dead eyes.   A stranger.
          
                                 BB
                     row up.
          
          EXT. RAGNA ROK - NIGHT
          
          BB steps through the door, over the guard's upturned chair.
          
          The blizzard has won - streets and sidewalks no longer
          scraped, cars long abandoned under their icy cocoons. The
          fifth largest city in the world, reduced to a ghost town.
          
                               B
                    Happy New Year.
          
           B strides out in front, taking in the sight. It might as
          well be a desert, white sand sifting around their boots,
          buildings rising above like black canyon walls.
          
          Max shuffles along behind BB, head bent low in the wind.
          Plumes of his ragged breaths trailing out behind him.
          
                                                                          
          
                                                                        79.
                     
          
          
                                 BB (cont'd)
                       Look at it from my perspective: this
                       thing is going to be a true epidemic.
                       One hundred percent dependence within a
                       few doses, and we control the only
                       source. This is so much bigger than
                       Lupino's little bar. This is every
                       street corner in the City in a month,
                       nation wide in two.
          
          Max keeps trudging, one foot in front of the other. BB looks
          annoyed that he's not getting a reaction out of him.
                               B
                                  B
                       I hope you're not over there blaming me.
                       Really, this is Michelle's fault.
          
          Max's eyes start to burn.     BB sneaks a peek, encouraged.
          
                                 BB
                       She had no right to put me in that
                       situation. Asking me to pass up this
                       kind of an opportunity to help her rat
                       out my bosses...I'm sorry, but that's
                       unreasonable.
          
          Max's head snaps up, eyes simmering with rage.     BB smiles.
          
                                  BB
                       But then again, who could blame her for
                       getting confused, being married to such a
                       righteous man. So maybe it is your
                       fault, after all.
                           (beat)
                       Just like your old man. Always knew you
                       were better than everyone else--
          
                                  MAX
                       No.   Just better than you.
          
          BB's smile seems to double.     He considers Max for a moment.
          
                                 BB
                       For what it's worth, he didn't know
                       Michelle was going to die.
          
          Max starts walking again, doesn't raise his eyes. The seed
          has been planted, though. BB plays with the silence.
          
                                 BB
                       He thought they were going out there to
                       scare her, destroy her research.
          
          M
          
          
          
          
          F
          
          
          
          
          T
          
          
          
          
          F
          
          
          
          
                                                                   80.
          
          
          
          FLASHBACK: MAX'S KITCHEN - DUSK
          
          Looking up from the mail, Max sees the smashed kitchen door.
          R
           ESUME - EXT. STREET - NIGHT
          
          Max keeps walking, trying to fight off the memories. BB
          strolls along beside him, taking his time with the story.
          
                              BB
                    I'd arranged with the other guys to
                    finish the job.
          
           LASHBACK: MAX'S HALLWAY - DUSK
          
          Max races into the hallway bathed in golden light.
          
          Between Max and the end of the hall, two JUNKIES are huddled
          against a door. Twisting the handle, SMACKING the wood.
          
                              BB (V.O.)
                    He locked them out of the bedroom, tried
                    CPR...boy scout shit.
          
           he Junkies turn to Max, eyes black and glassy.   Sick smiles.
          
          RESUME - EXT. STREET - NIGHT
          
          Max looks nauseous.    BB sees it, thrilled.
          
                              BB
                        (smiling)
                    And as thanks, you nearly blew his head
                    off while he crawled out the window.
          
           LASHBACK: MAX'S HALLWAY - DUSK
          
          Max throws his shoulder into the door, SNAPPING the hinges...
          
          BEDROOM - CONTINUOUS
          
          A MAN slips out of the window, one leg still inside...
          
           ax OPENS FIRE at the retreating shape.
          
          RESUME - EXT. STREET - NIGHT
          
          Max's gait begins to falter, lost in the memory he's played a
          thousand times, the images shifting to show something new...
          B
           B watches eagerly, waiting for what comes next...
          
          S
          
          
          
          
                               M
          
          
          
          
                                                                     81.
          
          
          
          FLASHBACK: MAX'S BEDROOM - DUSK
          
          Max charges in, again firing on the man escaping...
          
          ...but this time, we watch the glass behind the billowing
          curtains. The fabric ripples, revealing a reflection...
          
          Alex.
          
                              BB (V.O.)
                    That's funny, to me.
          
          A momentary flash of his profile, a mask of guilt and shame.
          
          RESUME - EXT. STREET - NIGHT
          
          Max stops walking.   All of his will gone.
          
          BB steps closer, drinking in the pain in Max's eyes.
          
                              BB
                    You really didn't know?
          
          With a shrug, BB turns away from Max's fury and moves on...
          
          INTERSECTION - CONTINUOUS
          
          Above them, traffic signals strain under thick icicles.
          Intermittently, the lights go dark, the power faltering.
          
                               AX
                        (soft)
                    You should have killed me then, when you
                    had a chance.
          
                              BB
                    I learned something from your father,
                    years ago. Always give people a choice.
          
           tepping into the intersection, BB stops. Abruptly, Joe
          Salle closes with Max, meaty hand clamping onto his arm.
          
                                BB
                    He gave me the choice between early
                    retirement or facing the charges he was
                    going to bring against me. He sat me
                    down in that bar and explained that I
                    could either give up the thing I loved,
                    or I could have it taken away by force.
                    That (was my choice.
                          beat)
                                (MORE)
          
                                                                          
          
                       I
          
          
          
          
                                                                   82.
                                   BB(CONT'D)
                       You could have put a gun in your mouth
                       any time you wanted. Or, you could have
                       kept living in the hell I made for you.
                       That's your choice.
          
          BB smiles.
          
                                 BB
                       Just out of curiosity, though: why don't
                       I have a chance now?
          
          Max's eyes are clear - almost peaceful for the first time.
          
                                 MAX
                       Because now I know it's you.
          
          BB moves closer, the arrogance in his smile deepening.
          
                                 BB
                       Well, you're--
          
          Suddenly, Max launches himself forward - a fullback's
          explosion into the line that catches Salle by surprise...
          
          Hands cuffed behind his back, Max drives his shoulder into
          BB's jaw, splitting his lip. BB tumbles back into the snow.
          
          Joe brings the club out again, bashing Max across the head,
          using it to choke Max until his struggles lose power.
          
                                 JOE SALLE
                       Okay, enough. This is far enough.
          
          BB looks around, wiping the blood from his lip. His eyes
          fall on a mound of construction rubble in a vacant lot.
                               B
                                   B
                       Hang on.
          
                                  JOE SALLE
                       BB...
          
          BB stands and walks onto the lot, kicking away snow until he
          exhumes a cinder block in the rubble pile. BB picks it up.
          
                                 BB
                        've got something better.
          
          Carrying the cinder block, BB starts off down a different
          street. Grudgingly, Salle pushes Max along after him.
          
          Visible a few blocks away, the black body of the river waits.
          
                    I
          
          
          
          
                        (
          
          
          
          
          H
          
          
          
          
          L
          
          
          
          
                                                                     83.
          
          
          
          EXT. PIER - NIGHT
          
          An ancient shipping pier juts out into the river, murky water
          high and roiling around its pilings from the stormy weather.
          B
           B motions for Max and Joe Salle to follow him out onto the
          pier, its planks buried under a thick sheet of ice.
          
                              BB
                        (to Salle, taking Max)
                    Grab me some of that rope.
          
          BB drops the cinder block at Max's feet, CRACKING the ice.
          
                              BB
                    It's not like we didn't see it coming.
          
          Clamping onto Max's arm, BB unlocks his handcuffs.
          
                              BB
                    Sullen, withdrawn...Max just never seemed
                    the same after the tragedy.
          
           ights running the length of the pier flicker, eventually
          dying altogether. All down the shore, the power fails.
          
                              BB
                    It's a good thing his father didn't live
                    to see it, though. Bill Payne's only
                    son, a strung-out suicide.
          
           idden in the now deeper darkness, BB pulls something from
          his coat: two glass vials like Lupino's, filled with the same
          green powder. He tucks them into Max's coat pocket.
          
                              BB
                         smiling)
                    It would have eaten him alive.
          
                              MAX
                    Bravura's not going to buy it.
          
                              BB
                    Sure? Not even once the autopsy turns up
                    traces in your blood?
          
          Max looks at BB, trying to understand how that could be.
          
                              BB
                      dosed you that night at Alex's, just to
                    make sure things were fuzzy. Compliments
                    of the house.
          
                                                                          
          
                       J
          
          
          
          
                                                                   84.
                     
          
          
          Seeing that BB has removed Max's cuffs, Salle hurries over.
          The motion puts both men off balance on the slick boards...
          
                                 BB
                        oe, why don't you calm down...
          
          Salle grabs Max's arm. Max looks down at Salle's feet, hard-
          soled shoes slipping. Salle anticipates his next thought...
          
          Abruptly, Max jerks his arm away.
          
          Not able to let go in time, Salle's feet fly out from under
          him. The big man crashes down hard on his side.
          
          Max ducks and stumbles forward...
          
          BB FIRES, missing. Max looks back. Beached on his side, Joe
          Salle draws his pistol, the next shot coming any moment...
          
          Max slips. Struggling to right himself, hands scraping over
          rough planks, another shot CRACKS inches from Max's legs...
          
          With nowhere else to go, Max turns to the water. Boots
          slipping, he lunges for the edge, careening over...
          
          RIVER - CONTINUOUS
          
          Max SPLASHES down into the dark water, body twisted in an
          awkward position, wind blasted from his lungs by the impact.
          SHOTS from the pier above CUT into the water around him...
          
          Max dives under as much as he can stand it in the frigid
          water, swimming farther from shore. Shots continuing to
          SPLASH around him, the current pulls him into deeper water...
          P
           IER
          
          BB and Salle FIRE with less conviction. In the water, the
          disturbance made by Max grows smaller as he's swept away.
          
          BB lowers his gun, motioning for Salle to do the same.
          
                                  BB
                       It's fine, as cold as that water is...
                           (beat)
                       Just in case, though. Make sure.
          
          Salle frowns, shoots BB a look.
          
                                 JOE SALLE
                       How?
          
                                                                     85.
          
          
          
          RIVER
          
          Max lifts his head. The wide expanse of the river stretches
          around him, surface broken by swirling pocks of falling snow.
          
          The current caries him farther from piers and buildings
          receding into snow, as black as the water they rise above.
          Turning, Max sees that the opposite shore is even farther.
          
          Slowly, the exhilaration of escape begins to change. Icy
          water bites his skin. Muscles beginning to tremble...
          
          Limbs heavy with saturated clothing, joints seized by cold,
          Max tries to swim against the current with little success.
          
          Max sinks lower, churning water lapping his face.    GASPING
          BREATHS becoming SPUTTERING COUGHS...
          
                                                               CUT TO:
          
          INT. HALLWAY - TWILIGHT (VISION)
          
          Max moves down the hallway, the familiar golden light.    Boots
          A
          stepping quiet, past the bloody and motionless bodies.
          
           t the bedroom's door, Max pauses.   Unable to go through.
          
          Michelle's body faces away, bundle cradled in her arms.
          
          As Max stands watching, Michelle's body stirs...
          
          EXT. RIVER - NIGHT
          
          Max breaks the surface: COUGHING, GASPING, flailing his arms.
          It's hopeless; he immediately begins to sink again.
          Desperation, panic move his limbs, but for nothing.
          
          Max Payne slips under without so much as a ripple.
          
          INT. HALLWAY - TWILIGHT (VISION)
          
          Tentatively, Max crosses the threshold into the bedroom.
          
          Michelle's eyes open, aware that she's being watched from the
          doorway. She looks up at Max, a lazy smile forming.
          
          The bundle of blankets stirs. Michelle grins down at their
          infant daughter, offering her finger to the tiny pink hand.
          
          Max edges closer, overwhelmed by the sight. Michelle pats
          the bed beside them, inviting Max to sit. He doesn't move.
          
          
                                                                          
          
          M
          
          
          
          
                       H
          
          
          
          
                           (
          
          
                                 C
          
          
                       H
          
          
          
          
                                 C
          
          
          
          
                                                                    86.
                     
          
          
                                 MICHELLE
                       Are you home?
          
          For a long moment, Max drinks in the sight of his family...
          
          EXT. RIVER - PRE-DAWN
          
          Out in the middle of the river, the white curtain of blowing
          snow parts to reveal a dark shape, drifting in the fog. Like
          an island in the black water, a small boat bobs in place...
          T
           he CAPTAIN steps out onto deck, zipping his coat against the
          weather while talking into a two-way radio. Faintly visible
          around him, larger ships are outlined by twinkling lights.
          
                                  APTAIN
                           (into radio)
                       You know how blind I am, I'm not crashing
                       into the dock again. When the power--
          
          A THUD against the hull of the ship; something in the water.
          
                                 CAPTAIN
                        ang on a second.
          
          The Captain leans over the gunwale. A body floats below the
          surface, BUMPING as it bobs in the wake.
          
                                  APTAIN
                            to himself)
                       Jumpers.
          
          The Captain swings a gaff, SPLASHING and glancing the sharp
          hook across the body. He tries again, a solid hit...
          
          A hand breaks the surface, weakly grabbing the pole.
          
                                 CAPTAIN
                        oly shit...
                           (to the engine room)
                       Somebody get out here!
          
          EXT. DOCK - NIGHT
          
          The boat barrels out of the fog, moving too fast towards the
          pier. The Captain and his FIRST MATE crouch over Max.
          
                                 FIRST MATE
                       It's too late. He's frozen solid.
          
           ax lies on the deck, ice water streaming from his clothes.
          He's blue-gray, shivering violently, tiny puffs of breath...
          
                                                                          
          
                           (
          
          
          
          
                                 C
          
          
          
          
                                 F
          
          
                       D
          
          
          
          
                       C
          
          
          
          
                                                                         87.
                     
          
          
          The boat tries to ease into the dock, but is moving too fast:
          it CRASHES against the pilings. The gathered CROWD SHOUTS.
          
                                 CAPTAIN
                           (calling to the pier)
                       Somebody get some blankets.
          
          The Captain and Mate lift Max's rigid body up to the pier.
          People start to inspect his cut and battered body.
          
                                 CAPTAIN
                        all the cops, he's bleeding everywhere.
          
          Catatonic to this point, Max suddenly tries to shake his
          head. He attempts to sit up, but hands force him down.
          Powerless, Max's eyes desperately look around, searching...
          
                                 CAPTAIN
                        on't move. We've got help coming.
          
          Hand shaking violently, Max reaches inside his coat and pulls
          out the vials BB planted. Trembling, he flips the caps away.
          
                                  IRST MATE
                       What is that? What's he...
          
          With everything he has, Max opens his chattering jaws and
          dumps the green-tinged powder into his mouth.
          
                                  APTAIN
                       Great, a junkie bleeding on my boat.
          
          The dust on Max's lips liquefies.    His trembling grows worse.
          
          The crowd parts, and a MAN rushes up with blankets.       He
          kneels down over Max, whose body keeps shaking.
                               M
                                  AN
                            touching Max, confused)
                       He doesn't really feel that bad...
          
                                 CAPTAIN
                       What do you mean, he's a block of ice...
          
          The captain touches Max's skin, jerking away in shock.
          
                                 FIRST MATE
                       Maybe it's a fever already.
          
          Max pushes their hands away, his strength suddenly regained.
          Unsteadily, Max climbs to his feet. The crowd pulls away.
          
          
                                                                             
          
                               B
          
          
          
          
                                                                     88.
                      (2)
          
          
                              CAPTAIN
                    Let him go, then.
          
          Max wobbles up the planks, the snow fall not quite as hard as
          it had been when he went into the water.
          
          Max's gait grows more steady, each step forcefully forward...
          
          One by one, the flakes become burning embers drifting from
          the sky. Max marches ahead, bits of fire raining over him.
          
          INT. POLICE STATION - INTERROGATION ROOM - NIGHT
          
          A exhausted man in the uniform of a GUARD slumps in an
          interrogation room. Bravura paces the floor, grilling him.
          
                               BRAVURA
                    Okay.   Again, from the beginning.
          
          Before the Guard can answer, the door flies open. Without a
          word, the RANKING OFFICER summons Bravura into the hall...
          
          HALLWAY
          
          ...where a row of more GUARDS are handcuffed to a bench.
          
                    U         RANKING OFFICER
                     nder what authority are you
                    interrogating these men?
          
                               RAVURA
                    An investigation into departmental
                    corruption. They're material witnesses--
          
                              RANKING OFFICER
                    Just between you and me, I wouldn't count
                    on these men being any kind of witnesses
                    at all. I served with a few of them, and
                    remember what kind of officers they were.
          
          From the bench, Bravura sees the smirks from the Guards.
          
                              BRAVURA
                    What kind would that be?
          
                               RANKING OFFICER
                    Cops.   Real cops.
          
          At the far end of the hall, a group of serious-looking men in
          DARK SUITS file out of the elevator. Bravura cracks a smile.
          
                                 RANKING OFFICER
                        o offense.
          
          The Suits get closer, revealing badges on their belts.   FBI.
          
                                 BRAVURA
                       None taken.
                           (to the lead agent)
                       Agent Taliente, I'd like you to meet a
                       real cop.
          
          The Ranking Officer and the Agent shake hands.    Icy.
          
          Standing in the doorway of an office down the hall, a
          DETECTIVE shrinks back to his desk and picks up the phone.
          
                                 DETECTIVE
                           (on phone)
                       Let me talk to BB.
          
          EXT. ASGARD BUILDING - NIGHT
          
          With dead streetlights, the hulking black shape of the Asgard
          building looms like a mountain at the end of the block.
          
           ax moves up the street, steam rising from his clothes as
          they dry from the heat of his skin. Sweat beads on his face.
          
          Max enters Asgard's courtyard, the Gothic facade rising high
          above. He passes through its security lights, shadow casting
          down onto the clean white snow like a projection screen...
          
          Invisible to the naked eye, more shadows of winged shapes
          dart and swoop in the air above Max's outline on the snow.
          
          INT. ASGARD BUILDING - BB'S OFFICE - NIGHT
          
          BB POUNDS the receiver down onto the phone, CRACKING the
          base. Joe Salle watches him angrily pulling on his coat.
          
                                 JOE SALLE
                       What's going on downtown?
          
                                 BB
                       Bravura called in the Feds.
          
          BB storms for the door, surprised to turn back and see that
          Salle hasn't followed him. The big man scowls, nervous.
          
                                 BB
                        or God's sake, come on. Max is dead,
                       they've got nothing else.
          
          
          ENTRY HALL
          
          BB and Salle storm down the steps into the main entry hall.
          
                                  B
                       Get up to the armory, hide the--
          
          Salle grabs BB by the arm.
          
          On the floor between them and the front door, two guards
          sprawl face-down in enormous pools of their own blood.
          
                                 JOE SALLE
                       He's not dead. He's here.
          
                                   BB
                       Bullshit.    There's no way--
          
          At that moment, they both see movement in the shadows...
          
          Max steps forward into the light - soaked in blood up to his
          elbows, eyes black and animalistic. No longer himself.
          
           oe Salle reaches for his pistol. With freakish reflexes,
          Max raises one of the guard's machine guns and OPENS FIRE.
          
          BB and Salle fall back, diving into an ancient elevator car.
          Slugs ricocheting, BB and Salle struggle to shut the doors.
          
          From Max's POV: as the elevator doors slam shut, a glimpse of
          BB's face stretching and distorting into a demonic grin...
          
          ELEVATOR
          
          BB and Salle watch the floor number rise.       BB finds his cell.
          
                                 JOE SALLE
                       Who are you calling?
          
                                   BB
                       Her.
          
          By Salle's face, that's a thought scarier than Max.
          
          INT. AESIR BUILDING - PENTHOUSE OFFICE - NIGHT
          
          The giant glass-walled penthouse office of the Aesir building
          sits above the storm clouds. Up here, dawn is close.
          
          Nicole Horne watches the storm below her feet.       She ANSWERS.
          
          
          
          
                                  NICOLE HORNE
                           (even)
                       This isn't a number you use.
          
          INTERCUT - HORNE'S OFFICE/ELEVATOR
          
                                 BB
                         need you to send a helicopter to my
                       building. NThe storm's breaking...
          
                                 NICOLE HORNE
                        here was a shoot-out in my building
                       yesterday, twenty floors from where I'm
                       sitting. A secretary was killed.
          
                                 BB
                       I understand an executive named Jason
                       Colvin was also among the dead.
                       Senseless tragedies, all.
          
          Nicole sighs, eyes still fixed on the window.
          
                                 BB
                       Everything's fine, we're just--
          
                                 NICOLE HORNE
                       This was more than you were ready for.
          
                                 BB
                       What is that supposed to mean?
          
                                 NICOLE HORNE
                       Perhaps our partnership has run its
                       course.
          
                                 BB
                       Think pretty hard about that. I'm about
                       to be surrounded by Federal agents--
          
                                 NICOLE HORNE
                           (shadenfreude)
                       Good heavens, BB. Best of luck.
          
                                 BB
                       Who needs luck? They're going to love
                       the stories I can tell.
          
                                  NICOLE HORNE
                       Careful.
          
                                 BB
                           (losing it)
                       Send the helicopter, then.
          
          After a moment, Horne lets her eyes drift shut.        She smiles.
          
                                 NICOLE HORNE
                       It's on its away.
          
          INT. ASGARD BUILDING - HALLWAY - CONTINUOUS
          
          The elevator opens and BB steps out, snapping his phone shut.
          
                                  BB
                       Take everybody and get downstairs.    I
                       want no less than his head.
          
          HALLWAY
          
          Max turns the corner into a long hallway of prison-like
          offices. Emergency lights flicker through barred windows...
          
          A group of GUARDS look up and see Max at the same moment.
          Max is without hesitation, SHOOTING two before they can raise
          their weapons. Falling back, the others start FIRING...
          S
           uddenly, an office down the hall bursts to life - a ROAR of
          flapping wings, light from the window strobing with movement.
          
          Max doesn't seek cover, walking into BLAZING machine guns...
          
          One by one, all the offices FLICKER with fluttering wings.
          Max marches on, rage-filled eyes set in a lifeless face...
          
          ARMORY
          
          Guards empty the weapons lockers, loading for bear as the
          sounds of GUNFIRE grow closer. BB and Salle supervise.
          
                                 BB
                       Take some C4, wire it so he can't make it
                       to the roof. I'll wait on the chopper.
          
          Salle's mistrust of BB is painted all over his face.
          
                                 BB
                           (smiling)
                       You know I won't leave without you.
          
          
          
          
          CORRIDOR
          
          Max FIRES, plaster from shattered walls caking on his sweat-
          soaked skin. Guards take cover, fall back for position...
          
          With every shot fired, the muzzle flash glows in Max's empty
          black eyes, the flames glowing brighter as he advances...
          
          GREAT HALL
          
          ...into the vast, open space at the heart of the building.
          GUARDS appear at the other end of the hallway, OPENING UP.
          Their SHOTS echo, the great room ringing like a cave.
          
          Max lifts his eyes - what had been four stories now seems
          like forty, the top not visible behind hazy black smoke.
          
          Bullets WHISTLE past Max's ear. Distracted, he RETURNS FIRE,
          but his eyes are drawn back to the black smoke above.
          SOMETHING moves in the clouds, swirling closer...
          
          STAIRWELL
          
          More Guards THUNDER up steps littered with spent casings. In
          their haste, they don't notice the thin gap in one window...
          
           LENDER FINGERS slip in with the swirling snow, opening it...
          
          GREAT HALL (MAX'S POV)
          
          Crashing back into Max's perspective, a RUSHING WIND presses
          down from the black clouds above, the darkness spreading.
          Max's legs buckle, his machine gun scattering SHOTS...
          
          The room goes darker as it gets louder, light blotted out by
          WINGED CREATURES drifting down from above, circling closer...
          
          Max stumbles, buffeted by their POUNDING WINGS. CHOKING on
          sulfurous smoke, hair smoldering, skin starting to singe...
          
          ANOTHER HALLWAY
          
          A small group of Guards race forward, dodging the bodies of
          others Max met along the way. They hesitate, form ranks...
          
          GREAT HALL - CONTINUOUS
          
          ...and the frightened Guards charge into the great room.
          
          It is silent. Smokeless. Just a hall. Blood streaks the
          walls, flows between the crumpled carcasses of more dead
          GUARDS. At the far end of the hall, something moves:
          
          
          
          Max. On his hands and knees, rivers of sweat flowing.
          Confused, the group of Guards approach Max. Weapons ready.
          
          MAX'S HALLUCINATION
          
          Crushed inside the DEAFENING blackness, Max lifts his eyes to
          see LEERING DEMONS gazing down, distorted versions of...
          
          GREAT HALL - CONTINUOUS
          
          ...the four Guards, who look down on Max's trembling, sweat-
          logged body on the floor. He's MUTTERING, CHANTING...
          
          So easy it almost doesn't seem fair, a Guard aims his pistol.
          
          Suddenly, bullets RIP through the Guards from behind. No
          chance to respond, bodies torn open with a merciless BLAST of
          machine gun fire. They fall around Max, joining the rest.
          
          Gun smoking, Mona rushes up the hallway to Max.
          
          MAX'S HALLUCINATION
          
          The Demons fade away, their howling SCREAMS lingering behind.
          Awaiting the next horror, Max is shocked by something else:
          White light splits open the smoke, cutting the black in two.
          
          GREAT HALL
          
          Mona kneels down over Max, lifting up his head. Max's skin
          is pale, slick like melting wax. His eyes are empty.
          
          There's nothing gentle in her touch - she SLAMS Max's head
          back onto the cold marble, jerking him up again by his hair.
          
                                 MONA
                       Max!
          
          Gradually, Max's black eyes start to find Mona's face.
          M
           AX'S HALLUCINATION
          
          The white light grows brighter, blasting away shadows and
          smoke. In its center, traces of Mona's face appear.
          
          GREAT HALL
          
          Max starts to sit up, gazing with confusion at the hallway.
          
                                 MONA
                       You don't have much time.
          
          
          Max nods.    No idea if he understands, Mona helps him up.
          
                                 MONA
                       I'll do what I can to slow them down, but
                       you have to hurry.
          
          Max looks back at Mona, clearly having some idea of what that
          means for her. They look at each other for a long moment.
          
                                 MONA
                       You're not done yet.
          
          EXT. ASGARD BUILDING - ROOF - DAWN
          
          Sickly light glows in the east. The snow has all but
          stopped. BB strides across the roof, hope in his eyes.
          
                                  BB
                           (on phone)
                       The weather's broken, your pilot is going
                       to have no problem landing.
          
          INT. AESIR SKYSCRAPER - PENTHOUSE OFFICE - DAWN
          
          Nicole Horne sits at her desk, watching the storm recede.
          
          A red light flashes on her phone.     She ignores it.
          
          INT. ASGARD BUILDING - HALLWAY - DAWN
          
          Joe Salle kneels over a pile of C4 bricks, wiring a bomb. He
          tenses, hearing something in the hall behind him. Raising
          his hands and turning slowly, he finds Mona waiting.
          
                                 MONA
                       Where's the detonator?
          
          Slowly, Salle holds it out for Mona.     She grabs the remote.
          
                                  JOE SALLE
                       There's more like this all over. Even if
                       the building doesn't collapse, this floor
                       is gone.
                           (beat)
                       Careful with that thing, is what I'm
                       saying. I'm sure you and I can work
                       something out.
          
          Suddenly, BOOT STEPS ring up the hallway behind Mona.
          
                                  UARDS
                       Drop your weapon!
          
          Salle smiles.
          
          BB'S OFFICE
          
          Max staggers through the door to BB's office. Out the big
          windows, the East River begins to glow with approaching dawn.
          
           ax scans the room for BB, his vision still plagued by
          flickering shadows, hallucinations receding but not yet gone.
          He pauses at the glass, caught by his twisted reflection.
          
           ax can see his own wings.
          
          HALLWAY
          
          Salle holds out his hand for the detonator. Behind Mona,
          elevator doors open to reveal more Guards. They file out...
          
                                 JOE SALLE
                           (to the Guards)
                       Hurry, Max's already upstairs.
                           (to Mona, frustrated)
                       Just hand it over.
          
          Mona watches the guards file towards the stairs. Behind her,
          the elevator car waits, empty, the doors starting to close...
          
                                 JOE SALLE
                        B's done for, but this thing doesn't
                       have to stop. I'm his number two, and
                       somebody has to take over for Lupino.
                       Like I said, we can work something out.
          
          Ever so casually, Mona takes a step back onto the elevator.
          The doors HISS along their tracks, converging...
          
                                 JOE SALLE
                            frowning, confused)
                       Give me one reason we can't do business.
          
          Mona presses the button on the detonator.
          
          BB'S OFFICE - CONTINUOUS
          T
           he window Max stands in front of SHATTERS in the EXPLOSION,
          his demonic image bursting into a thousand shards of glass...
          
          EXT. ASGARD BUILDING - DAWN - CONTINUOUS
          
          From the ground, the explosion rains glass down over the Feds
          and waiting SWAT team. Shielding his eyes, Bravura squints
          up at the flames in the windows. Taliente pats his shoulder.
          
          
          
          
                                                                        97.
                     
          
          
                                 BRAVURA
                       Try to take Payne alive, if there's
                       anything left.
          
          Taliente nods.    On his signal, the SWAT team mobilizes.
          
          INT. ASGARD BUILDING - BB'S OFFICE - DAWN
          
          Wind GUSTS through the shattered windows of BB's office. Max
          brushes away diamonds of broken glass, struggling to stand.
          
           hin rims of color have returned to his eyes. Human again.
          Max draws his pistol and strides through the roof door...
          
          EXT. ASGARD BUILDING - ROOFTOP - DAWN - CONTINUOUS
          
          A shower of bullets strikes the doors as he steps outside.
          Max can't react. Bullets shred the door behind him, one slug
          hitting Max in the stomach and knocking him to the ground.
          
           cross the roof, BB keeps FIRING until his pistol CLICKS.        BB
          returns his attention to the sky, hopelessly waiting.
          
                                 BB
                       It's unbelievable. All that snow, and...
                       Watch it end up being a beautiful day.
          
           ritting his teeth, Max struggles to his knees. Blood rushes
          between his fingers, streaming out of the hole in his side.
          
           earing Max's effort, BB turns away from the empty sky.
          Using the pistol as a crutch, Max finally stands...
          
                               BB
                       You want my confession, first?   You came
                       all this way for it...
          
          BB tosses his useless weapon aside.
          
                                 BB
                           (mock penitent)
                       Forgive me, Max, for I have sinned. I
                       should have bet more on you, and less on
                       that helicopter.
          
          Max limps closer, pistol swinging at his side.     A thin trail
          of blood follows behind him in the snow...
          
          BB watches Max's approach, his swagger rapidly failing.
          
          
          
          
          
                                 BB
                       Just get to it, already. That's all I
                       ask. You've earned it, so just...
          
          With the pain in his stomach causing some difficulty, Max
          pulls the pistol's slide back to check for a live round.
          
          BB watches Max's preparations, terror growing. Unable to
          resist his panic, BB abruptly tries on a helpless smile.
          
                                 BB
                       But I want you to listen to me, first.
                       Just try to hear what--
          
          Max raises the pistol and PULLS THE TRIGGER. The slug hits
          BB in the center of the forehead, snapping his neck back.
          
          The shell casing twirls down, landing in the snow without a
          sound. BB's corpse lands a moment later with a clumsy THUD.
          
          Max lets the gun slip out of his hand and walks past the body
          - BB's eyes frozen on the sky, red halo slowly expanding.
          
          Max reaches the edge, the river's black body revealed below.
          His gait falters, blood filling each footprint in the snow...
          
          INT. ASGARD BUILDING - BB'S OFFICE - DAWN
          
          The SWAT team streams through the door, racing for the roof.
          
          EXT. ASGARD BUILDING - ROOFTOP - DAWN
          
          Max stands at the roof's edge. A stiff wind buffets against
          his chest, forcing his unsteady legs to sway a little.
          
          Slowly, his eyes drift from the water below to the sky...
          
                                                                CUT TO:
          
          INT. MAX'S BEDROOM (VISION) - TWILIGHT
          
          From the doorway, Max watches Michelle smiling down at their
          baby, who grabs at her finger with a wide grin.
          
                                 MAX'S VOICE
                       I don't believe in heaven.
          
          Gently, Max takes a seat on the edge of the bed beside them.
          
                                                                  99.
          
          
          
          EXT. ASGARD BUILDING - ROOFTOP - DAWN
          
          Max looks up at the sky. Behind him, the SWAT team races
          outside, swarming and BARKING orders at Max, weapons raised.
          
          Max drops to his knees. He raises his hands, one dripping
          with his own blood. But his eyes stay on the sky...
          
                              MAX'S VOICE
                    But I have this idea about it.
          
          ...where a tiny tear opens in the clouds, revealing steel
          grey dawn beyond.
          
                                                          FADE OUT.
          
                              THE END