Sex And The City Movie Script
SEX AND THE CITY: THE MOVIE Written by Michael Patrick King FADE IN: A1 EXT. 5TH AVENUE -- NEW YORK CITY -- DAY -- SUMMER A1 Glistening city buildings reflect onto the WINDOW of an upscale clothing boutique. In the window -- a MANNEQUIN is wearing -- the best of everything. A PRETTY TWENTY-SOMETHING girl looks in at the display: dreaming of the day. CARRIE (V.O.) Year after year, twenty-something women come to New York City in search of the two "L's": labels and love. 1 EXT. 5TH AVENUE/TIFFANY -- DAY -- SUMMER 1 Four TWENTY-SOMETHING WOMEN walk away from us -- arms linked LAUGHING -- They make their way down the busy street -- shopping bags and designer purses swinging. The young women reveal: CARRIE BRADSHAW (41) and fabulous -- walking towards us. She watches them as they pass, a SMILE grows on her face. CARRIE (V.O.) Twenty years ago... I was one of them. She walks along, her shopping bag -- swinging. 2 INT. CARRIE'S APARTMENT/CLOSET -- NIGHT -- SUMMER 2 Carrie on step ladder, barefoot. Her finger moves along a series of DESIGNER shoe boxes... CARRIE (V.O.) Having gotten the knack for labels early... I concentrated on my search for love. 3 EXT. CLUB -- NIGHT -- FALL 3 Summer night. Couples everywhere. Carrie walks along. 1A. CARRIE (V.O.) Turns out, a "knock-off" is not as easy to spot when comes to love... She passes a twenty-something girl and guy huddled very close together. Suddenly, the girl SLAPS HIM across the face. CARRIE (V.O.) (CONT'D) Until it is. CARRIE reacts, and trots along. 2. 4 EXT. STREET -- DAY -- SPRING 4 CARRIE and preppy perfect CHARLOTTE walk along, talking. CARRIE (V.O.) That is why you need help to spot them... JUMP CUT TO: Carrie, Charlotte and MIRANDA walk along talking. CARRIE (CONT'D) ... Lots of help. JUMP CUT TO: Carrie, Charlotte, Miranda and SAMANTHA walk along; LAUGHING -- their shopping bags and designer purses swinging. 5 EXT. CARRIE'S APARTMENT -- NIGHT -- WINTER 5 The front of Carrie's building. She is typing in her window. 5A INT. CARRIE'S BULIDING -- CONTINUOUS 5A Carrie at her desk - typing. CLOSE ON the computer screen -- Written on it: "Charlotte, Miranda and Samantha..." CARRIE (V.O.) Year after year, my single girlfriends were my salvation. And, as it turns out... 6 INT. CARRIE'S APARTMENT -- DAY -- SPRING 6 CLOSE ON: A colorful CHICK LIT book cover: "A Single Life" by Carrie Bradshaw. CARRIE (V.O.) ... My meal ticket. CARRIE -- standing on her bed placing it next to her TWO other books: "Sex and The City" and "Menhattan" A framed photo of four girls (circa 1999) is also on the shelf. She picks it up -- Touches it sweetly. CARRIE (V.O.) (CONT'D) We still are those four single girls... 3. 7 EXT. UPPER FIFTH -- DAY -- SUMMER 7 CARRIE in a sexy, summer dress, spots someone -- waves -- CARRIE (V.O.) Even though, technically... we're not. She hurries across the street to meet that SOMEONE... 8 INT. MIRANDA'S BROOKLYN HOUSE/BACKYARD -- DAY -- SUMMER 8 MIRANDA (41) and BRADY (5) are filling an inflatable pool with water from a hose. As STEVE approaches with Popsicles, they squirt him with the hose. He grabs them; laughing. CARRIE (V.O) One of us is married... 9 EXT. CENTRAL PARK CAROUSEL -- DAY -- SUMMER 9 Charlotte (40) and HARRY and their beautiful Asian daughter LILY (3) go around. Lily giggles, they kvell. CARRIE (V.O) One of us... married, divorced and re-married... 10 EXT. BEACHOUSE -- DAY -- SUMMER 10 The deck of fabulous Malibu beachouse. Samantha (49) sits near the pool wearing a white bikini and huge white sunglasses making deals on the phone as SMITH lays nearby in a bathing suit -- reading a script. CARRIE (V.O) One of us... relocated. 11 EXT. UPPER FIFTH AVE -- SAME -- SUMMER 11 Carrie walks over and into the arms of that SOMEONE -- it's MR. BIG -- waiting for her in front of an apartment building. CARRIE (V.O.) And... one of us stayed exactly where she was. 4. They kiss. A good kiss. CARRIE (V.O.) (CONT'D) In love. A kiss worth waiting four years to see. They turn and start into the classic apartment building. The doorman tips his hat and opens the door. 12 INT. FIFTH AVENUE BUILDING/LOBBY -- CONTINUOUS 12 Carrie and Big walk through the beautiful lobby and over to the elevator... holding hands. BIG I got a good feeling about this one, kid. CARRIE I've always loved this block. CARRIE (V.O.) (CONT'D) Finding the perfect apartment in New York City is like finding the perfect partner. It can take years. They push the elevator button. Doors open. They step on. BIG How many does this make? CARRIE This is thirty-three. BIG Lucky thirty-three! They laugh a little as the doors close on the elevator. 13 INT. FIFTH AVE BUILDING - BAD APARTMENT/HALL -- MOMENTS LATER 13 A door is opened up by CAROL (55) their real estate agent. CAROL The worst. I just left you a message. Carrie and Big look in. The apartment is dark, claustrophobic -- awful. A male BUILDING AGENT (40) stands here. The smiles leave Carrie and Big's faces. 5. CARRIE (to Big) Thirty-four. Lucky thirty-four? Big looks over at her. She shrugs. 14 INT. FIFTH AVE BUILDING/HALLWAY -- MOMENTS LATER 14 The Building Agent holds the elevator doors open for Carrie, Big and Carol as they get on. CARRIE If anything else opens up let us know. We're very interested in this building. AGENT I do have another apartment that's not even on the market yet. Care to take a look? CARRIE/BIG Sure. AGENT It's more than you were looking to pay. CAROL How much more? AGENT More. The Agent reaches over and presses the "PH" button on the control panel. Carrie and Big react. 15 INT. PENTHOUSE -- MOMENTS LATER -- SUMMER 15 A gorgeous pre-war penthouse apartment. Empty except for the beautiful light. Old-world New York City style. Elevator doors open into the penthouse foyer. Carrie and Big step in. BIG Oh, so this is where they keep the light. 6. CARRIE Oh my God. I've died and gone to real estate heaven. Look at this place. She swirls around to Big -- very grand dame; with accent. CARRIE (CONT'D) Hellooo, I live here. Carrie starts giggling. Big looks over to the agents. BIG Must be the altitude. Big smiles. Carrie laughs as the Agent walks on. AGENT And across the rooftop terrace --- CARRIE What -- Nirvana? AGENT Your wife has quite a sense of humor. CAROL (Cool/quick) They're not married. CARRIE No, he's my boyfriend. AGENT This way. The agent and Carol start out across the terrace. Big and Carrie follow lagging a little behind. BIG Aren't I a little old to be introduced as your boyfriend? CARRIE Point taken. From now on... you'll be my man friend. BIG Sounds like a dog. CARRIE Well, if the shoe fits. 7. She gives him a look. He swats her ass, gently as they go. 16 INT. PENTHOUSE/BEDROOM -- MOMENTS LATER 16 Carrie and Big lead the way into the bedroom. Big windows, high ceilings. Beautiful light as well. AGENT And this is the master bedroom. CARRIE Hideous. Hate it. Hurts my eyes. Big laughs, Carrie walks around taking it in. CARRIE (CONT'D) How is this place even available? AGENT Nasty divorce. CARRIE If you live here what is there to fight about? Carrie opens the closet door. It is very small. CARRIE (CONT'D) This is the master closet? No. AGENT Yes. Small for a room this size. I know. CARRIE Hmmm. Hmmm. Now, I understand the divorce. BIG I can build you a better closet. Carrie looks at him; aghast. He smiles. BIG (CONT'D) Welcome home, baby. CARRIE Can we afford this? BIG I got it. 8. Carrie screams with joy and shock. He laughs, thrilled. 17 EXT. NYC STREET/CHRISTIE'S AUCTION HOUSE -- DAY -- SUMMER 17 Carrie, Miranda and Charlotte walk down the street. CARRIE "I got it." Just like that. "I got it" -- like he was picking up the check for coffee or something. CHARLOTTE It sounds perfect. CARRIE Except for the closet which Big says he can redo -- also he says the kitchen needs work but I don't know about that `cause I keep sweaters in my stove. Carrie and Charlotte laugh. MIRANDA So, he bought it -- and you're going to live there with him? CARRIE Yes, together. That's right. MIRANDA But he'll own it. So. You are keeping your own place, right? CARRIE Oh, Miranda, please, I haven't figured out all the details yet, but I'm a smart girl and I'm sure I'll figure out something I'm comfortable with. MIRANDA I just want to make sure you're being smart here -- CARRIE And I love you for it -- but for now can't you stop worrying for me and just go ahead and feel what I want you to feel. Jealous. Miranda smiles. Carrie puts her arm around her. 9. CARRIE (CONT'D) Jealous of me living in this gorgeous penthouse in Manhattan. MIRANDA Fine. I'm jealous. You're in real estate heaven and I'm in Brooklyn. CHARLOTTE New York magazine said Brooklyn is the new Manhattan. MIRANDA Whoever wrote that - lives in Brooklyn. CARRIE There she is. Hey Hollywood! Samantha is standing out in front of Christies. She waves to them -- as she finishes a call. SAMANTHA (on phone) Samantha Jones... Smith Jerrod's manager -- I'm in New York `till Monday. She hangs up; as they reach her. CARRIE (CONT'D) How was your flight? SAMANTHA Fabulous. Let's go in -- I am so excited! 18 INT. CHRISTIE'S AUCTION HOUSE/LOBBY -- DAY -- MOMENTS LATER 8 1 A lobby bustling with NEW YORK WOMEN. All types. Carrie, Samantha, Charlotte and Miranda make their way through them. CARRIE (V.O.) It was a rare occasion that brought all types of women together. The socialites, the trendies the yuppies, the yentas. The girls gently move past by an elderly YENTA, who reacts. YENTA Why the pushing? 9A. 18A INT. CHRISTIE'S AUCTION HOUSE -- LATER 18A Carrie and the girls enter a room filled with dramatically lit jewelry cases that display amazing jewelry. On the walls around the gallery are large photos of a BEAUTIFUL RAVEN HAIRED WOMAN (45). She is captured in candid poses "out and about" New York city at various social events wearing the jewelry on display. 10. CARRIE (V.O.) (CONT'D) Blair Elkenn was a waitress turned model turned actress turned billionaire's girlfriend who came home one night to find herself unceremoniously turned out on the street. Samantha, Carrie and Charlotte page through the catalogues as they walk. Miranda types on her Blackberry. CARRIE (V.O.) (CONT'D) And now she was getting the ultimate break-up revenge. An embarrassing and very public auction of all the jewelry he had given her when they were happy. The girls stop. Floating in a case at their eye level is a unique, "two finger" FLOWER RING made out of diamonds. SAMANTHA There it is. My baby. CARRIE/BIG And she's a beauty. SAMANTHA When I saw this in the catalogue I said to Smith: This flower ring is the essence of me. One of a kind, filled with fire... CARRIE And a little too much. SAMANTHA Exactly. Come on. Let's go spend some of my hard-earned Hollywood money. They make their way to the auction room. MIRANDA Hey -- what's coming up on Smith's series? Is he going to sleep with that new blonde neurosurgeon? SAMANTHA He sleeps with every hot woman doctor in that hospital. 11. MIRANDA Great. Can't wait. CHARLOTTE Don't you ever get weirded out by seeing Smith in bed with all those other women? SAMANTHA No, I think it's hot. Sometimes, when I'm alone, I masturbate right along with them. CARRIE And people say the golden age of television is over. SAMANTHA Besides, it's fake sex. When they're doing it -- no one's actually turned on. MIRANDA Kinda like Steve and I. Miranda laughs. Everyone looks. MIRANDA (CONT'D) I'm kidding. (Beat; then) But come one-- it's been seven years. He does that, I do this... It's not like a new plot twist is going to turn up. 19 INT. CHRISTIE'S AUCTION HOUSE/AUCTION ROOM -- LATER 19 A DISTINGUISHED WOMAN AUCTIONEER is at a podium. AUCTIONEER Next item. The flower ring. Samantha sits up, ready. An electric buzz moves through the crowd. CARRIE (V.O.) If Schadenfreude is the word for feeling pleasure at someone else misfortune -- This was "jewelryfreude." 12. AUCTIONEER Let's start the bidding at ten thousand. Samantha raises her number. The Auctioneer nods. AUCTIONEER (CONT'D) Thank you madame. Do I hear fifteen? A WOMAN IN A BUSINESS SUIT (40) on a phone, raises her number. Samantha looks over at her. SAMANTHA Bitch. CARRIE And the gloves are off. AUCTIONEER Do I hear twenty? Samantha raises her number. AUCTIONEER (CONT'D) Twenty. Do I hear twenty-five? The Woman raises her number. AUCTIONEER (CONT'D) Twenty-five. Thirty? Samantha raises her number. Carrie's eyes widen. AUCTIONEER (CONT'D) Thirty-five? The Woman is talking with someone on the phone. MIRANDA She's bidding for someone on the phone. CHARLOTTE That's not fair. The Woman raises her hand. Charlotte gives her a look. AUCTIONEER Thirty-five. Forty? SAMANTHA I deserve this. I work hard. 13. AUCTIONEER Do I hear forty? Samantha raises her hand. AUCTIONEER (CONT'D) Do I hear forty fi-- The Woman quickly raises her hand. Auctioneer nods. AUCTIONEER (CONT'D) Fifty? SAMANTHA Sex with only one man for I don't know how long. AUCTIONEER Do I hear fifty thousand? SAMANTHA (Beat; loud) Fifty fucking thousand! A LAUGH ripples through the room. Samantha glares at the rival woman, almost daring her. Carrie looks afraid. AUCTIONEER Fifty-five? The Woman raises her hand. Samantha reacts disappointed. The Auctioneer looks at Samantha. AUCTIONEER (CONT'D) Sixty? Sixty to our colorful bidder? SAMANTHA (to Carrie) I draw the line at fifty. Samantha shakes her head no. Carrie rubs her arm. 20 INT. CHRISTIE'S AUCTION HOUSE/LADIES ROOM -- LATER 20 Carrie, Samantha, Miranda and Charlotte are primping in front of the mirror. CHARLOTTE I thought this auction would be more fun... but it's kinda sad. 14. A BABY VOICED WOMAN (45) next to Charlotte overhears. BABY VOICED WOMAN Isn't it? They look over at her. BABY VOICED WOMAN (CONT'D) I thought it was just sad for me `cause I know her. But it's really sad, huh? And it's funny cause they were so happy. SAMANTHA ... Till they weren't BABY VOICED WOMAN I know, right? We all told her to get married -- but she didn't want to push him. He'd been married three other times. So, she let it ride and then she came home one night and he had locked her out. She didn't even have anywhere to live. After ten years. Such a shame. She was a smart girl till she fell in love. Carrie catches Miranda's eye in the mirror, looks away. 21 INT. BIG'S SUBLET/KITCHEN -- NIGHT -- SUMMER 21 Big takes a bright red lobster out of a pot of hot water with tongs. He places it next to another cooked lobster. He walks to the cooking island where Carrie sits; sipping wine. BIG The creatures are ready. Just gonna sit there? CARRIE I'm not sitting, I'm thinking. BIG Here. Husk and think. 15. He winks -- puts two ears of corn in front of her, then starts chopping tomatoes. CARRIE I'm thinking I'm going to sell my apartment and put the money towards heaven on Fifth. BIG Why? You love your place. CARRIE I know but -- BIG But what? CARRIE We're together ever night -- so I'm basically paying a mortgage on a glorified closet. BIG You write there. It's your office. CARRIE There's plenty of room at the new place and -- besides.. I want to make us -- a life there. I want it to be ours. BIG It is ours. I bought it for us. CARRIE And that's so amazing --but you bought it, so it's really your place. And -- if anything were to happen... BIG What's going to happen? CARRIE I have to be smart here. I mean, we're not married and I'd have no legal rights to... this home that I built... with you. Silence. He thinks. Chops. She husks. BIG Did you want to get married? 16. CARRIE I didn't think it was an option. BIG Well, Mr. Bradshaw, what if it was an option? She hits him with a husk. He smiles. CARRIE Well, people are always assuming we are. BIG And you know what happens when people assume. They make an ass out of who? CARRIE You and me. He smiles. She smiles. Chop. Chop. BIG What do you think, kid? CARRIE Why -- Do you want to get married? BIG Well, I wouldn't mind be married to you. Would you mind being married to me? CARRIE No, if that's what you want. Is that what you want? BIG I want you. So. Okay. CARRIE Okay. Really? We're getting married. BIG We're getting married. (Beat) Should we get you a diamond? CARRIE No, please, don't get me a diamond. (Beat; then) Get me a really big closet. 16A. BIG Deal. He puts out his hand. She takes it and they shake. BIG (CONT'D) But... You gotta do better on that corn. Look at all the stuff left on there. She looks down at her corn, he's right. She nods. 17. 22 INT. MODERN RESTAURANT -- DAY -- SUMMER 22 Crowded; serious lunch crowd. Carrie sits across from Charlotte and Miranda. Miranda is in a work suit. CARRIE So, the other night, Big and I were talking about, you know, moving in together and our future... Charlotte's eyes are getting wider and wider. CARRIE (CONT'D) ... And about what makes sense as we move forward. And, well... we decided to get married. Charlottes SCREAMS at the top of her lungs. Carrie and Miranda and the ENTIRE RESTAURANT REACT. MIRANDA ... and I'm deaf. CARRIE Everyone's looking Charlotte looks around at the DISGRUNTLED FACES. She half- stands and address the DINERS looking at her. CHARLOTTE Sorry! I'm sorry... but my friend here, just got engaged and she's been going out with the man for ten years. The DINERS bursts into APPLAUSE. Carrie slumps in her chair, pulls up her sweater collar, turns to Miranda. CARRIE I am mortified. MIRANDA There is literally a ringing in my ear. 23 INT. SAMANTHA JONES MANAGEMENT -- DAY 23 A large PHOTO of Smith. Samantha walks past it and up a sleek, modern office building stairway. Her cell rings. 18. SAMANTHA Samantha Jones-- 24 INT. FENDI -- LATER -- SUMMER 24 Intercut with Carrie walking through the upscale boutique talking on her pink Swarovski crystal-covered cell phone. CARRIE Well... I made a little decision that I hope you'll be happy about. SAMANTHA Oh, honey... you finally got Botox. CARRIE No. I did not get Botox SAMANTHA I'm telling you, Carrie -- you'll love it. CARRIE I did not call to talk about Botox. SAMANTHA I'm just saying. Samantha reaches the top of the stairs. Blow-ups of Smith on various magazine covers line the walls of the chic, small office space. CARRIE So... Last week, after the auction, I started thinking about my options. SAMANTHA Right. CARRIE Right, and... well, Big and I decided to get married. SAMANTHA Really? CARRIE Yes. SAMANTHA That's great. 19. CARRIE You sounded more excited about the botox. SAMANTHA Well, honey -- I am excited for you but -- you know me... I don't really believe in marriage.... Botox on the other hand -- That works every time. A RECEPTIONIST (23) hands her some messages. SAMANTHA (CONT'D) Honey, I've got to go. The People magazine person is on hold. Smith's on the short list to be their "Sexiest Man Alive." We can catch up when I'm in town next week. Samantha hangs up. Carrie looks at her phone: dismissed and disappointed. She closes it and walks on. 25 INT. FENDI -- A LITTLE LATER 25 Carrie rounds a corner. Her phone rings. CARRIE Hello? 26 INT. SAMANTHA JONES MANAGEMENT -- CONTINUOUS 26 Intercut with Samantha standing in her office. SAMANTHA I think I was in shock. I mean, it's you getting married. This is not some random person -- it's you. CARRIE I hear ya. SAMANTHA And I guess, I thought that after that big mess with Aidan -- you'd never want to get married. CARRIE I know. 19A. SAMANTHA So, I put you in my "we're never getting married" file. Now, I've got to take you out of that file. CARRIE Sorry about the extra paper work. SAMANTHA You'll get my bill. CARRIE Samantha, it feels so different this time. No clich� romantic kneeling down on one knee. Just you know, two grown-ups -- making a decision about spending their lives together. 20. SAMANTHA Well, I'm happy for you. CARRIE And one more thing... I want you to be maid of honor. How do you feel about that? SAMANTHA The same way you feel about Botox. Painful and unnecessary. Carrie laughs. Samantha shrugs. 27 INT. CARRIE'S APARTMENT -- DAY -- SUMMER 27 Carrie and Charlotte sit on her bed looking through a list of names. ANTHONY sits at her makeup vanity. He has a large notebook open in front of him. CHARLOTTE 74, 75, 76.... Seventy-six guests. ANTHONY Seventy five sounds better. "A small, wedding of seventy five guests." Carrie looks at the list. CARRIE (V.O.) As a wedding gift, Charlotte had given me Anthony Marantino -- friend and wedding planner. Carrie crosses someone off. Charlotte reacts, shocked. CARRIE (CONT'D) What? She was borderline anyway. 21. ANTHONY Cut throat -- I love it. I hope you're that decisive when it comes to the location and the dress. CARRIE Oh. I found the dress. CHARLOTTE What?! When? CARRIE The other day. I have it here. Carrie gets up and goes into the closet. Anthony hurries over and sits next to Charlotte. ANTHONY This is going to be good! CHARLOTTE I'm so excited! CARRIE (V.O.) Here it is. Anthony and Charlotte grab hands in anticipation as Carrie comes out of her closet. She holds up a simple OFF-WHITE VINTAGE SUIT. Charlotte and Anthony deflate. CARRIE (CONT'D) Well... that was the exact reaction I was aiming for. CHARLOTTE No, it's pretty but it's so -- simple. CARRIE Simple and classic. When I saw it I just thought: That is what I should marry Big in. ANTHONY Well, who's it by? The label? CARRIE No one. I found it in a vintage shop. ANTHONY "The bride wore a dress by no one." 22. She turns and heads back into the closet. CARRIE (As she goes) Don't worry, I'll style it up with shoes. Anthony turns to Charlotte and says in a low voice. ANTHONY The invitation is fancier than the dress. CARRIE (O.C.) I heard that. 28 INT. BROOKLYN RESTAURANT -- NIGHT -- SUMMER 28 A "family style" Italian restaurant. Miranda, in business clothes, sits with Steve, Brady and MAGDA. Brady's face is covered in spaghetti sauce. CARRIE (V.O.) And from Anthony Marantino to spaghetti marinara. MIRANDA Where is he with the check? STEVE Geese, Miranda -- relax. Magda's not even finished yet. MIRANDA I still have a legal brief to work on when I get home. BRADY I have to go to the bathroom. MAGDA I'll take him. Wash that beautiful face too, yes? Brady nods. Magda walks away with Brady. Miranda is packing up Brady's action figures. Steve gives her a look. MIRANDA What? I'm sorry. I'm exhausted. Brady woke me up at five AM. 23. STEVE He woke me up too. Silence. She sips her cappuccino. Foam covers her top lip. He looks over at her and smiles. STEVE (CONT'D) You got milk on your top lip. She licks it off, not pleased. STEVE (CONT'D) What now? MIRANDA It's like you're always criticizing me. STEVE I am not. (Beat; then, cute) You want to go through life with foam on your lip and no one telling you? Silence. He reaches down and picks up her coffee cup and sips... putting lots of foam on his lip. He looks over. STEVE (CONT'D) Anything you want to tell me? She shakes her head: No. He puts his face in front of hers. She laughs. He licks his lip. 29 INT. MIRANDA AND STEVE'S BEDROOM -- LATER 29 Steve is in bed with Miranda, they are making love. She is wearing a T-shirt. MIRANDA Yeah. Yeah. STEVE Wait --- wait -- Don't come already... MIRANDA Yeah. Yeah. STEVE Wait, wait -- get on top. Get on -- 24. MIRANDA It's late... let's just get it over with. Steve looks at her. She can't believe what she's said. MIRANDA (CONT'D) I mean -- We have to get up in four and half hours. STEVE We never have sex and you want to get it over with? MIRANDA Steve... We have sex. STEVE When was the last time we had sex? Miranda can't remember. He moves to his side of the bed. STEVE (CONT'D) (As he turns away) There was snow on the ground. He gets out of the bed and walks away. She watches him go. 30 INT. COFFEE SHOP -- DAY -- SUMMER 30 The girls are having breakfast. Lily sits at the table in a booster seat coloring in a Cinderella coloring book. Carrie is helping her. CLOSE ON: Cinderella's shoe. Carrie is filling it in with a BLUE CRAYON. MIRANDA How often do you guys have sex? CHARLOTTE Miranda -- please. MIRANDA What? She indicates that Lily is sitting with Carrie. Carrie continues to color, not looking up. CARRIE It's okay, I know all about sex. 24A. SAMANTHA If I knew the girl talk was going to be on "lock down," I wouldn't have flown two thousand miles. 25. CHARLOTTE No, we can talk, let's just not use that word. MIRANDA She's three, she doesn't know what it means. I'm forty- two and I still don't know what it means. CHARLOTTE I know, but she's repeating everything. MIRANDA Fine. How often do you guys... CARRIE ... "Color"? CHARLOTTE Thank-you. SAMANTHA Well, I can't color enough. I would color all day -- every day if I had my way. I'd use every crayon in my box. CARRIE We get it. You love to color. (To Miranda) Why are you asking? MIRANDA Steve and I were "coloring" last night and just as I was about to -- Miranda is searching for a word she can use. SAMANTHA Come? (beat; to Charlotte) Sorry -- there is no crayon equivalent. MIRANDA He wanted to change positions and I said... "Let's just get it over with." The ladies react, three different shades of shocked. 25A. MIRANDA (CONT'D) Well, he kept trying to make it last longer. SAMANTHA And this is bad? 26. MIRANDA It is when you have a full-time job. SAMANTHA I have a full-time job. MIRANDA Well, you don't also have a five year old and play groups and PTA and a mother-in-law in a rest home with advancing Alzheimer's. I'm telling you, at the end of the day all I want to do is sleep. The most exciting thing in bed now -- is the bed. CARRIE So... Sleep is the new sex? LILY Sex. CHARLOTTE See. CARRIE -- I meant coloring. MIRANDA We're just going through a no coloring phase -- it comes and goes, right? CHARLOTTE Every couple is different. Harry and I -- Carrie and Samantha look over; interested. CHARLOTTE (CONT'D) ... Make love two or three times a week. MIRANDA Great. Now I feel worse. SAMANTHA Well, when was the last time for you? MIRANDA Six months ago. 27. CARRIE Oh my. Miranda looks at her. She -- continues to color. MIRANDA But that's a dry spell. SAMANTHA I bet it is. CHARLOTTE What about you and Big, Carrie? (Off her look) Come on, I told. CARRIE Never. But, I will tell you this. When Big colors -- (Beat; sexy) He rarely stays inside the lines. Samantha whoops. Carrie resumes coloring. MIRANDA Well, this was very helpful. 30A INT. BEACHOUSE/BATHROOM -- SUNSET -- SUMMER 30A A freshly-showered Samantha sits on a chaise lounge in a robe -- talking on the phone. SAMANTHA Send it to Smith Jerrod at the office address. Smith walks up to Samantha wearing only underwear. There is a huge bulge in the front. Samantha takes the bulge in. SAMANTHA (CONT'D) (into phone) I've got to go. Something just came up. She hangs up. He smiles, looks down at her. SMITH I've got a gift for you. SAMANTHA So far, I like it. 27A. He smiles as she reaches INTO his underwear basket and removes a long black velvet jewelry case. She opens it. It's the petal ring from the auction. SAMANTHA (CONT'D) How did -- Wait -- that was you on the phone at the auction? SMITH I knew how much you wanted it. SAMANTHA But I was going to buy it for myself. SMITH I wanted to give it to you... for our anniversary. We met five years ago today. SAMANTHA (beat; had no idea) Right. He smiles, sits down on the bed. SMITH Do you like it? SAMANTHA To be clear -- This is a ring with diamonds -- not a diamond ring, right? (Off his nod) In that case... I love it. (Re; underwear) It's my second favorite thing I've ever found in there. She kisses him, touched -- then reaches in his underwear. SAMANTHA (CONT'D) Now, my gift's a little bit more... oral. SMITH Babe -- I've got to go to bed. SAMANTHA Bed? It's seven-thirty. 27B. SMITH I have to be at the studio by six A.M. and I need to get a workout before that. SAMANTHA This is how it starts. Next thing you know... we're only having sex three or four times a week. SMITH Most people consider that normal. SAMANTHA I am not most people. SMITH No - you most certainly are not. He smiles, leans in and gives her a hot -- hot kiss. The kiss leads -- to reaching into underwear... as they start. 30B INT. BEACHOUSE/ BEDROOM -- NIGHT 30B Smith is laying in bed. Sound asleep. The clock on the bed table reads: 9:01. 30C EXT. BEACHOUSE/JACUZZI -- CONTINUOUS 30C Night. Samantha sits in the jacuzzi wearing her ring -- sipping a glass of wine -- bored. CARRIE (V.O.) One glass of Merlot and two orgasms later. Samantha hears MOANING. The sounds of someone having SEX in the house right next door. She looks -- from the hot tub she can see her neighbor DANTE -- hot, dark -- "sex on a stick" in his living room making wild love to a RED HAIRED WOMAN. They are naked. Samantha watches and sips -- not so bored. CARRIE (CONT'D) And that is how Samantha learned she had a new neighbor. 31 INT. BIG'S SUBLET -- NIGHT -- SUMMER 31 Carrie enters the apartment. It is dark-ish. A candle or two is lit. 27C. CARRIE (soft) John? The terrace doors are open. The curtains blow, gently. She walks out onto it. 31A EXT. BIG'S SUBLET -- CONTINUOUS 31A As she steps out onto the terrace. Big comes up behind her. He -- leans her against the door jamb and kisses her. It's hot. He kisses her -- sliding down the front of her body. 32 INT. BIG'S SUBLET/BEDROOM-- LATER -- SUMMER 32 Big is in bed wearing "half glasses," reading The Wall Street Journal. Carrie enters from the bathroom and hops into bed. She grabs a LIBRARY BOOK from the night stand and looks over. CARRIE Lean? He nods and lifts up one of his arms. She slides over and nestles in, leaning up against him. She opens her book. He looks down at it. BIG Are you the last person in New York still taking out library books? 28. CARRIE I love the smell. She smells the book, then holds it up to him. He smells. BIG That's an old one. CARRIE "The Love Letters of Great Men." Volume one. BIG Am I in there? CARRIE No, but some of your classmates are. Voltaire, Napoleon... Big smiles. She takes the glasses off his face and puts them on, looks at book. BIG You need to get glasses. CARRIE No, I don't -- you have them. (then; off book) Here's Napoleon... (Reads) "My dearest Josephine, I wake consumed with thoughts of you --" BIG Typical short guy. Gives it all away up front. She punches him a little, continues to read. BIG (CONT'D) Why are you reading this? CARRIE Research for my new book. BIG What's it about? CARRIE Love. I use to write about finding love-- now I want to write about what happens after you've found it. 28A. BIG Interesting. What happens? CARRIE Stay tuned. 29. He smiles. She looks at the book again. CARRIE (CONT'D) Listen... Here's Beethoven. BIG Bring it, Ludwig. CARRIE (Reading) "My thoughts go out to you today my immortal beloved. I can live only wholly with you or not at all." BIG Good stuff. CARRIE (Reading) "Be calm my life, my all. Only by calm consideration of our existence can we achieve our purpose to live together. Oh continue to love me, never misjudge the most faithful heart of your beloved. Ever thine -- ever mine -- ever ours. Silence. The beautiful sentiment hangs in the air. She closes the book and looks up at him. CARRIE (CONT'D) Have you ever written me a love letter? BIG Does a love fax count? CARRIE When have I ever gotten a love fax? BIG I'm pretty sure my secretary sent one at some point. Carrie looks at him, mock disappointed. BIG (CONT'D) What can I say, baby? Not my style. (Beat) Besides, these guys had to write-- they were separated from their loves by wars and hundreds of miles. I'm right here. (MORE) 30. BIG (CONT'D) (Beat) Hi. She smiles. He kisses her on the forehead. Sincere. BIG (CONT'D) You make me very happy. CARRIE Yeah, yeah.... Put it in writing. He laughs, she looks at her book, turns a page and reads. After a beat, he puts down his paper. BIG Alright. Here's a love letter from me to you. She looks up at him, excited. He speaks romantically. BIG (CONT'D) Loving you. Is easy... `cause your beautiful... Big continues -- now SINGING the Minnie Ripperton classic. BIG (CONT'D) EVERY DAY OF MY LIFE IS FILLED WITH LOVING YOU. LA LA LA LA LA LA LA OOOOOOOOOOOOOOO. Carrie LAUGHS as he continues to massacre the high notes. 33 EXT. NEW YORK PUBLIC LIBRARY - DAY -- SUMMER 33 Carrie runs past the stone lions and up the grand stairs holding three LIBRARY BOOKS in her hand. 34 INT. NEW YORK PUBLIC LIBRARY/LOBBY -- LATER -- SUMMER 34 Carrie stands at the entrance while a FEMALE GUARD (60) checks the contents of her purse. A FLORAL DELIVERY MAN comes in carrying a GORGEOUS ARRANGEMENT OF WHITE FLOWERS. He calls to the Guard. DELIVERY MAN Which way's the wedding? The Guard points, bored. Carrie looks, interested. 30A. 35 INT. NEW YORK PUBLIC LIBRARY/WEDDING SPACE -- MOMENTS LATER 5 3 A beautiful space. The tables are being set up as MORE FLOWERS arrive. Carrie tip-toes in and looks around. A SMILE grows on her face. 31. 36 INT. RESTAURANT -- NIGHT -- SUMMER 36 Carrie and Big sit at the bar -- having dinner. CARRIE I've been thinking. BIG Again? CARRIE How about we get married at The New York Public Library? (Gushy and silly) Think how perfect. You and I and our love story surrounded by all the other lesser love stories. BIG Do we have to make that big of a deal? CARRIE It's not that big a deal. It's seventy-five people in a room that's partitioned in half. BIG It's just -- I've already had two big weddings. Carrie winces -- stung. After a beat, she goes on. CARRIE Well, what did you have in mind? BIG I don't know -- a judge, couple friends and then we go for ham and eggs after. A bucket of cold water. CARRIE Interesting. Big looks over at her. She looks upset, hurt, sad. Silence. BIG Would we have to whisper? In the library? 32. Carrie looks over at him, softens a little. BIG (CONT'D) "Do you, Carrie" -- Shhhh. "Take this man" -- SHHHH! He raises his eyebrow. She laughs. ELAINE (40) Zaftig, Jewish -- spots Carrie. ELAINE Carrie, hi! CARRIE Elaine, hi. Do you know John? ELAINE No, hi. Nice to meet you. CARRIE Elaine writes a single gal column for The New York Post. ELAINE Please -- I'd rather you reveal my weight. Carrie and Big laugh. ELAINE (CONT'D)V.O.) So, what's new? CARRIE Well. We're getting married. BIG Yep -- At the New York Public Library. Carrie looks at Big, touched. Elaine is delighted, TEARFUL. ELAINE Oh, my God! This gives me such hope. She hugs Carrie, then hugs Big. Then hugs Big again. ELAINE (CONT'D) Thank-you. Thank-you for marrying someone our age. 33. 37 INT. CHARLOTTE'S APARTMENT/DINING ROOM -- DAY -- SUMMER 37 Charlotte, Harry and Lily are having breakfast. A KING CHARLES SPANIEL and TWO MUTTS sit on the floor looking up at them. Charlotte pages through the New York Post -- She notices something. CLOSE ON: NEWSPAPER; A small PHOTO: of Carrie on "PAGE SIX" above a mention of the wedding. Charlotte SCREAMS. Harry and Lily JUMP. She grabs the cordless phone from the table. 38 INT. BIG'S SUBLET -- MOMENTS LATER 38 Intercut with Carrie on the phone as Big sips coffee. CHARLOTTE (reading paper) "The ultimate single gal Carrie Bradshaw will be married in Manolos to New York financier John James Preston come fall." CARRIE (to Big) Our wedding's on Page Six. BIG (not pleased) Who would put that in there? Carrie shrugs, Charlotte continues reading. CHARLOTTE "Proving to single gals everywhere that there can be a happy ending over forty." CARRIE Oh, I know who. 39 EXT. NYC STREET -- DAY -- LATER -- SUMMER 39 Carrie is walking down the street with STANFORD. CARRIE (V.O.) Later that day, I met my friend Stanford for our weekly quick lunch and gossip session... Also known as "dish then dash." 33A. STANFORD According to a certain trashy tome, you are marrying John James Preston. CARRIE Rumor has it. STANFORD Just one question: Does Big know? CARRIE (laughs; then) Where are we eating? STANFORD Anywhere you like... and you know the rule -- the person on Page Six pays for lunch. Carrie laughs. TWO WOMEN spot her and scream. She and Stanford REACT as the women GUSH. 34. 40 INT. RESTAURANT -- LATER -- SUMMER 40 Carrie and Stanford are mid-meal. Three GAY MALE friends (3O- 40) stand at their table and gush. CARRIE (V.O.) It seemed everywhere I went... people I knew were excited and available to come to the wedding. A WAITRESS (23) places a check on the table. Stanford looks at it, then leans in to waitress. STANFORD You forgot to charge us for the gaggle of gays. 41 EXT. STREET -- LATER -- SUMMER 41 Carrie and Stanford are walking by a nail salon as BITSY VON MUFFLING, socialite, comes running out -- Mid-pedicure. She is barefoot with foam pads stuck between her painted toes. BITSY Carrie Bradshaw Preston! Carrie Bradshaw Preston! Carrie and Stanford stop -- turn around. Bitsy gushes. BITSY (CONT'D) Mazel tov! Saw you on Page Six! September? October? When? (beat; realizes feet) Look! Will you look! I got so excited -- no shoes. I'm standing barefoot on a New York sidewalk probably getting trichinoses. She hurries away, turning back to CALL as she goes. BITSY (CONT'D) We're at the same address -- different floor. Just send it -- they'll get us the invite. She waves, goes back inside. Carrie looks stunned. CARRIE (V.O.) The shocking thing was not the plethora of empty autumn social calenders but knowledge that everyone does indeed read Page Six. 34A. 41A INT. VOGUE OFFICES/RECEPTION AREA -- DAY -- SUMMER 41A Carrie opens the glass door and walks into the Vogue offices. CARRIE (V.O.) Even people you didn't expect, like my Vogue editor, Enid. 42 INT. VOGUE OFFICES/ENID'S OFFICE -- LATER 42 Carrie is with ENID (60) her stunning, icy Vogue editor. ENID We're putting together our annual "Age" issue -- and we'd like you to do forty. CARRIE Great. Who am I interviewing? ENID No. You. You are forty. I want you to be featured in the magazine as the forty year old -- and here's the brilliant twist -- bride. CARRIE Wait -- I would be in the magazine? 35. ENID In bridal couture. It's a once in a lifetime opportunity - so spare me a week of faux soul-searching and just say yes. CARRIE Enid -- I'm so very flattered but-- ENID Carrie. Vogue designers, Vogue photographers, Vogue airbrushing. (Beat) Nod your head: yes. Carrie smiles and nods. ENID (CONT'D) Thank-you. It will be a sensation. We're calling it: "The Last Single Girl." CARRIE Well, I'm hardly the last single girl. ENID No, but forty is the last age you can see a woman photographed in a wedding gown without the unintended Diane Arbus subtext. CARRIE I thought the issue was "great style at every age." ENID Style yes... bride no. CARRIE (smiles; then) Enid -- I have no idea -- were you ever married? ENID Briefly. In 1975. I wore Halston. Creme. One shoulder Grecian with a low-cut bodice to the waistline for a dramatic flair. The fabric in the sleeves formed oval draping on the sides. Stunning. My future husband and I saw it on a trip to Paris and he fell in love with it. (MORE) 35A. ENID (CONT'D) Insisted I be married in it. So I was. We had quite a beautiful party. CARRIE (smiles; then delicately) Why didn't the marriage work out? ENID Did you not hear me say my husband fell in love with my gown? (beat; off Carrie's nod) Has your fianc�e expressed any interest in what you'll be wearing? CARRIE None at all. ENID Then you may have a shot. 36. 43 INT. VOGUE PHOTO SHOOT SET -- DAY -- SUMMER 43 Carrie stands on the set of a Vogue photo shoot wearing a GORGEOUS VERA WANG GOWN. Hair, make-up: stunning. She is surrounded by VOGUE STYLISTS and CREW. Carrie looks over to Samantha, Stanford and Charlotte standing on the side-lines, watching. They signal their approval. Carrie smiles... tentative -- but excited. SAMANTHA She's looking quite at home for someone who didn't think she had the bride gene. CHARLOTTE Well, I guess with the right man... STANFORD ... And the right dress. Charlotte and Samantha smile. STANFORD (CONT'D) When I get married, I'm wearing something like that. But bigger. Samantha and Charlotte laugh. The PHOTOGRAPHER starts working. FLASH! Carrie poses. FLASH! CARRIE (V.O.) Just your typical Wednesday. Breakfast with... Vera Wang. FLASH! Carrie in another GORGEOUS WEDDING wedding gown. CARRIE (V.O.) (CONT'D) Mid-morning coffee with.... Carolina Herrera. FLASH! Carrie in another FAMOUS DESIGNER wedding gown. Samantha holds up her iPhone and takes a photograph of Carrie. Charlotte looks at it, smiles, then presses -- "send." 43A INT. MIRANDA'S OFFICE -- CONTINUOUS 43A Miranda is at her desk, working -- her phone -- "beeps." She picks it up -- CLOSE ON: PHONE announcing a photo arrival. She opens the photo - it's Carrie in the wedding dress. Miranda smiles. 36A. 43B INT. VOGUE PHOTO SHOOT SET -- CONTINUOUS 43B FLASH! Carrie in another FAMOUS DESIGNER wedding gown. CARRIE (V.O.) (CONT'D) Appetizers with Oscar de la Renta. FLASH: JUMP CUT TO: Carrie in another FAMOUS DESIGNER wedding gown. CARRIE (V.O.) (CONT'D) Lunch with Lanvin... FLASH: JUMP CUT TO: Carrie in another FAMOUS DESIGNER wedding gown. CARRIE (V.O.) ... And Lacroix. FLASH: JUMP CUT TO: Carrie in another FAMOUS DESIGNER wedding gown. CARRIE (V.O.) ... And Dior. FLASH: Carrie in the final FAMOUS DESIGNER wedding gown. This is the most sensational topper. She looks "beyond, beyond" beautiful in it. CARRIE (CONT'D) And for dessert -- Vivienne Westwood. 37. Charlotte and Stanford are looking at Carrie, moved. CARRIE (CONT'D) A confection so special... Samantha reaches up and wipes away a tear. CARRIE (CONT'D) ... It could wring a wedding tear from even the most unbelieving of women. 44 INT. CARRIE'S APARTMENT -- DAY -- SUMMER 44 Carrie opens the door to find a DELIVERY MAN standing there with a very large dress box tied by a lush RIBBON. CARRIE (V.O.) And then the impossible happened. JUMP CUT TO: Carrie pulling back the tissue paper to reveal: her favorite wedding gown. Carrie picks up a hand-written note on an engraved note card from VIVIENNE WESTWOOD. It reads: "I saw the photos from the shoot. This dress belongs to you. Cheers!" 45 INT. CARRIE'S APARTMENT/CLOSET -- LATER -- SUMMER 45 Carrie peeks around the closet and looks in. The gown is hanging next to the white suit, dwarfing it. CARRIE (V.O.) And just like that, Vivienne Westwood kicked my sweet little suit's ass. 49 INT. PENTHOUSE/BEDROOM -- DAY -- LATE SUMMER 49 Big leads Carrie into their new bedroom by the hand. Her eyes are closed and she has a DESIGNER shopping bag slung over her one arm. He moves her around the construction debris, stopping in front of the new closet's double doors. BIG Okay. Open them. Carrie opens her eyes. CARRIE Double door. So far so good. 40. She opens the closet doors, revealing a beautiful oversized, walk-in closet with shelves and more shelves and places for shoes and more shoes. CARRIE (CONT'D) Well. You did me proud, Mister. BIG Like it? CARRIE Like it? It's love at first sight. He smiles, proud. She takes the DESIGNER shoe box out of her shopping bag and hands it to him. She opens the lid, takes out a pair of COLORFUL/FUN HEELS and places them on the shelf. She turns back to him. CARRIE (CONT'D) Now, I believe this is all really happening. 50 INT. CARRIE'S APARTMENT -- DAY -- LATE SUMMER 50 Miranda, Charlotte and Carrie are standing in Carrie's apartment. Empty boxes are everywhere. Lily is coloring quietly nearby. MIRANDA I can't believe it sold so fast. CHARLOTTE It's a sign. CARRIE Yeah, a sign I priced it too low. The door buzzes. Carrie pushes the intercom button. CARRIE (CONT'D) That's the food -- money on the table. (Beat) I'll get started in the closet... I should be done in seventeen years. Carrie starts into the bathroom. Charlotte calls: CHARLOTTE Pink Post-it -- take. Purple -- toss. Yellow: Storage. 41. CARRIE (O.C) (Calling out) You're good friends. There is a knock on the door. Miranda opens it. Samantha stands there with her carry-on luggage. CHARLOTTE Samantha! Oh my God! Carrie re-enters from the bathroom... stunned. CARRIE What are you doing here?! SAMANTHA I lot of shit went down in this place. Attention must be payed! She reaches into her bag and pulls out a bottle of champagne. They all CHEER. She reaches in again and pulls out another bottle. More cheering. 51 INT. CARRIE'S APARTMENT/BEDROOM -- LATER 51 Samantha is packing Carrie's collection of CD's, tapes and albums. She puts on a "Best of the 80's" CD. MUSIC START: Run DMC & Aerosmith: "WALK THIS WAY." Carrie comes out of her closet wearing an outfit that screams "80's." Lily looks up from her coloring. Miranda, Charlotte and Samantha sit on the bed drinking champagne. Carrie poses. They hold up hand-written signs: "Take" or "Toss." JUMP CUT TO: Carrie comes out of the closet wearing another "80's" outfit. The girls vote: "Take, Take, Toss." Carrie nods. JUMP CUT TO: Carrie comes out of the closet wearing a tight pink top and a tutu. The girls LAUGH; then all hold up: "Toss." Carrie reacts. JUMP CUT TO: Carrie comes out wearing a late "90's" outfit. The girls vote: "Take, Take, Take." Carrie is thrilled - she keeps it. JUMP CUT TO: Miranda wearing something from Carrie's closet. JUMP CUT TO: Charlotte wearing something from Carrie's closet. JUMP CUT TO: Samantha wearing something from Carrie's closet. 41A. JUMP CUT TO: Carrie, Miranda, Charlotte and Samantha LAUGHING -- at something. REVEAL: Lily standing in the closet, naked except for her training underpants. Her arms are outstretched and draped with Carrie's small purses and bags. 52 INT. CARRIE'S APARTMENT -- NIGHT -- LATE SUMMER 52 The girls in the apartment are surrounded by many, boxes. 42. CARRIE (V.O.) It took four friends, three days to put twenty years into twenty-eight boxes. 53 INT. CARRIE'S APARTMENT -- DAY -- LATE SUMMER 53 Carrie walks through her now, empty apartment. She takes one last long look and leaves. END MUSIC. 54 INT. REST HOME -- DAY -- LATE SUMMER 54 Steve sits in a chair as Miranda hands a cup of tea to his mother MARY. She looks up at Miranda, lost. MARY Who are you again? MIRANDA Oh, you know me -- I'm your daughter-in-law. (beat; then) I'm Miranda. MARY That's right. Miranda nods and smiles. Steve watches, touched. 55 INT. MIRANDA AND STEVE'S HOUSE/KITCHEN -- NIGHT -- LT. SUMMER 55 Miranda is putting away groceries. Steve is sitting at the kitchen table. MIRANDA While I run over to see your mother tomorrow maybe you can take him to the first birthday party alone. Then -- I'll meet you at the twins' party and you can leave and be at the bar by six. She looks over at him. He looks strange. MIRANDA (CONT'D) What's the matter? Steve. He starts crying. STEVE -- I had sex with someone else. 43. Miranda can't believe her ears. STEVE (CONT'D) -- And you are so amazing with Ma and everything... everything you do and I can't believe I would do that to you. Miranda just sits -- looking at him. STEVE (CONT'D) You and I hadn't had sex in a really long time and I -- Miranda shakes her head, turns and walks out of the kitchen. He gets up and follows her. STEVE (CONT'D) It didn't mean anything -- It was just once... and it's been killing me. She stops and turns around. He stops. MIRANDA It's killing you?! She starts down the hall again. He's on her heels. STEVE (CONT'D) It just happened... I wasn't thinking. MIRANDA Do not follow me. She starts up the stairs. He stops at the bottom and watches her go. Lost as to what to do next. 56 INT. BIG SUBLET -- A LITTLE LATER -- LATE SUMMER 56 Carrie opens the door. Miranda stands there with Brady. She looks like she is about to burst into tears. Big stands in the hall behind Carrie. Unsure. CARRIE Hi. MIRANDA Surprise -- Here we are! 44. CARRIE (To Brady) Well, I'm so excited you are here for a sleepover. MIRANDA We are too. Aren't we B-boy? Brady nods. Miranda gives Brady's hand to Carrie. MIRANDA (CONT'D) Here. Mommy has to go to the bathroom. Miranda hurries away. Carrie looks after her, concerned. CARRIE Brady, do you want to go have some peanut butter? He nods. Carrie give his hand to Big and hurries away. Big looks at Brady. Brady looks up at him. BIG Peanut butter it is. They walk into the kitchen. 57 INT. BIG SUBLET/POWDER ROOM -- A LITTLE LATER 57 Miranda is sitting on the toilet, seat down. Carrie at the sink. MIRANDA Apparently you don't have sex for six months he runs out and has it with some girl at his bar. CARRIE Steve. I can't believe it. Steve. MIRANDA Steve. When I think of everything I've done for him. And this is how he repays me. Man, if I didn't have Brady, I would never go back there. Miranda looks furious. Carrie nods, in shock. 45. 58 INT. MIRANDA AND STEVE'S BEDROOM -- NIGHT -- LATE SUMMER 58 Steve is in bed. Miranda comes in, dressed for bed. CARRIE (V.O.) The next night, for the sake of Brady, Miranda went against her instincts and went home. He throws back the covers. She looks at him. STEVE Miranda, it's still me. MIRANDA Is it? She stands there and looks at him. Shakes her head, exits. 59 INT. MERCER HOTEL/LOBBY -- NIGHT -- LATE SUMMER 59 Miranda walks into the chic hotel lobby holding Brady's hand. She pulls a piece of luggage behind her. CARRIE (V.O.) So Miranda left Brooklyn and came home... to Manhattan. 60 INT. MERCER HOTEL LOBBY/RESTAURANT -- DAY -- LATE SUMMER 60 Brady sits on a couch in the lobby playing with his action figures. A HOODED MOVIE ACTOR TYPE (25) sits slumped next him texting on a phone. Carrie, Miranda, Charlotte and Samantha are having brunch at a table nearby. MIRANDA Yes, it's sad, but I'm not going to make it any sadder by staying at a bad hotel while I look for a place. Pass the salt. Charlotte passes the salt. MIRANDA (CONT'D) Plus, I have to be downtown and close to Brooklyn. We're going to keep things as normal for Brady as we can. I'll pick him up on my days... take him over on Steve's. 46. CARRIE I don't know if this question is allowed -- but how is Steve handling this? MIRANDA Says he's devastated -- begs me to forgive him. (beat) Not going to happen. I can barely even look at him. CHARLOTTE Steve -- I can't believe it. CARRIE That's what I said. SAMANTHA Miranda, honey -- are you sure you want to do this? It's just one time. Anyone can have a slip. MIRANDA Well, even if I could get my head around that justification -- it's the cheating part -- the behind my back part... the violation of the trust -- that's the thing that's killing me. Samantha nods, taking it in. MIRANDA (CONT'D) Besides... women who stay with men who cheat are women who are afraid to be on their own. And that's not me -- I can handle it. Always could. Brady walks over holding an action figure. BRADY Mommy, I want to go home. Miranda nods; keeping a brave face. Charlotte looks upset. 61 INT. CHARLOTTE'S APARTMENT/BEDROOM -- NIGHT -- LATE SUMMER 61 Charlotte and Harry are making love, gently. She looks into his eyes -- speaks softly. 46A. CHARLOTTE Thank-you for being you. He smiles, touched. She smiles -- he kisses her. CARRIE (V.O.) Charlotte made love to Harry five times that week. 61aA INT. SAMANTHA'S BEACH HOUSE -- NIGHT -- FALL 61aA Smith and Samantha are sitting at the dining table. ANAKA, (45) a Zen, low-key chef lays down plates in front of them. SAMANTHA It's a little quick to move out, don't you think? SMITH Her reaction is her reaction. Thanks Anaka. Anaka nods and walks away. SAMANTHA He had sex once. Not even an affair. SMITH Maybe it's not the sex. Maybe, it's the cheating. For me... that would be the thing. That it happened behind my back. SAMANTHA That's what she said. He nods. Samantha eats. Thinks. SMITH Look. I know we're not married but - - if you were going to have sex with someone else... Long pause. He looks at her. SAMANTHA Are you waiting for me to get out my datebook? 46B. SMITH (beat; then) But... seriously, I'd rather know first. She gets up from the table and moves over to him. SAMANTHA You want me to tell you if I'm going to have sex? Fine. I'm about to have sex. She sits on the table directly in front of him and opens her legs. Anaka enters -- sees her position, spins on his heels and walks back out. SMITH (as he goes) Thanks Anaka. 61A INT. REST HOME -- DAY -- SUMMER 61A Mary sits in a chair eating dinner from a tray. Miranda sits on the edge of the bed near her. MIRANDA I don't know if Steve's mentioned anything to you yet -- about us. Has he? Mary shakes her head: No -- concerned. Miranda nods. MIRANDA (CONT'D) Well -- we've had some marriage problems -- it's not necessary to go into the details but -- I just wanted you to know that we won't be coming to see you together anymore. I'll be here Monday, Wednesday and Sunday -- the other days will be Steve. MARY Who's Steve? CARRIE (V.O.) Miranda was starting to see the upside of Alzheimer's. 46C. 62 INT. BIG'S SUBLET/DEN -- NIGHT -- LATE SUMMER 62 The room is crowded with Carrie's boxes waiting to be moved. Big is sitting at a computer reading his emails. 47. Close on screen: We see his email address is John@JJPny.com. He clicks open a file as Carrie enters. CARRIE Wedding crunch time. We need to really get serious here. BIG Not now -- I just got an email from the the contractor -- they pushed our move-in date again -- and I have to -- CARRIE Nope. Wedding before contractor. Unless you're planning to invite him -- which would make the guest list two hundred and one. BIG Two hundred? Jesus, Carrie -- it's gone up again? CARRIE Blame the New York Post and Vogue. Two publications that have never before been uttered in the same sentence. BIG You said: seventy-five people in a partitioned-off room. CARRIE It's the dress. How can I explain this? It's like poker -- The dress upped the ante. BIG Change the dress. CARRIE No, no, no -- you haven't seen this dress. This dress may be the whole reason to get married. Well, you and the dress. She sits in his lap. He adjusts, uncomfortable. CARRIE(CONT'D) How are you coming with your vows? Just a reminder -- you are going to be saying these in front of a lot of people, so the pressure is on. 48. BIG (He's had it) Up, up. I have to finish this. Up. He sort of "helps her" out of his lap. CARRIE Hey... BIG I don't have time for this. CARRIE This is our wedding and you're not taking it seriously. BIG No, I'm not -- It's a circus! Two hundred people -- Page Six -- This is my third marriage -- how do you think it makes me look? Carrie looks at him, stunned by this new information. CARRIE I didn't know that was even an issue. (beat) Why didn't you say anything sooner? BIG You wanted all this. CARRIE But -- don't you want -- BIG I want you, Carrie. That's what I want. I would have just gone down to city hall. Tension. He starts out of the room, moving a wardrobe box out of his way as he goes. She stands there. Upset. 63 INT. BIG'S SUBLET/BATHROOM -- LATER 63 Big is brushing his teeth. There's a knock. The door opens. Carrie comes in, vulnerable. CARRIE I think it's too late for city hall now. 49. BIG Well, no. I wasn't suggesting -- I was just saying. He looks at her. She looks -- devastated. BIG (CONT'D) See. That is the face I've been trying to avoid. Come here. She stands there. He goes to her, hugs her. CARRIE You're a great man friend. She buries her head in his chest; relieved. He exhales. 64 INT. BUDDAKAN RESTAURANT -- NIGHT -- FALL 64 Miranda, Charlotte, Harry, Samantha, Smith, Stanford, Anthony, Bitsy and other GUESTS are gathered around a long beautifully-set table. Carrie and Big ARRIVE at the top of the stairs. Everyone looks up and applauds. 64A INT. BUDDAKAN RESTAUANT -- LATER 64A The desserts are being served. Samantha stands and prepares to speak. Harry hits a glass with a spoon... people quiet down. SAMANTHA Now, I know it's tradition at the rehearsal dinner for the maid of honor to reveal embarrassing things about the bride. But in our group -- She looks at Carrie, Charlotte and Miranda SAMANTHA (CONT'D) ... We never kiss and tell. Carrie, Miranda and Charlotte WHOOP. Laughter. SAMANTHA (CONT'D) So, I'd like to make a toast to the groom. From somewhere down the table, KARL (50) a Preppy Businessman CALLS OUT; joking. KARL There's a word he's heard before! 50. The room LAUGHS. Big smiles; tight. Carrie leans in. CARRIE Who is that again? BIG Karl... a partner at the firm. CARRIE Karl's kind of a jerk. KARL (Calling) You know what they say -- three times a charm! SAMANTHA (Calling to Karl) Hey "dick wad"... I'm speaking. CARRIE Whooo! SAMANTHA Now. There were times when we had our doubt about this gorgeous man. But after careful observation over the last hundred years, my doubts are over. (Lifts glass high) So... here's to the groom. A man who finally got "Carrie-d" away. Big is touched. Then Karl feels the need to add: KARL Here's hopin', John! Big smiles, he has no choice. He raises his glass. CARRIE (Soft) Jackass. 65 EXT. BUDDAKAN RESTAURANT -- LATER 65 Samantha is out front with Big, Harry and Smith. They are smoking cigars. BIG Quite a toast, Samantha. 51. SAMANTHA Well, you're quite a guy. They chuckle, then -- Samantha's smile fades. SAMANTHA (CONT'D) Steve. The men turn as Steve approaches. He has a look of real pain and guilt and embarrassment on his face. STEVE I don't want to bother you all -- BIG You're not bothering us. STEVE But --- I need to talk to Miranda. Samantha, could you -- ask her to come out. I don't want to go in. It's a party and all. Samantha is trapped... trapped and touched. 66 INT. BUDDAKAN RESTAUANT -- MOMENTS LATER 66 Miranda comes out of the ladies room. Samantha spots her. MIRANDA Hi. I haven't talked to you all night. SAMANTHA Steve's here. The blood drains from Miranda's face. Samantha nods. 67 EXT. BUDDAKAN RESTAURANT -- MOMENTS LATER 67 Steve is standing with Smith, Big and Harry as Miranda comes out of the restaurant -- Samantha looks out from inside. MIRANDA Could you give us -- The guys go inside. Samantha gives Miranda a look and leads them away. Miranda turns. She glares at Steve. 52. STEVE You didn't leave me any choice. You won't return my calls -- You only talk to me in front of the baby when you know I can't say anything. MIRANDA What could you possibly have to say that could make it better? STEVE Miranda, please... It was just that one time. Please -- I love you -- MIRANDA You broke us! You broke us. What we had is broken! Three YOUNG SINGLE GIRLS (25) walk past them into the club. They look back at the scene. Miranda looks down at the ground. Steve is paralyzed. Miranda turns to leave -- looks back at him with daggers and hurt. MIRANDA (CONT'D) I changed who I was for you. Miranda goes inside. Steve is a stone. 68 INT. BUDDAKAN RESTAURANT -- LATER 68 Miranda makes her way through the crowded bar. She looks very rattled. Big spots her and follows, gently. BIG Hey. Are you alright? MIRANDA No, I'm not alright. You two are crazy to get married. Marriage ruins everything. Miranda walks away, upset. He stands there; shaken. 69 INT. BUDDAKAN RESTAURANT -- LATER 69 Big is at the bar having a scotch. Carrie hurries over to him. She leans in and puts her arm on his back. CARRIE There you are. I thought you skipped out on me. 53. She smiles, kisses him. He smiles, sips his scotch. CARRIE (CONT'D) Well, the all-gal sleepover is about to commence. You gonna miss me? BIG Don't go. Spend the night with me. CARRIE Oh... One night won't kill you. And tomorrow you get to have me for the rest of your life. He sips his scotch. She looks at him, sees a glimmer of something. Something that scares her. CARRIE (CONT'D) Is everything okay? He looks over -- sees her face. Scared. BIG I'm just tired -- I guess. Carrie reaches up and fixes Big's hair. CARRIE Go home and sleep. (beat) Now, give me a kiss good night. Make it good -- it's the last single girl kiss. He looks at her as if to say something, then kisses her. 70 INT. CHARLOTTE'S APARTMENT/BEDROOM -- LATER -- FALL 70 Carrie sits on the bed surrounded by Charlotte, Samantha, and Miranda all wearing matching robes. Laying on the floor near the bed -- three open gift boxes and ribbons. Lily sits in Carrie's lap playing with Carrie's cell phone -- in her PJ's. CARRIE (V.O.) There we sat... like a scene out of Louisa May Alcott's: "Not-so Little Women." CHARLOTTE I always knew she would marry Big. 54. SAMANTHA/MIRANDA You did not! CHARLOTTE Yes I did! After every break-up I secretly thought: Nope. They belong together. SAMANTHA You thought that after the second break-up? CHARLOTTE Yep. MIRANDA After the fifteenth? CARRIE Ha ha -- hilarious -- we broke up a lot. SAMANTHA Yes, but... after the break-ups -- comes the hot make-up sex. Charlotte pokes Samantha; indicates Lily. Samantha rolls her eyes. Carrie's cell phone RINGS. Lily wants to answer it. CARRIE You want to answer? Go ahead, sweetie... Open it up... Lily opens it and holds it up to her face, silent. CARRIE (CONT'D) Say something. LILY Sex. They are all shocked; then: LAUGHTER, even Charlotte. CARRIE Sweetie, that was your first bootie call. SAMANTHA Are you sure she's not my child? Carrie, still laughing, wipes a tear away as she takes the phone from Lily and answers it. 55. CARRIE Hello? 71 INT. BIG'S SUBLET -- CONTINUOUS -- FALL 71 Big is sitting at the desk, a piece of paper on it. BIG It's me. CARRIE Oh my God -- did you just hear Lily? BIG Hey -- I need to talk. Carrie puts her hand to her ear, blocking the laughter. BIG (CONT'D) I'm sitting here trying to write these vows and... (beat; then) Is this something we really want to do? Carrie gets out of bed; playing it "casual" to the girls. CARRIE It's Big. I'm gonna take it in the-- She points to the study. Charlotte calls to the phone. CHARLOTTE (calling; silly) Get some sleep, groomie! Carrie goes into the study and closes the door. 72 INT. CHARLOTTE'S APARTMENT/STUDY -- CONTINUOUS -- FALL 72 Carrie leans against the door, her face now concerned. CARRIE What's the matter? BIG It's just -- everything is great as it is. (beat) I don't want to screw it up. 56. CARRIE You won't. BIG I screwed it up twice before. Big is silent. Carrie is thinking, thinking, thinking. CARRIE Here's the thing. This is me that you're marrying tomorrow. Me. Nobody else. BIG Yeah. CARRIE And I'm marrying you. It's me and you. And you want to know the good news there? BIG Yeah. CARRIE We've already both done everything we can to screw it up. He smiles. She is very alert -- thinking, thinking. CARRIE (CONT'D) Is that a smile I'm hearing? BIG Yeah. CARRIE Now, it sounds to me like you've got a bit of writer's block on the vow front. BIG Yeah. CARRIE And I find - you know - as a professional writer- it's best to just, you know, stop thinking about it so much -- and go to bed. And in the morning... BIG You know what to do? 57. CARRIE Exactly. And if not -- Just write this: "I will love you." Simple and to-the-point. And I swear I won't even try to take credit for it. Silence. Deep silence. CARRIE (CONT'D) You're going to bed now, right? BIG Okay. Good night. CARRIE I'll see you tomorrow. Hey. Me and you. He hangs up. She looks terrified. 73 INT. CHARLOTTE'S APARTMENT/BEDROOM -- LATER 73 Dark. Charlotte and Carrie are sharing the bed. Carrie is wide awake. Here eyes focused across the room on her gorgeous wedding gown: ready and waiting. 74 INT. CHARLOTTE'S APARTMENT/HALLWAY -- NEXT DAY -- FALL 74 Miranda is standing in the hall putting on her earrings. The bedroom door opens -- Carrie stands there in the wedding gown. Carrie and Miranda catch eyes for a brief moment. There are no words. Lily steps around from behind Carrie. She is wearing a long white dress and holding a LITTLE PURSE. She looks adorable. CARRIE There you are! Almost lost you under all that. Got your purse? Charlotte takes Lily's hand as Anthony comes out of the dining room and spots Carrie for the first time. ANTHONY Now there's a bride! Flowers! 75 INT. CHARLOTTE'S APARTMENT/DINING ROOM -- LATER 75 A flurry of activity -- attaching the veil on Carrie. Stanford stands near Carrie ready to assist if needed. 57A. Harry stands in the pantry doorway watching -- eating a toasted bagel. Charlotte takes a bite -- carefully. 58. CARRIE Whose got a mirror? CHARLOTTE Behind you. Carrie turns to move to the mirror. She is JERKED BACK. CARRIE Stanford, you're on my dress. ANTHONY Get off the dress! MIRANDA Is that a rip? CARRIE/ANTHONY Where?! Carrie's CELL PHONE RINGS. Anthony reaches over and picks it up, distracted by the dress situation. ANTHONY (sharp; into phone) What? 76 INT. BIG'S SUBLET -- CONTINUOUS -- FALL 76 Intercut with Big... pacing. He doesn't look rested. BIG Can you put Carrie on, please? ANTHONY Not now... dress emergency. Anthony hangs up, tosses her phone onto the dining table. ANTHONY (CONT'D) Damage? What's the damage? SAMANTHA There's so much fabric I can't see. ANTHONY Can't see anything behind this friggin' table. Go, go -- everyone out into the hall. As the girls start out -- Anthony addresses Stanford. 58A. ANTHONY (CONT'D) You're a queen -- you should know how to step around a gown. STANFORD Don't call me a queen. ANTHONY Go -- Out in the hall, your highness. Everyone except for Lily moves out into the hall. 59. Carrie's cell RINGS AGAIN. Lily picks it up, opens it and holds it up to her face -- She says nothing. 77 INT. BIG'S SUBLET -- CONTINUOUS -- FALL 77 Big is standing there. He hears only Lily breathing. BIG Hello? Lily closes the cell phone. Big reacts, puzzled. She opens her little purse, drops the phone in and walks out. 78 EXT. CHARLOTTE'S APARTMENT -- LATER -- FALL 78 Carries and company leave the building, JADED NEW YORKERS passing by react with awe at the beautiful sight. CHARLOTTE leads Lily over to HARRY who is waiting by the Sedan. He makes a fuss over how cute she looks. 79 EXT. BIG'S SUBLET -- CONTINUOUS -- FALL 79 Big's driver RAOUL (55) is waiting out front next to his car, smoking. Big leaves his building talking on his phone. CARRIE (V.O.) It's Carrie... leave me a message. BIG Why aren't you calling me back? I really need to talk to you. Call me back as soon as you get this. He closes phone. Raoul opens the back door. 80 INT. LIBRARY -- LATER -- FALL 80 WEDDING GUESTS arrive. Bitsy comes up to Stanford. A DRIVER follows her carrying a LARGE box from TIFFANY. STANFORD Looks like someone had breakfast at Tiffany. BITSY Sweetheart, look at the size... it's breakfast, lunch and dinner at Tiffany. (MORE) 59A. BITSY (CONT'D) (beat) Gifts? Stanford chuckles as he points. She points to the DRIVER and they walk away. Anthony comes over to Stanford. ANTHONY We have a problem. STANFORD I know, but for Carrie's sake I've decided to ignore your attitude. ANTHONY No, a real problem. They're not here. STANFORD They're probably stuck in traffic. ANTHONY Both of them? 60. Stanford gives a look of concern. Anthony nods. 81 EXT. LIBRARY -- LATER -- FALL 81 Big's car is parked in front of the library. Raoul is leaning against it looking at his watch. 82 INT. BIG'S CAR - CONTINUOUS -- FALL 82 Big is on the phone, smoking one of Raoul's cigarettes. CARRIE (V.O.) This is Carrie, leave a message. BIG I'm out front -- waiting. I can't go in without you. He takes a drag on the cigarette. Exhales. BIG (CONT'D) Baby, this whole bride and groom thing has really thrown me. I need to know that it's still us. Just like you said. Me and you. Raoul KNOCKS on the window. Big looks out. The girls are in the process of climbing out of the limo. Big closes the phone and looks. Carrie gets out of the limo, her back to him. BIG (CONT'D) Turn around baby, let me see you. Just as he's about to see her face -- Charlotte pulls the veil over it. Carrie is gone -- all Big can see is a bride. He sinks back into his seat and away from the window as the girls hurry up the library stairs. 83 INT. LIBRARY/WEDDING AREA -- MOMENTS LATER -- FALL 83 Anthony and Stanford are waiting, as are Harry with Lily and Magda with Brady, who is wearing a little tux with shorts and knee socks holding a ring pillow. A FLURRY OF HIGH HEELS CLICKING on a marble floor is heard as Carrie and the girls arrive around a corner. Magda GASPS, overjoyed when she sees Carrie in her dress. MIRANDA Traffic was the worst -- 61. Miranda kneels to hug Brady. Samantha fluffs Carrie. SAMANTHA Ready. We're ready. Samantha looks over. Anthony has a weird look on his face. STANFORD He's not here yet. SAMANTHA Who's not? ANTHONY The groom. Carrie lifts up her veil with ONE arm and looks out from under it. She is on super high-alert. CARRIE What's happening? SAMANTHA Big's not here. CHARLOTTE But we're twenty-five minutes late. CARRIE Did anyone call him? (beat; nothing) Give me a phone. Someone give me a phone. Samantha hands her the iPhone. Carrie looks at it. CARRIE (CONT'D) (tight/controlled) I don't know how to work this. Stanford hands her a phone. As she dials she catches a WORRIED LOOK on Charlotte's face. Carrie turns away and holds the phone to her ear, waits. Waits. Then -- CARRIE (CONT'D) (into phone) Are you okay? 84 INT. BIG'S CAR -- CONTINUOUS -- FALL 84 Big is sitting in the car as it MOVES down a side street. 61A. BIG I've been calling you for an hour. Why haven't you been answering your phone? 62. CARRIE (anxiety escaping) I don't know where my phone is! (beat) What is going on? Where are you? BIG (beat; then) I was out front --but I just left. I can't do this. CARRIE (in pain) Oh my God -- Carrie drops the phone from her ear -- She's heard the words. The words on some level she was expecting. CARRIE (CONT'D) He's not coming. Oh my God. The phone slips out of her hand and lands on the floor. Charlotte, Miranda, and Samantha don't know what to do. SAMANTHA What do you mean he's not coming? CARRIE Get me out of here. (beat; a plea) -- Get me out of here! SAMANTHA Go, go. You take her. I'll stay here and deal with this -- She gestures to the wedding area. Miranda and Charlotte take Carrie's arms and quickly start moving her away. Horror on all of their faces. Brady CALLS after them, his voice ECHOES off the marble. BRADY Where you going, Mommy?! Samantha looks at Stanford and Anthony -- speechless. 85 EXT. LIBRARY -- MOMENTS LATER -- FALL 85 The LIMO DRIVER slams the limo door. Carrie is seen through the window, sitting in back -- stunned. Miranda and Charlotte are in the back next to her -- stunned. 63. 86 INT. BIG'S CAR -- CONTINUOUS -- FALL 86 Big sits, pale, staring off as the car drives away. BIG (sudden realization) What the fuck am I doing? What the fuck am I doing? (to Raoul) Turn around and go back. RAOUL It's a one way street. I have to go around the block. BIG By the time we go around the block she'll be gone. No one's behind us - - Turn around! 87 EXT. 41ST STREET -- CONTINUOUS -- FALL 87 Big's car makes a QUICK three-point turn and starts back up the one-way street as Carrie's limo turns onto it. 88 INT. BIG'S CAR -- CONTINUOUS -- FALL 88 Raoul sees the limo -- coming. RAOUL I think this is them. BIG Pull over. Pull over. Big's car pulls over, as the limo approaches. Big powers down his window -- as the limo passes, he sees Carrie in the window --resting her head against the glass, listless. BIG (CONT'D) Carrie! Carrie looks up, and see's Big. He smiles an apologetically smile. Her limo keeps on moving. Big watches it go. Until... 89 EXT. 41ST STREET -- CONTINUOUS -- FALL 89 The limo SCREECHES to a halt. The back door flies open and Carrie almost leaps out. Big sees her, he looks relieved. 64. She hurries up the street to Big's car holding her bouquet. Big gets out of his car just as Carrie reaches him. BIG I freaked out for a minute -- but -- I'm ready now -- Carrie HITS him with her bouquet. It's a violent direct hit on his face. He recoils. She hits him again, hard... a wounded sound escaping her throat. BIG (CONT'D) Carrie! She hits him again. He ducks back into the car for protection. She hits the bouquet on the roof of the car -- the flowers start breaking apart and flying everywhere. CARRIE I knew you would do this -- I knew it! Miranda reaches Carrie and holds her back by her waist. Big gets back out of the car and starts over to her. BIG I'm sorry -- I just -- With all she has left, she throws the broken bouquet at him. CARRIE You left! I am humiliated! Carrie starts crying. Charlotte has arrived. Carrie turns and falls into her arms. Miranda and Charlotte lead her away. Big starts over to follow. BIG Carrie, wait -- Charlotte whips her head around and stares him down. CHARLOTTE No! He stops in his tracks. A WAITRESS (20's) at the Brant Park Cafe nearby "over-pours" water into a CUSTOMER'S glass -- riveted by the scene. Miranda and Charlotte move Carrie back into the limo. A CAB comes down the street and HONKS at Big standing in the road; dazed. 64A. 90 INT. CHARLOTTE'S APARTMENT/STUDY -- LATER -- FALL 90 Carrie sits in a chair. She is holding a glass and has an Hermes blanket wrapped around her. 65. Miranda sits nearby holding a bottle of vodka. Samantha paces, working on her iPHONE. CARRIE I thought I would still be in extreme pain but I'm feeling nothing. Carrie reaches over and holds out her glass. CARRIE (CONT'D) I'd like a little more nothing. Miranda nods and pours some more vodka into it... CARRIE (V.O.) (CONT'D) I had gone from Little Women to Little Drunk Women. Charlotte enters and looks over at Carrie, soulfully. CARRIE (CONT'D) Yes, I'm still jilted. SAMANTHA What the hell got into him? He was perfectly fine at the dinner. Miranda sips her vodka -- should she say anything? CARRIE I knew it when he called last night. I could tell. SAMANTHA Why didn't you say anything? She shrugs and sips. CARRIE Didn't want to believe it. Didn't even want to say it out loud. (beat) And now I have nowhere to love -- (beat; then) I meant live. I have nowhere to live. CHARLOTTE You'll stay here. CARRIE Forever. 65A. She sips. Charlotte looks at her, concerned. 66. CHARLOTTE Maybe you should eat something. She shakes her head. Charlotte looks at the others. CHARLOTTE (CONT'D) Anyone hungry? They shake their heads; no. CARRIE Well, if you change your minds, I know where we can get one hundred beef, seventy-five fish and twenty- five vegetarian meals. She sips. Charlotte rubs her back. She sips. CARRIE (CONT'D) And my clothes. All my clothes. I can never go over there again. How am I going to get my clothes? SAMANTHA Oh, honey -- I can hire people to do all that. Anything you need. CARRIE A hit man? (beat) I have nothing to wear but a wedding gown. CHARLOTTE You have your honeymoon stuff here. CARRIE There's the silver lining. A honeymoon to a romantic Mexican resort that's pre-paid on my credit card because I wanted to surprise the man who jilted me. SAMANTHA I can get you out of that. Worse comes to worse -- I'll say there was a death or something. CARRIE Wasn't there? She sips, looking sad. 66A. 90A INT. CHARLOTTE'S APARTMENT/LILY'S ROOM -- LATER 90A Charlotte leans down and tucks in the sleeping Lily. She picks up a "Chinese baby doll" and nestles it under Lily's arm, then turns and starts out. 67. 91 INT. CHARLOTTE'S APARTMENT/HALLWAY -- CONTINUOUS 91 Miranda is standing in the hall as Charlotte enters from Lily's room. MIRANDA I did something really bad -- I think. Charlotte looks at her. MIRANDA (CONT'D) I said something to Big. At the rehearsal dinner. CHARLOTTE What do you mean? MIRANDA It was right after Steve showed up. I was upset... Big came up to me -- and I said something like: You're crazy to get married. (off her look) It just came out. Charlotte nods trying to understand. MIRANDA (CONT'D) Do you think it was totally the reason? CHARLOTTE (cutting her a break) No, no, no. Big has been weird about marriage for years. MIRANDA I keep thinking I should tell Carrie. CHARLOTTE No, no. This is a really bad time to even mention it - no, no, no. Find another time. Later. Samantha comes down the hall. She is energized. SAMANTHA Well, turns out, I couldn't get her out of the honeymoon -- but I got us in. 68. MIRANDA What? SAMANTHA I just booked us three seats on the flight. Mexico here we come. Charlotte and Miranda react; completely thrown. MIRANDA I can't go to Mexico. I have a job. Samantha indicates Carrie -- sitting in the den staring off to nowhere, deeply sad -- Devastated. 92 EXT. MEXICAN RESORT/ROAD -- SUNSET 92 A lush tropical road with a view of the sun setting on the ocean. A large open air GOLF CART comes around the bend holding the girls. Carrie's hair blows in the breeze, her sunglasses firmly in place. 93 EXT. MEXICAN RESORT/HOUSE -- A LITTLE LATER 93 A gorgeous romantic private house surrounded by tropical splendor. The cart arrives in front. The DOORS are open and PAULO (38) the BUTLER stands there holding a tray with two beautiful tropical drinks. He is surprised when he sees the four women, but he covers, effortlessly. PAULO Welcome to Mexico. SAMANTHA Buenos dias. Carrie gets out of the cart and goes into the house -- followed by Charlotte and Miranda. Samantha arrives and picks up a drink off the tray. PAULO I'm sorry. I am confused. I am waiting for a Mr. And Mrs. Preston. SAMANTHA Honey, you'll be waiting for a long time. She sips the drink, then looks at him, "familiar." 69. SAMANTHA (CONT'D) We'll talk. 94 INT. MEXICAN RESORT HOUSE/MAIN ROOM -- CONTINUOUS 94 Charlotte and Miranda stand looking at the gorgeous, romantic private Mexican bungalow. Samantha enters; looks. SAMANTHA This... will kill her. (beat) Where is she? CHARLOTTE In the powder room. 95 INT. MEXICAN RESORT HOUSE/POWDER ROOM -- CONTINUOUS 95 Carrie stands looking in the mirror. She takes off her sunglasses. Her eyes are red, red, red. She splashes water on her face and looks at herself in the beautiful Mexican mirror. 96 INT. MEXICAN RESORT HOUSE/MASTER BEDROOM -- MOMENTS LATER 96 Paulo leads Miranda, Charlotte, and Samantha into the romantic bedroom suite. On the bed -- rose petals are scattered in the shape of a large heart. MIRANDA Oh My God! Miranda and Charlotte quickly grab the bed cover and jerk it up -- throwing all the rose petals off. Paulo watches. Miranda addresses him in a very intense WHISPER. MIRANDA (CONT'D) No more honeymoon stuff. This is very important. Have I made myself clear? 97 INT. MEXICAN RESORT HOUSE -- CONTINUOUS 97 Carrie exits the powder room, her sunglasses in her hand. She stands in the entry way; alone. She looks out at the main room; the beautiful view, the romance. Her eyes start to water. A PORTER enters with the bags. Carrie hides her face, acknowledging him with a nod. 70. 98 INT. MEXICAN RESORT HOUSE/MASTER BEDROOM -- CONTINUOUS 98 Carrie enters and moves directly to the bed, past Charlotte where Miranda is sitting talking on her cell. MIRANDA Magda -- I'll talk to you tomorrow Miranda hangs up as Carrie crawls onto the bed and lays down. The pink sunset light floods across her face. SAMANTHA Well, it's a gorgeous sunset. CARRIE Close the shutters. Paulo moves over to the window and starts closing the shutters. The sun is slowly shuttered out. CARRIE (CONT'D) All of them. Carrie closes her eyes. DARKNESS falls across her face. 99 INT. MEXICAN RESORT HOUSE/MASTER BEDROOM -- MORNING 99 The room is dark except for the bright sunlight straining to get in between the cracks of the closed shutters. Carrie is asleep. Miranda sits on the bed. Carrie stirs, half waking... Miranda smiles. MIRANDA Morning. CARRIE Did I dream it? Miranda shakes her head, no. Carrie closes her eyes, falls back asleep. 100 INT. MEXICAN RESORT HOUSE/MASTER BEDROOM -- DUSK 100 Dark. Carrie is still asleep. Charlotte sits on the bed. She gently shakes Carrie. Carrie opens her eyes. CHARLOTTE Carrie, it's dinner time. You slept the whole day. 71. CARRIE So? Carrie closes her eyes. Charlotte exhales, concerned. 101 INT. MEXICAN RESORT HOUSE/MASTER BEDROOM -- MORNING 101 A "tingling of glass" sound wakes Carrie. She opens her eyes and looks. Samantha is just sitting on the bed with a breakfast tray. SAMANTHA Honey, you have to eat a little breakfast. CARRIE I'm tired. SAMANTHA Eat something and you can go back to sleep. Samantha holds up a bowl of yogurt. Carrie adjusts on her pillows a little. Samantha feeds Carrie a spoonful of yogurt. Carrie looks at her. Samantha nods. 102 EXT. MEXICAN RESORT HOUSE/PATIO -- LATER 102 Samantha, Miranda and Charlotte are sitting having lunch. Charlotte opens a pre-packaged "snack pack" chocolate pudding. She peels the lid off, takes a spoon and starts eating. SAMANTHA With all this gorgeous fresh food you're just going to eat that pudding crap the entire trip? CHARLOTTE It's the only thing in the pantry that's totally safe. (holding up lid) See. Made in Poughkeepsie. I don't want to chance it. MIRANDA It's a five-star resort. CHARLOTTE It's Mexico. 72. The bedroom door opens. Carrie walks out. The sun hits her eyes. She squints. CHARLOTTE (CONT'D) Carrie! CARRIE Is there coffee? 103 EXT. MEXICAN RESORT HOUSE/PATIO -- LATER 103 All four girls are laying in the sun in bathing suits reading magazines. Miranda re-adjusts her body, stretching out on her beach chair. MIRANDA The sun feels nice. Samantha looks over at her and notices something. SAMANTHA Jesus, honey. Wax much? Miranda looks up at Samantha. Samantha indicates her swimsuit crotch area...which is badly in need of a wax. Miranda grabs her towel and covers her crotch area. MIRANDA -- What? I didn't know I was going to be in a swimsuit. Carrie and Charlotte look up from their magazines. CHARLOTTE What are you talking about? MIRANDA I forgot to get a wax. SAMANTHA Since when -- 1998? Carrie looks away, resumes reading. MIRANDA I've had other things on my mind. SAMANTHA I could be on death row and not have that situation. 73. MIRANDA Well, when you're married, Samantha -- you have a different set of priorities. SAMANTHA Honey don't blame marriage -- (re: Charlotte) This one's married -- and she's not growing a national forest. How do you even cross your legs? (beat) Let me make you a spa appointment -- Any thicker and you won't be able to find it. Miranda gets up from the chair and looks at her, mad. MIRANDA So what -- It's my fault?! I let the sex go out of our marriage! I deserve what I got. Thanks for understanding. She walks away. Samantha calls after her. SAMANTHA Honey, I'm sorry. That's not what -- MIRANDA I'm fine! Miranda goes inside. Carries throws her magazine down. CARRIE Let's go down to the hotel for dinner on the beach tonight. CHARLOTTE Really? CARRIE Yeah. I've got to do something to pull me out of my Mexicoma. SAMANTHA Oh, honey... you made a little joke. Good for you. Samantha nods. Charlotte smiles; encouraged. 74. 104 EXT. MEXICAN RESORT/HOTEL RESTAURANT -- LATER 104 A romantic open-air restaurant on the beach. A MARIACHI BAND is serenading HONEYMOON COUPLES. A MALE HOST leads the girls across the small dance floor to their table. As they walk Miranda notices a slow dancing TWENTY-SOMETHING HONEYMOON COUPLE kissing -- very much in love. MIRANDA (to Carrie) Don't look to your -- CARRIE Too late. They arrive at their table and the host places down MENUS. FELIX, (40) the waiter comes up to them. MAITRE' D Buenos notches. My name is Felix, I`ll be your server. SAMANTHA (to Felix) Felix -- We'll start with quatro margaritas. CHARLOTTE No, I'm not drinking. Just bottled water. CARRIE (to waiter) I'll drink hers. FELIX May I have your room numbers? CARRIE We're staying in one of the private houses. Number three. He looks down onto a list he is holding, then up to Carrie. MAITRE' D Very good, Mrs. Preston. The waiter smiles and walks away. CARRIE That was like taking a bullet. 74A. Miranda, Samantha, and Carrie look at the menu. Charlotte reaches into her purse and pulls out a little pudding and places it on the table. They all look at her. MIRANDA Charlotte had pudding in her Prada. Samantha laughs. Miranda smiles. Carrie looks. CARRIE Will I ever laugh again? (beat; then) I'm serious. MIRANDA Yes. CARRIE When? MIRANDA When something is really, really funny. The Mariachi band strolls by playing. CARRIE Thank god for that Mariachi band or I'd be able to hear my own thoughts. Felix re-enters with the drinks. SAMANTHA Fabulous -- and keep them coming. 104A EXT. MEXICAN RESORT/HOTEL RESTAURANT -- LATER 104A Food is on the table -- but Carrie, Miranda and Samantha are mostly drinking. Charlotte is eating her pudding. CARRIE After everything I know... After twenty years of everything we've learned -- I threw it all away for the thrill of putting his name on the honeymoon suite. (beat) If I met me now -- I wouldn't know me. 74B. SAMANTHA Well, as long as we're going down this road. They look at her -- she sips her cocktail. SAMANTHA (CONT'D) I can't believe my life revolves around a man. On what planet did I allow that to happen? CHARLOTTE You love him. SAMANTHA Does that mean saying his name fifty times more a day than I say my own? Does it mean worrying about him and his needs before me and mine? Is it all about the other person? Is that love? MIRANDA No, that's marriage. CARRIE So, you're saying marriage is a bad thing? Good to know right about now. Samantha looks down at her gardenia ring. SAMANTHA Even this ring. I wanted to buy this for myself. That meant something to me. To be able to do that. Then, he buys it for me. CHARLOTTE Because he knew how much you loved it. SAMANTHA Yes. But now, every time I look down at it... I see him. Not me. CHARLOTTE You could look at it and see a man who loves you and wants you to be happy. SAMANTHA No, you could look at it and see that. I'm Samantha. 74C. The Waiter walks over -- SAMANTHA (CONT'D) We'll take another round. CHARLOTTE Another? SAMANTHA Relax -- we're on vacation. CARRIE Technically -- we're on my honeymoon. MIRANDA No-- I think we're on their honeymoon. She points to the TWENTY-SOMETHING COUPLE at a nearby table-- who have progressed to graphic French kissing. MIRANDA (CONT'D) (call to them) It's all so hot -- three days in. 104B EXT. MEXICAN RESORT/HOTEL RESTAURANT -- LATER 104B The GIRLS are pretty much the only ones left in the restaurant. Empty drink glasses. CARRIE He couldn't get out of the car. After everything he'd already put me through -- he couldn't make the effort and get out of the car? I made the effort -- I put a bird on my head. MIRANDA Was that what that was? CARRIE Yes. MIRANDA I thought it was just feathers. CARRIE No. It was a bird. CHARLOTTE It was beautiful. 74D. CARRIE He's a bad guy. Always was. Bad guys do bad things. MIRANDA And good guys do bad things. The good guys screw you and the bad guys screw you. SAMANTHA And the rest of them don't know how to screw you. Trust me-- I've done the leg work. MIRANDA And that was all Steve had -- didn't have money -- didn't have a career. He was the good guy bartender with a big dick. The all look over at her and react. SAMANTHA How big? CHARLOTTE I don't want to know this. SAMANTHA Eat your pudding. MIRANDA Nine. Like -- nine and change. CARRIE That's nice. Kinda balances off the one ball. SAMANTHA You can't forgive a man with a dick over nine inches? (off Miranda's "no") Well, honey, if you can't -- some other woman will. Felix comes up to the table. FELIX Ladies -- the bar is closing. CHARLOTTE Thank God. 74E. CARRIE (to Felix) Mrs. Preston will take the check. SAMANTHA And a bottle of tequila. Charlotte's eyes widen. Felix nods. 104C EXT. MEXICAN RESORT/HOTEL RESTAURANT -- LATER 104C The STAFF are stacking chairs -- The Mariachi band plays. Carrie, Miranda and Samantha are on the beach wading into the water. Charlotte is just off the dance floor -- holding their shoes. CHARLOTTE (calling) Don't go all the way in -- there may be sharks! 75-76. 106 EXT. MEXICAN RESORT HOUSE/PATIO -- DAY 106 Carrie, Miranda and Samantha are laying in the shade. Miranda is working on her laptop. Carrie is cautiously studying her cell phone. She reads the message "window". CARRIE "Mail box full." SAMANTHA No time like the present. CARRIE Not ready to face it all yet. Carrie puts down the phone. Charlotte walks out of the house wearing a workout outfit. 77. CHARLOTTE I'm going for a run and then to the gym for pilates. Anyone want to -- They all shake their heads: no. Charlotte trots away. MIRANDA Good news. Just got an e mail from your buyer's attorney -- they have agreed to sell you back your old apartment at that escalated price. (reading) And "are willing to vacate by the time you return -- pending an additional financial offer." CARRIE Well, apparently you can go home again -- but it'll cost you. SAMANTHA Now -- lets work on getting your things there. Samantha picks up her iPhone and starts working as Miranda types an e mail response. Carrie watches them; touched. CARRIE You two could rule the world. 107 INT. RESORT/GYM CHANGING ROOM-- CONTINUOUS 107 Charlotte is showering after her workout. CARRIE (V.O.) After her workout Charlotte couldn't help but think about how truly blessed she was. This week had made her feel more grateful than ever for her happy marriage. Charlotte closes her eyes, lets the water flow over her. CARRIE (V.O.) (CONT'D) And while picturing her loved ones at home in New York, she forgot where she was... Charlotte opens her mouth, shower water goes in. CARRIE (V.O.) (CONT'D) And opened her mouth. 78. Charlotte suddenly realizes what she's done. She spits the water out. A panicked look on her face. 108 EXT. MEXICAN RESORT/PATH -- LATER 108 Charlotte walks along, looking refreshed. There's a GURGLING sound in her stomach. Her eyes WIDEN. She walks quickly. 109 EXT. MEXICAN RESORT/PATH -- MOMENTS LATER 109 Charlotte is moving oddly. Walking on the balls of her feet. She passes a WORKER who is pruning the bushes. WORKER Hello Miss. Charlotte shakes her head; not now. He looks at her. 110 EXT. MEXICAN RESORT HOUSE/PATIO -- MOMENTS LATER 110 Carrie and Samantha sit reading. Charlotte hurries across the patio -- a CRAZED LOOK on her face. CARRIE Sweetie -- what's -- She shakes her head: NO and moves quickly to a door. She tries the handle -- it's LOCKED. NO! SAMANTHA That's locked -- Use the other-- Charlotte starts - but stops, cold. She has the look of a trapped animal on her face. Then - BAM, BAM, BAM, BAM. Charlotte's eyes WIDEN. They watch -- stunned. CARRIE (V.O.) And just like that, Charlotte Pookeepsed in her pants. Miranda opens the door and stands there. Takes in the scene. MIRANDA Did you -- CHARLOTTE Shut up, shut up, shut up. 79. Charlotte duck waddles across the patio to the open door. Carrie, Samantha and Miranda look at each other. Carrie BURSTS out laughing. She laughs till her eyes water. CARRIE (V.O.) Miranda was right -- when something was really, really funny -- I laughed. 111 EXT. MEXICAN CLIFFS -- LATER 111 Carrie sits overlooking a magnificent view of the ocean. She has her cell phone in her hand. She pushes a button and listens to the first message. VOICEMAIL (V.O.) First message. Received: Saturday, September twentieth; twelve-thirty P.M. BIG (V.O.) Hey babe -- I need to talk to you before you leave for the -- . Carrie impulsively THROWS her phone off the cliff. It sails through the air. The sun glistens off the pink crystals as it falls to the ocean below. 112 EXT. CARRIE'S BUILDING -- DAY -- FALL 112 Raining. A MANHATTAN STORAGE TRUCK drives away from the front of Carrie's building revealing... Carrie - standing in her front doorway. She exhales, turns and walks back inside. 113 INT. CARRIE'S APARTMENT -- MOMENTS LATER 113 CARRIE swings open the front door -- her living room is filled with boxes of her clothes, a few of her furniture pieces -- many, beautifully wrapped wedding gifts -- and her wedding gown. CARRIE (V.O.) There was no better time I could think of to hire and assistant. 114 INT. STARBUCKS -- DAY -- FALL 114 Carrie sits across from A SPOILED LABEL QUEEN (22) wearing expensive clothes. 80. SPOILED LABEL QUEEN Ummm, no. I don't lift boxes. Yeah, definitely - No. 115 INT. STARBUCKS -- LATER -- FALL 115 A LARGE PARTY GIRL (34) Low cut blouse; very relaxed. PARTY GIRL I love your books. You're shit's brilliant. CARRIE Um, Cathy... You seem drunk. PARTY GIRL Little bit. Never got to bed last night. (beat) But I type like a motherfucker. 116 INT. STARBUCKS -- LATER -- FALL 116 A mousey BUSINESS GUY (23) in a tweed suit and tie. BUSINESS GUY I have a degree in finance from Princeton and for the last two years I have been assistant to a V.P. at Merrill Lynch. CARRIE (polite/lost) And why do you think you're right for this job? He glances at his feet. Carrie looks down. He is wearing high heels. 117 INT. STARBUCKS -- LATER -- FALL 117 Louise (22) African-American -- she holds a LOUIS VUITTON DENIM PURSE. CARRIE So, you're from St. Louis? LOUISE That's right. Louise from St. Louis. 81. Carrie smiles, looks down at her resume. CARRIE Have you ever been a personal assistant? LOUISE No, but I'm the oldest of six kids, so I can pretty much handle anything you got. CARRIE Six kids? What was that like? LOUISE Crowded. I had to move to New York just to get some room. And where'd I wind up? A one bedroom apartment with three roommates. CARRIE (laughs; then) Aside from the space issue... why'd you move to New York? LOUISE To fall in love. Carrie is taken aback. LOUISE (CONT'D) What? That's corny, right? CARRIE No, it's just -- so -- honest. I don't think I've ever heard anyone say that in a long time. Louise looks at her, owns it. Carrie smiles, sold. CARRIE (CONT'D) Well... Louise from St. Louis... I have just one more question. (beat) How does an unemployed girl with three roommates afford the Patchwork Denim Bowley Louis Vuitton bag? LOUISE It's rented. "Bag, Borrow or Steal." It's like Netflix for purses. 82. CARRIE No! How can I not know about this? LOUISE Girl, stick with me, I'll hook you up. 118 INT. CARRIE'S APARTMENT-- DAY -- FALL 118 The room is now half-empty of the presents. Louise sits in the middle of the clutter -- busy writing out note cards. CARRIE (V.O.) And she did hook me up. 119 INT. CARRIE'S APARTMENT -- DAY -- FALL 119 The space is much more orderly. Louise is kneeling on the floor taking books out of boxes and placing them on in piles on the floor. Carrie enters -- amazed at the progress. Her phone rings. Louise answers it instantly. LOUISE Carrie Bradshaw... This is Louise. (listens; then repeats) Anne From the New York Observer... She looks over at Carrie, who shakes her head: No. LOUISE (CONT'D) I'll let her know you called. She hangs up and continues working. Carrie watches her. 120 INT. CARRIE'S APARTMENT -- DAY -- FALL 120 Louise directs two DELIVERY MEN who are carrying a NEW MATTRESS into the bedroom. Carrie watches from her closet surrounded by boxes. CARRIE (V.O.) After only three days -- I began to think of her as Saint Louise from St. Louis. 121 INT. MIRANDA'S OFFICE -- DAY 121 Miranda is sitting at her desk, eating a take-out salad while talking on the phone. 82A. MIRANDA (into phone) No, I can't be more patient. Your agency has had three weeks to find me an apartment. The office door opens -- A TWENTY-SOMETHING ASSISTANT enters and places some documents on the desk in front of her. Miranda signs as she chews and talks. MIRANDA (CONT'D) No -- I told you... It has to be in Manhattan. Because it does. (MORE) 83. MIRANDA (CONT'D) How hard could it be to find something just on the other side of the Brooklyn Bridge? The assistant takes the documents and starts away. MIRANDA (CONT'D) (into phone pissed) On second thought -- Forget it. I could do a better job myself. Miranda hangs up, exhales. Bites her salad. Determined. 122 EXT. LOWER EAST SIDE -- LATER 122 An ethically diverse neighborhood with ethnically diverse PEOPLE. Miranda walks with Brady. A WIDE EYED Magda walks next to her. MIRANDA According to New York Magazine, this is the new up-and-coming neighborhood. A CAUCASIAN YUPPIE DAD (32) with a BABY in a snugly comes out of bodega. Miranda turns to Magda. MIRANDA (CONT'D) See! Wherever he's going is where we need to be. Miranda, excited about the hunt --picks up the pace following after the dad. Magda hurries as best as she can. 123 EXT. LOWER EAST SIDE STREET -- LATER 123 Miranda, Brady and Magda walk around a corner. MAGDA I've been here before -- This was all Ukrainian area. Miranda spots a U-HAUL truck parked in front of a building. MIRANDA Coming or going? 84. TWO NYU-TYPE KIDS come out of a building carrying boxes. MIRANDA (CONT'D) Going. Oh boy. Lets go. She starts down the street with a clip. 124 EXT. LOWER EAST SIDE -- LATER 124 Magda is standing out in front of the apartment building with Brady. She looks -- A HOT LOOKING LATIN GUY (29) with tattoos is sitting on the stoop with a pitbull. 125 INT. LOWER EAST SIDE APARTMENT -- MOMENTS LATER 125 Miranda peeks into the empty apartment. Nice size, brick wall, big windows with a view of a colorful jungle gym on a play ground across the street. Her heart starts racing. 126 EXT. LOWER EAST SIDE APARTMENT -- MOMENTS LATER 126 Miranda comes out of the building out of breath as the NYU kids are going back in. MIRANDA Hi. I'm interested in the apartment. NYU KID Get in line. MIRANDA I understand but -- who would I talk to about it? NYU KID The super. He points to a SIGN in LOBBY. The name: Lovro Klujcik and a telephone number. Miranda writes it down. MIRANDA Lovro... -- and I have no idea. (attempting to pronounce) Ku... MAGDA (amazed) Kljuic. Lovro Klujcik. I know him. 85. MIRANDA No way. MAGDA We were couple -- long time ago. MIRANDA (can't believe her luck) No way -- You dated? MAGDA Haven't seen him since his wife died. MIRANDA He's single? Magda shrugs as if to say: So what? Miranda smiles. 127 INT. SPANISH HAIR SALON -- LATER -- FALL 127 Spanish music plays. Two female HAIRDRESSERS work on two Dominican WOMEN CUSTOMERS. Magda sits under a hair dryer -- her top lip white with cream bleach. Miranda is next to her, dialing on her cell. Brady plays nearby with two Dominican KIDS (5,6). 128 EXT. APARTMENT BUILDING -- LATER -- FALL 128 Miranda stands at a gate and pushes the buzzer marked "Klujcik." A door under the stoop opens revealing LOVRO KLUJCIK, a Croatian man about Magda's age. LOVRO No, no... I told you on phone... the apartment is -- He looks past Miranda and sees Magda -- standing there with brown hair and wearing make-up. His face lights up when he sees her. LOVRO (CONT'D) Magda? Is this you? She smiles. Shy. He beams at her. He opens the gate, saying something to her in his native tongue. Magda smiles. CARRIE (V.O.) As much as Miranda wanted to pat herself on the back for finding her new apartment in just one afternoon... in the end, she knew -- 85A. Miranda watches, thrilled as they converse. CARRIE (V.O.) (CONT'D) It was a Lovro connection. 129 INT. BEACHOUSE/BEDROOM -- NIGHT 129 SAMANTHA and SMITH have just finished making love. They are face to face. SAMANTHA That was really hot. SMITH Hmmm. You were kind of distant. 86. SAMANTHA Distant? You're still in me. He gently moves off her and reclines next to her. SMITH You want to talk about it? SAMANTHA When have I ever wanted to talk about it? SMITH Okay. I'll talk about it. Your best friends get screwed over by their guys -- how can you not get distant? SAMANTHA It's more than that -- lately, I haven't been feeling a connection to -- SMITH What? Me? SAMANTHA No -- to -- it -- here. I have no real connection to our life here. SMITH What life here? Seriously -- all I do is work -- and you run off to New York every chance you get. SAMANTHA Not every chance I get. Only for the A-list things. (beat; then) And my managing you -- it's all too much. I'm starting to resent it. For the last two years it's been all about you. SMITH Well, for the first three years it was all about you. SAMANTHA I know. That was so much more fun. 86A. SMITH Maybe we need to make an effort to reconnect -- spend more time together -- away from the business. Less me, less you -- More us. 130 INT. BEACHOUSE -- DAY -- FALL 130 Samantha is on the phone, looking out at the ocean. 87. SAMANTHA So, I won't be coming to New York for a while. We're going to spend some time reconnecting on the weekends... do the "LA couple thing." 131 EXT. NYC STREETS -- CONTINUOUS -- FALL 131 Intercut with Carrie at a public pay phone. CARRIE Yeah, hi, can you put on Samantha? SAMANTHA Really. At first I was all: "You can't tell me what I can do" -- but then, I had to admit he had a point. CARRIE You people and your relationships. OPERATOR (V.O.) Please deposit another eighty-five cents. SAMANTHA Honey, a pay phone? Where's your cell? CARRIE At the bottom of the ocean in Mexico. SAMANTHA Want me to hook you up with a new one? CARRIE No, not yet. No phone -- no calls, no calls-- no questions, no questions-- no explaining no wedding. Carrie puts coins into phone. She is wearing gloves. CARRIE (CONT'D) Plus, It's an excuse to break out the gloves. 88. 132 EXT. BEACH -- DAY -- FALL 132 Samantha and Smith run into the surf in their wetsuits with surfboards. CARRIE (V.O.) When Samantha Jones decides to do something... 133 EXT. BEACH -- LATER -- FALL 133 Samantha and Smith are starting to make love on the beach as the waves crash on them. CARRIE (V.O.) ... She does it all the way. A BEACHCOMBER with a metal detector, watches nearby. 134 INT. COOKING CLASS -- DAY -- FALL 134 A cooking class with other COUPLES. A CHEF watches as Samantha and Smith roll sushi. CARRIE (V.O.) She and Smith did all the upscale L.A. couple things. Sushi... 135 INT. UPSCALE TANNING SALON -- DAY -- FALL 135 Samantha and Smith stand next to each other wearing paper underwear. Two technicians spray tan them. CARRIE (V.O.) ... Spray tanning. 136 EXT. HOLLYWOOD BENEFIT -- NIGHT -- FALL 136 The Red carpet backdrop reads: HOLLYWOOD SAVES AFRICA Smith and Samantha are being photographed. She is wearing a full-on African-inspired over the top fashion statement. CARRIE (V.O.) ... And saving Somalia... Samantha- style. 89. 137 INT. CARRIE'S APARTMENT -- DAY -- FALL 137 Carrie sips a latt� while sorting through a stack of papers. Louise is working on Carrie's computer. LOUISE Carrie Bradshaw's web page is a mess. CARRIE -- Interesting -- so is Carrie Bradshaw. Louise laughs. Carrie sips her latte. CARRIE (CONT'D) Come on -- When are we going to get to the really important things like unpacking my closet? LOUISE One thing at a time. Are you ever going to answer these emails? CARRIE Yes. LOUISE When? CARRIE Now? LOUISE Okay -- I'll read -- you tell me what to do.(beat) Vitaminsforless. Delete. Right? CARRIE So right. Louise deletes it -- Looks at next e mail. LOUISE Who's John@jjpny.com.? Carries freezes -- Louise looks up. LOUISE (CONT'D) Oh, shit -- that's him, right? Carrie turns the lap-top around to face her and looks. 90. JOHN@JJPNY.COM: "I'M SORRY." She clicks the email open; breathless. One sentence: "I don't know what to say." She swings the laptop back around to Louise. CARRIE Delete. Louise looks at her, unsure... then deletes. CARRIE (CONT'D) And -- isn't there some cyberspace place that you can send those so that I never have to see an email from him ever again? (off her nod) Do that please. LOUISE You sure you want to end all communication with him? Carrie nods. Louise nods. 138 INT. CHARLOTTE'S APARTMENT/LILY'S ROOM -- DAY -- FALL 138 Carrie is reading Cinderella to Lily who sits in her lap. They are on Lily's bed - surrounded by her dolls. CARRIE (reading) "And Cinderella and Prince Charming lived happily ever after." (beat; looks at her) This is a fairy tall sweetheart. Things don't always happen like this in real life -- you should know that now. LILY Again! Carrie flips back to the front. Lily is all smiles. CARRIE And another one bites the dust. Charlotte walks into the den with her coat on. She smiles. 91. LILY Mommie home! 139 INT. CHARLOTTE'S APARTMENT/HALL -- A LITTLE LATER 139 Charlotte walks Carrie to the front door. CHARLOTTE Thanks for watching her while I went to the doctor. CARRIE (pulling on coat) Sure. Everything okay? CHARLOTTE I'm pregnant. Carrie looks at her. Charlotte smiles. CARRIE How? CHARLOTTE My doctor said sometimes when women stop trying -- it can happen. She knows other couples that adopt and then get pregnant. CARRIE Sweetie. CHARLOTTE Carrie -- I'm pregnant! Happy, happy tears. Carrie hugs her. CARRIE (V.O.) I guess, in certain houses, fairy tales do come true. 140 INT. DUANE READE DRUG STORE -- DAY -- FALL 140 Halloween costume aisle. Carrie and Miranda browse. CARRIE I can't believe you're even dressing up. 92. MIRANDA All the parents at Brady's school dress up -- it's fun! Fun thought up by a group of non-working mothers with nothing else to do all day. Miranda stops, looks at the costumes hanging there. MIRANDA (CONT'D) Witch and -- "sexy kitten". That's it? The only two choices for women. Witch and Sexy kitten. CARRIE You said a mouthful there, sister. Miranda holds up a mask of a ghoul screaming in horror. MIRANDA Maybe I should just wear this and a business suit and go as myself. CARRIE (re; mask) Speaking of monsters -- I got an email from Big. Miranda looks over at her. CARRIE (CONT'D) "I don't know what to say." (beat) Ah... then don't send an email. MIRANDA What were you expecting? No idea. Miranda grabs a witch hat. They start walking away. They round a corner, CHILD wearing a mask pops up. CHILD Boo! Carrie smiles. The child walks away. CARRIE Gonna take a little more than that to scare me after what I have been through. They start walking toward the check-out counter. 93. CARRIE (CONT'D) And in the subject box: two words: I'm sorry. MIRANDA Steve is all about "I'm sorry." I'm sorry emails -- I'm sorry voice mails -- I'm sorry flowers -- I'm sorry cards. How about: don't do anything to be: " I'm sorry" for. CARRIE Maybe he's sorry. MIRANDA Maybe Big is too. CARRIE Point taken. (beat) I still can't believe this happened to me. I know it happened, but I can't believe it happened. I lay awake at night going over every detail of the last week in my head. MIRANDA Carrie -- There's a detail I've been meaning to tell you about -- Carrie spots something; GRABS Miranda's arm with horror. CARRIE (V.O.) And then I saw it...the only thing scary enough to scare me after the experience I'd been through. On the rack in the front register -- Vogue! 141 INT. DUANE READE DRUG STORE -- MOMENTS LATER -- FALL 141 Carrie and Miranda stand looking at an open Vogue: "The Last Single Girl: Carrie Bradshaw Gets Married." MIRANDA You look great, you look amazing. So. That's the worst of it. Carrie flips a page. She noticed something. 94. CARRIE Wait -- what's that say? In the box at the end? MIRANDA (reading) "Editor's note: The wedding of Carrie Bradshaw and John James Preston was cancelled as this issue went to press. Carrie Bradshaw is... Miranda stops reading. Carrie looks at her. CARRIE Is what? Miranda doesn't want to respond. Carrie pushes the magazine further away so she can read it. CARRIE (CONT'D) (reads) "Carrie Bradshaw is still single and living in Manhattan." 142 EXT. MANHATTAN STREETS -- LATER -- FALL 142 A wind kicks up, autumn leaves blow. Carrie walks down the street, the Vogue under her arm, angry. CARRIE (V.O.) I didn't want to buy it - but I figured it was one less Vogue in New York. 143 INT. CARRIE'S APARTMENT -- LATER -- FALL 143 Carrie's door opens. Charlotte stands in the hall with Lily. CHARLOTTE I saw it. The pictures are gorgeous. CARRIE Yes -- I'm a beautiful bride. Come in. They walk in, Carrie closes the door. 94A. CHARLOTTE Look, the people who don't know -- will only see the beautiful pictures. The people who do know will only see what an asshole he is. (beat; to Lily) Mommy said a bad word. CARRIE (looks down to Lily) Hi, honey. Lily holds up a little baby pumpkin to Carrie. CARRIE (CONT'D) For me? Lily nods. Carrie has to lighten up. She kneels to Lily. 95. CARRIE (CONT'D) And what are you going to be for Halloween? LILY Cinderella. CHARLOTTE Or -- we also brought Mulan. Lily shakes her head: NO. Carrie smiles. CHARLOTTE (CONT'D) Would you like to go trick or treating with us? LILY Yea! CHARLOTTE Just in our building -- if you feel up to it. LILY Yea! CARRIE (How can I not?) Yea! 144 INT. CHARLOTTE'S APARTMENT/HALL -- NIGHT -- FALL 144 Carrie knocks on Charlotte's front door. It opens. Charlotte stands there -- dressed as a cute cow. With udders on her belly. Harry is Uncle Fester. Lily is Cinderella in a MASK. HARRY No costume? CARRIE Look closer. I'm the scariest thing in New York. Jilted at Forty-one. Boo. Harry Laughs. So does Charlotte...even Carrie smiles. 145 INT. CHARLOTTE'S BUILDING/HALL -- LATER -- FALL 145 They walk down the hall. Carrie is holding Lily's hand. 96. CARRIE You know you have to give me some of your loot, right? Lily nods Carrie smiles. Harry knocks on a door. It opens. A PARK AVE WOMAN (40), stylish - stands there with treats. CHARLOTTE/HARRY/LILY Trick or treat! The woman smiles -- then suddenly, her smile fades. WOMAN Oh, Carrie, I saw Vogue -- I'm so sorry. Carrie reacts, mortified. 146 INT. CHARLOTTE'S BUILDING/HALL -- LATER -- FALL 146 Another door opens. A PREPPY WOMAN (36) is there. CHARLOTTE/HARRY/LILY Trick or treat! REVEAL: Carrie's face -- hidden behind the Cinderella mask. 147 INT. HAIR SALON -- DAY -- FALL 147 A STYLIST is blowing out a woman with dark chestnut brown hair. Reveal the woman's face: It's Carrie -- 148 INT. STARBUCKS -- LATER THAT DAY -- FALL 148 Raining outside. Louise walks in, looks around. CARRIE Louise! Double-take. Carrie is waving to her from a table. LOUISE Oh my Lord. I did not even recognize you. CARRIE That's the point. My head is the witness protection program. 97. LOUISE I'm really feeling that look on you. Louise reaches into her purse to get something -- CARRIE And I am feeling that Balenciaga on you. LOUISE Mine till Tuesday. Louise pulls out a cell phone and holds it out to her. LOUISE (CONT'D) Here -- time to re-join the world. CARRIE Already? Louise nods. Carrie takes the phone. LOUISE Your new number... area code: 347 -- CARRIE Hold, Hold, Hold. 347? No, no. I'm a 917 gal. Always have been. LOUISE No longer available. Now, you're 347. CARRIE Great. Now even I don't recognize me. 149 EXT. BEACHOUSE/DECK -- DAY -- FALL 149 Samantha sits on her deck. Her phone rings. SAMANTHA Samantha Jones. CARRIE (V.O.) Carrie Bradshaw -- 150 EXT. NYC STREET -- CONTINUOUS -- FALL 150 Intercut with Carrie walking along. 98. CARRIE -- Or I used to be. SAMANTHA Talk to me. CARRIE I'm a 347 area code. How tacky is that? SAMANTHA 347 is the new New York. CARRIE I want the old New York with the old 917 and my old will to live. SAMANTHA Old New York, new New York -- honey -- at least it's New York. She looks -- Dante is coming out of the surf in his wetsuit. SAMANTHA (CONT'D) Another hard thing about being in L.A? My "sex on a stick" next door neighbor. I can't stop looking at him. CARRIE Looking? SAMANTHA Just looking. After I saw Steve's face at the rehearsal dinner, I could never --- Dante notices her on the deck. He gives her a sexy smile. She doesn't acknowledge it -- turns away and walks inside. SAMANTHA (CONT'D) But you should see this guy. Every night sex with a different partner. He's like -- (searching then realizing) --Me. Five years ago. CARRIE Yes. When I was a 212. 151 EXT. RODEO DRIVE -- DAY -- FALL 151 Samantha strolls along Rodeo Drive. 98A. CARRIE (V.O.) And in an effort to stay out of her house and out of trouble -- Samantha went shopping. She notices a sidewalk "dog rescue station." Cute puppies frolic and play in a wire pen. 99. In the back of the pen sits a tattered tiny DOG. Alone. Samantha can't help but look at it. CARRIE (V.O.) (CONT'D) It certainly wasn't the cutest dog in the pen - but their was something about it -- The dog looks up at her -- Dark marks under its eyes. The Rescue Woman (40) notices Samantha looking. RESCUE WOMAN She needs a good a home. Interested? Samantha shakes her head; "no." CARRIE (V.O.) And just as Samantha convinced herself that the dog wasn't for her. The dog starts humping a stuffed animal. RESCUE WOMAN She's been fixed, but she hasn't lost the urge. 152 INT. DOG GROOMER'S -- LATER -- FALL 152 Samantha holds the dog while talking to two GROOMERS. SAMANTHA And she needs a little eye work. Anything you can do about these stains? The dog looks up at her. She looks down at it. SAMANTHA (CONT'D) (to dog) Honey, I don't mince words. 153 EXT. RODEO DRIVE -- LATER -- FALL 153 Samantha and the dog walk out of Gucci in matching outfits... looking fabulous. Three GUCCI SALESMEN follow them holding large Gucci bags. They walk to her sleek Mercedes SUV -- parked at the curb. 99A. JUMP CUT TO: The back of the Mercedes SUV filled with shopping bags: Gucci, Prada, Dior -- the SUV hatch is closed, revealing Samantha's licence plate: I HEART NY. Samantha pulls away, the dog in her lap -- fur blowing. 100. 154 INT. CARRIE'S APARTMENT -- NIGHT 154 Carrie and Louise are in the closet unloading clothes from the boxes. Carrie opens a wardrobe box -- It's the WEDDING GOWN. They both look at it - not knowing what to do. LOUISE Do you want me to get rid of it? CARRIE No, it's too beautiful. I'll just bury it deep in the back -- like I did my feelings. Carries closes the box back up. Louise watches; then. LOUISE Do you miss him? CARRIE (beat; then) Every day. You know, it's weird -- I haven't cried very much at all. Maybe you're only allotted a certain amount of tears per man -- and I used mine up. Carrie gently pushes the box away. Opens another. LOUISE Yeah. I know how you feel `cause, my college boyfriend broke up with me last year. And I miss him all the time. CARRIE (V.O.) Suddenly, it dawned on me -- there were two broken hearts in my-walk in. CARRIE (CONT'D) Louise -- we need a cocktail. Grab your rental. Carrie starts out. Louise grabs her purse and follows. 155 INT. THE CARLYLE HOTEL/BAR -- A LITTLE LATER -- FALL 155 Carrie and Louise are having cocktails. 101. LOUISE And it threw me so hard `cause, you know, I thought Will -- that's his name... was the love of my life. CARRIE What happened? LOUISE He said he loved me and all -- but didn't think I was "the one". Carrie looks at her, nods. LOUISE (CONT'D) And that hurt. But -- you know -- whatever. I'm not going to give up on love. CARRIE Good. LOUISE Love is the thing, you know. She holds up her key chain. The word "Love" in gold. LOUISE (CONT'D) See that. I'm bringing it to me all day long. Louise gets a "text". She reaches over and looks. She smiles as she reads it. Carrie raises her eyebrow. CARRIE Oh, I remember that smile. Who's the guy? LOUISE Someone I just met. He wants me to meet him for a drink. CARRIE At 11:30? That's a bootie call. LOUISE No, it's not like that... he just got off work -- he's a waiter. CARRIE Louise, I may not get texts and I may not send texts -- but trust me: The sub-text of that text: Bootie. 101A. Louise nods, then starts texting him. LOUISE But it's not a bootie call if he meets me.... right? CARRIE All right, then. You kids enjoy. That's what your twenties are for. Your thirties are to learn the lessons. Carrie stands up, throws some money on the bar. CARRIE (CONT'D) And your forties are to pay for drinks. 156 INT. CHARLOTTE'S APARTMENT -- DAY -- FALL 156 Charlotte sits on the couch, reading a magazine. The three dogs near her. Harry enters. HARRY You going for your run? CHARLOTTE Um... no. HARRY You didn't go yesterday either. CHARLOTTE I know. 102. HARRY Why is that? CHARLOTTE (snapping) I don't feel like running! HARRY (as he goes) Okay. Welcome to the house of hormones. 157 INT. UPSCALE FURNITURE STORE -- DAY -- FALL 157 Carrie and Charlotte walk looking at furniture. CARRIE It's all about the desk. If I find the desk, the writing will come. And it better `cause I'm using my new book advance to pay the fancy decorator. CHARLOTTE I think it's so great that you are re-doing your entire apartment. CARRIE Out with the old -- (looks at price tag) -- In with the overpriced. Charlotte smiles. Carrie links arms with her. CARRIE (CONT'D) Hey, Harry called me and mentioned you're not running. CHARLOTTE Why'd he do that? CARRIE `Cause he loves you... and he's concerned. CHARLOTTE There is nothing to be concerned about. CARRIE Did the doctor say it wasn't safe or something? 103. CHARLOTTE No, she said because I'm already a runner -- it's fine. CARRIE So, why are you not -- CHARLOTTE I'm afraid something bad will happen. It's a miracle that I'm even pregnant. CARRIE But if the doctor said -- CHARLOTTE It's not rational, Carrie... it's irrational. I know that. CARRIE Okay. CHARLOTTE I've got everything I ever wanted. I'm so happy -- I'm terrified. (beat) No one gets everything they want. Look at you. Look at Miranda. You're such good people and look what happened to you. Of course, something bad is going to happen to me. CARRIE Sweetie, you shit your pants this year. Maybe you're done. Charlotte laughs a little. Carrie moves her along. CARRIE (CONT'D) You run every day -- that's what you do. You can't stop being who you are -- just because you're afraid. Right? Charlotte nods, they walk on, linked together. CARRIE (CONT'D) Now let's get down to business. I've got to have my apartment done in time for that baby shower. 104. 158 EXT. CENTRAL PARK/RESERVOIR -- DAY -- FALL 158 AUTUMN LEAVES fall as Charlotte walks onto the running track with the three dogs on leashes. She starts to run -- tentative -- slowly. They trot along with her. 158A EXT. CENTRAL PARK/RESERVOIR -- DAY -- LATE FALL 158A Charlotte runs faster - more confident. The dogs run along with her -- they are wearing Burberry pet sweaters. CARRIE (V.O.) And as the last of the autumn leaves fell away -- so did Charlotte's fear. 158B EXT. CENTRAL PARK/RESERVOIR -- DAY -- WINTER 158B SNOWFLAKES float down. Charlotte, dressed for winter runs in form -- alone. A smile on her face. 159 INT. CARRIE'S APARTMENT -- DAY -- WINTER 159 Carrie sits at her card table "temp" desk. Louise is sorting through a stack of mail. LOUISE You sure you don't want me to RSVP to some of these holiday parties? CARRIE Yep. I'm perfectly happy spending time home alone. (beat) And speaking of home -- you're going to miss your plane. Louise takes a gift wrapped present out of her purse LOUISE Merry Christmas. It's just something silly. Carrie opens it. A DVD of "MEET ME IN ST. LOUIS." CARRIE Oh... Louise from St. Louis. LOUISE You said you never saw it -- so. 104A. CARRIE Now, I feel bad. If I had known we were going to exchange gifts -- 105. Carrie gets up and RUNS to her closet. CARRIE (O.C.) (CONT'D) I would have bought you one two weeks ago and hidden it in here. She comes back out with a large circular BOX tied with satin ribbons. It says: Louis Vuitton. LOUISE No! That is not what I think it is. CARRIE Open it. LOUISE Oh my Lord. Oh my -- She opens it and SCREAMS as she pulls out a gorgeous purse. CARRIE No more rent girl for you. Louise throws it over her shoulder and walks "runway." LOUISE Look who's home from the big city! CARRIE (V.O.) It was the best money I'd ever spent. 159A INT. CARRIE'S APARTMENT -- NIGHT -- WINTER 159A Carrie comes out of her kitchen, holding a Cup O'Soup. She is wearing pajamas and socks. CARRIE (V.O.) New Year's Eve... and a Cup O'Soup. She plops in a chair in front of the TV. She picks up the "Meet Me in St. Louis" DVD and looks at it. 159AA INT. MIRANDA'S APARTMENTS -- CONTINUOUS -- WINTER 159AA Steve is standing in the open doorway -- with his coat and hat on. Miranda is kneeling -- putting a winter coat on Brady. A Christmas tree glows behind them. MIRANDA And what are you gonna say at midnight? 105A. BRADY Happy New Year. MIRANDA That's right -- but you gotta say it more excited than that -- (then; excited) "Happy New Year!" BRADY Happy New Year! MIRANDA You say that and then... you kiss. She gives him a big kiss. He laughs. She stands. STEVE You all ready to go, B-boy? MIRANDA Did you pack the new Batman Santa brought you? Brady shakes his head: NO. STEVE Aw man -- Gotta have the new Batman. MIRANDA It's there near the tree. Brady leaves to get it. Steve looks over at Miranda. STEVE You got plans with the girls? MIRANDA We're all kinda staying in tonight. STEVE Would you like to come and eat with us? We can go somewhere over here on your side. MIRANDA No, thank you. STEVE Miranda -- I never meant to hurt you. 105B. She looks away. Brady comes up back to them with Batman. MIRANDA There he is. Batman. STEVE Put your hat on. It's snowing out. Brady nods and takes Steve's hand. Steve looks over at Miranda. STEVE (CONT'D) Happy New Year. MIRANDA Happy New Year. BRADY Kiss. Silence... then, Miranda bends down and gives Brady a big sloppy kiss. MIRANDA See you tomorrow. She stands up and closes the door. As it closes, Steve looks at her. Finally; it is closed -- she leans against it. 159AB INT. CARRIE'S APARTMENT -- CONTINUOUS -- WINTER 159AB Carrie sips soup watching a "deliriously in love" Judy Garland sing "The Trolley Song." JUDY GARLAND ZING ZING ZING WENT MY HEARTSTRINGS THE MOMENT I MET HIM -- I FELL Carrie, not in the mood, picks up the remote -- clicks. The TV goes off. She looks around: Now what? 159AC INT. CARRIE'S APARTMENT -- LATER -- WINTER 159AC Carrie sits at her makeshift desk as snow falls outside her window. She looks down at the computer; motionless. CLOSE ON SCREEN: The only thing written on it is the word: "Love." After a beat Carrie types three dots. She thinks, then deletes two of the dots. Her phone rings. She answers it. CARRIE Hello? 105C. 159B INT. BUDDAKAN/RED ROOM -- CONTINUOUS -- WINTER 159B Stanford sits in a festive booth with festive FRIENDS. STANFORD Happy New Year -- We're having a fabulous time. The only thing missing is you. Come. CARRIE That's sweet but I can't, I'm writing. STANFORD Oh... Okay. (beat;then) You're not really writing are you? CARRIE No. You're not really having a fabulous time are you? STANFORD No. Rescue me. It's very forced festive. CARRIE Oh yes, that's just what every New Year's Eve party needs: a visit from the lost Bronte sister. STANFORD Well... Better a Bronte sister than a Hilton sister. CARRIE (laughs; then) Thanks but -- by ten PM I'll be in bed asleep and blissfully unaware of how fabulous this night is supposed to be. 159C INT. CARRIE'S APARTMENT -- LATER -- WINTER 159C Carrie is sound asleep. Her phone rings. She grabs it. CARRIE Hello. 105D. 159D INT. MIRANDA'S APARTMENTS -- CONTINUOUS -- WINTER 159D Intercut with Miranda -- sitting on her couch watching the New Year's Eve coverage on television. Chinese take-out is on the table in front of her. MIRANDA I thought one of the perks of having a family is you don't have to spend New Year's Eve alone with Chinese food. (beat) I'm alone with Chinese food. CARRIE I was sleeping. MIRANDA Oh, shit -- I'm sorry. CARRIE That's okay. Where's Brady? MIRANDA It's Steve's night. CARRIE Right. MIRANDA Go back to sleep -- don't wake up. CARRIE It's okay. Are you alright? MIRANDA I'm fine -- I was just getting a little choked-up watching the stupid New Year's Eve stuff on TV alone. CARRIE Want me to come over? MIRANDA I'm all the way downtown -- CARRIE I can grab a cab -- MIRANDA On New Year's Eve? No way. I'm fine... really. (MORE) 105E. MIRANDA (CONT'D) I just wanted to talk a little. Go back to sleep. Good night. Miranda hangs up. Carrie lays there -- holding the phone. She looks over at her bedside table clock: 11:12. She thinks then -- throws back the covers and gets out of bed. START MUSIC. 159E EXT. CARRIE'S BULIDING -- NIGHT -- WINTER 159E Snowing. Carrie hurries out of her front door -- a coat thrown over her pajamas. She comes down the stairs to the street looking for a cab. Nothing. No traffic. She starts RUNNING up the block -- passing TWO FESTIVE COUPLES; walking. 159F INT. CHARLOTTE'S APARTMENT -- NIGHT -- WINTER 159F Lily, in her PJ's, is marching around the den wearing a "Happy New Year" party crown and blowing into a party favor horn. Harry and Charlotte -- wearing New Year's Eve party hats -- sit on the couch -- laughing. Charlotte and Harry kiss. His hand moves sensuously down Charlotte's body and rests on her pregnant belly. 106. 160-164 S-C-E-N-E-S--O-M-I-T-T-E-D 160-164 107. 165 INT. BEACHOUSE/DEN -- CONTINUOUS -- WINTER 165 Samantha and Smith recline on the couch. They are wearing sexy black robes and having caviar and champagne. The Dog sits nearby... a fire roars in the fireplace behind them. Samantha and Smith kiss on the couch. The Dog humps a pillow nearby. 166 INT. RESTAURANT -- CONTINUOUS -- WINTER 166 Magda and Lovro sit in a booth, they toast with sherry. 166A INT. BUDDAKAN RESTAUANT/RED ROOM --CONTINUOUS-- WINTER 166A Anthony stands talking to FRIENDS. Someone taps him on the shoulder. He looks over -- it's Stanford -- holding two glasses of champagne. Stanford and Anthony look at each other as everyone around them kisses. Stanford presents his cheek. Anthony kisses it. 166B EXT. LOWER EAST SIDE STREET -- CONTINUOUS -- WINTER 166B Snowing. Carrie runs up the stairs of the Lower East Side subway stop. She looks around to get her bearings -- then starts running again. She passes a GROUP OF TWENTY-SOMETHING PEOPLE blowing party horns and LAUGHING. 168 INT. ST. LOUIS APARTMENT -- CONTINUOUS -- WINTER 168 Louise is talking to a group of St. Louis FRIENDS. She looks up as WILL (22) her handsome African-American ex-boyfriend enters. Their eyes meet. Her heart stops. He smiles. She smiles. He starts over to her. They stand talking -- she smiles. He smiles. 168A INT. BABBO/BAR -- CONTINUOUS -- WINTER 168A A festive, crowded restaurant. Sitting at the bar, next to a small Christmas tree... is Mr. Big, eating alone. Big looks up from the bar -- watching couples kiss all around him. 168B INT. MIRANDA'S BROOKLYN HOUSE -- NIGHT -- WINTER 168B Steve and Brady are in bed... asleep. 107A. 168C EXT. LOWER EAST APARTMENT DAY -- NIGHT -- WINTER 168C Miranda opens a fortune cookie -- and reads it. Tosses it down. Picks up another -- cracks it open. Reads it. Tosses it down. She looks like she might cry. 168D EXT. LOWER EAST SIDE APARTMENT BUILDING -- LATER -- WINTER 8D 16 Carrie rounds the corner of Miranda's street and runs up to her building. 168E INT. LOWER EAST SIDE APARTMENT -- MOMENTS LATER -- WINTER 68E 1 Miranda opens the door -- Carrie is standing there -- out of breath. CARRIE You're not alone. Times Square is seen on the television in the background. TELEVISION ANNOUNCER (V.O.) 5-4-3-2-1. Happy New Year! Carrie and Miranda look at each other. They hug. 168L INT. LOWER EAST SIDE APARTMENT -- LATER -- WINTER 168L Miranda and Carrie sit on the couch -- eating -- they are LAUGHING. END MUSIC. 175 EXT. BRYANT PARK/FASHION TENT -- DAY -- WINTER 175 Snow on the ground -- COLD. CROWDS gathered in front of the large fashion tent. Carrie, Miranda, Charlotte and Samantha trudge through the snow to the stairs. Samantha is wearing lots of fur. She SLIPS on some ice -- Carrie catches her. CARRIE Easy girl. SAMANTHA Thanks -- Three months driving in L.A. and I forgot how to use my fucking legs. CARRIE (V.O.) Every year the women of New York leave the past behind and look forward to the future... this is known as Fashion Week. They make their way up the stairs to the tent entrance. 176 INT. LOBBY TENT -- CONTINOUS -- WINTER 176 The lobby is buzzing with PRESS and CROWDS OF FASHIONISTAS. The GIRLS enter and make their way through the crowd. CARRIE This way. I hear the couture calling my name. SAMANTHA See this -- this is what I miss. Last night Smith and I cuddled in front of the TV with "take out" Mexican. MIRANDA -- In your four billion dollar beach house. The girls LAUGH. SAMANTHA Still -- I don't think I'm cut out for the one-on-one relationship thing. 108A. CHARLOTTE You've been doing it for five years. SAMANTHA No, see -- I've always had girlfriends on the side. They smile. Miranda spots MAYOR MICHAEL BLOOMBERG across the room. MIRANDA There's Mayor Bloomberg. SAMANTHA New Yorkers are so damn attractive - - Even the Mayor is hot. MIRANDA I believe that was his last campaign slogan. The girls walk on. 109. 178 INT. FASHION TENT -- A LITTLE LATER -- WINTER 178 The room is filling up and buzzing with FASHIONISTAS as the girls make their way. Samantha spots her name on four chairs in the front row and leads the way. SAMANTHA There we are. CHARLOTTE We're in the front row?! SAMANTHA I pulled some strings. CARRIE Very nice. SAMANTHA I should go thank them -- Samantha throws her coat on her chair back. CHARLOTTE Decide where we want to go for lunch -- I'll make the call. (beat; excited) It's like old times. Samantha hurries off, excited. Carrie, Miranda and Charlotte settle into their seats. MIRANDA So, this is how you all spent your Saturdays while I was with Brady and Steve at the Brooklyn Aquarium. CARRIE Well... Not every Saturday. MIRANDA Just so you know -- We always had front row at the mammal show. (beat; then) Steve does the funniest dolphin impression. Actually, it's more -- Steve as a dolphin -- A smile escapes her -- they look at her. Her smile fades. CHARLOTTE You really can't forgive him? MIRANDA Are you suggesting something? CHARLOTTE I like Steve. I've always liked Steve -- He's apologized a hundred times -- he's not seeing anyone else. What's it going to take? MIRANDA And are you also suggesting that she forgive Big? CHARLOTTE No. I could kill Big. Sometimes when I'm running -- I imagine what I'd say if I ever saw him again. I have the perfect opening sentence. Want to hear it? CARRIE (duh?) Ah.... yes. CHARLOTTE I curse the day you were born. CARRIE Impressive. Better work up a hand gesture to go with it. Elaine comes up to Carrie, squats down in front of her. ELAINE Thank god you're here. They have me covering this Mercedes-Benz fashion week and I'm desperate for a Carrie Bradshaw-esque quote. CARRIE Well, I'll do my best. We'll talk after? ELAINE Great. And -- ooh -- my back -- She gets up -- sits in Samantha's empty chair next to Carrie. ELAINE (CONT'D) (very sincere) -- Can I just say that I'm so sorry about what happened with your wedding. Carrie smiles -- what else can she do? ELAINE (CONT'D) I don't know how you survived it. I, personally, was so devastated I took myself off JDate -- but you survived and you're here and you look amazing and I just think that's so great. Everyone in my row does -- we can't stop talking about it. Okay -- Meet you in the lobby after. Elaine smiles and leaves. Carrie sits -- stunned; numb. She looks to the chairs across the runway -- FASHIONABLE WOMEN are looking back at her -- one or two smile sympathetically. She grabs her things and then turns to Charlotte. CARRIE I've gotta go. Carrie slips silently away. Charlotte gets up and starts away after her. Miranda looks -- MIRANDA Should I -- Charlotte shakes her head: "not sure"... and continues away... 178A INT. FASHION SHOW TENT/ENTRANCE AREA -- MOMENTS LATER 178A Charlotte catches up with Carrie as she is about to exit. Fashionistas stream by them on their way in. CHARLOTTE Carrie, wait. Carrie stops -- turns around -- putting on her wrap. CARRIE This was a mistake -- it's too soon -- I'm not ready. I'll go get a coffee and you guys call me after -- and I'll meet you for lunch. CHARLOTTE Are you sure? I know how much you were looking forward to this. CARRIE Yeah, I really was... until I became the poster child for wounded women everywhere. CHARLOTTE You're not. CARRIE Is this thing going to effect everything I do for the rest of my life? CHARLOTTE No -- but if you leave right now -- it will effect the rest of your day. Carrie looks at her -- takes this in. CHARLOTTE (CONT'D) (softly) It's Fashion Week. We're in the front row. CARRIE Where everyone can see me. CHARLOTTE Who cares about them -- You only came for the clothes. Carrie smiles... a little. CHARLOTTE (CONT'D) I know it's hard but -- It's like you said: You can't stop being who you are. 178B INT. FASHION SHOW TENT -- MOMENTS LATER 178B Samantha and Miranda have just gathered their things and are leaving their chairs as Charlotte and Carrie return. SAMANTHA We thought we were leaving. Charlotte shakes her head: NO. Samantha and Miranda turn around and start back to their seats as -- MUSIC STARTS... LIGHTS CHANGE. The girls settle in just as a MODEL starts down the RUNWAY in gorgeous clothes. Carrie, Miranda, Charlotte and Samantha watch -- DISSOLVE TO: the girls watching another model; another outfit. They point and discuss what they see -- loving it. DISSOLVE TO: the girls watching another model; another outfit. With each outfit Carrie seems to lighten and brighten. DISSOLVE TO: the girls watching another model; another outfit. Carrie smiles as she watches -- now, truly enjoying herself. DISSOLVE TO: 178C INT. LOBBY TENT -- MOMENTS LATER -- WINTER 178C Carrie is being interviewed by Elaine holding a TAPE RECORDER. Miranda, Samantha and Charlotte watch nearby. CARRIE (V.O.) I didn't know if it was the fashion or the fact that the four of us were together again -- but for the first time in a long time -- I felt like myself. 183 EXT. BRYANT PARK -- MOMENTS LATER -- WINTER 183 The girls leave the tent and start down the stairs. SAMANTHA Let's get a cab -- I am starv -- SPLAT. Her fur coat is hit with SPLASH of red paint. They REACT: SHOCKED. AN ACTIVIST WOMAN stands there holding a paint cup. Next to her -- another ACTIVIST is holding a PUG dog. ACTIVIST #1 Fur is murder! ACTIVIST #2 MUR-DER. MUR-DER. SAMANTHA (beat) God, I miss New York. 184 EXT. NYC STREET -- DAY -- WINTER 184 Carrie hurries across the street -- CARRIE (V.O.) And a couple of weeks later -- I met St. Louise's St. Louis boyfriend, Will. She arrives at the front of a restaurant. Through the window, she can see Louise sitting next to Will. Louise spots Carrie and waves. Carrie waves back and starts in. CARRIE (V.O.) (CONT'D) Over Christmas they realized how much they loved each other. Just in time for Valentine's day. 185 INT. CARRIE'S BUILDING/FOYER -- LATER -- WINTER 185 Carrie turns the key in her mail box. A little pink envelope sits there. She takes it out and opens it. It's a "kid's style" Valentine card of Cinderella. She turns it over. Lily's crayon mark mixes with Charlotte's handwriting: To Aunt Carrie... Love, Lily. 186 INT. CARRIE'S APARTMENT -- A LITTLE LATER -- WINTER 186 Carrie opens the door, holding the valentine. Her phone is ringing. She answers it. CARRIE Hello? 187 INT. BEACHOUSE/KITCHEN -- LATER -- WINTER 187 Intercut with Samantha in her kitchen attempting to make sushi. Her hands covered in rice. The DOG, wearing a sweater with a "heart" on it sits on the floor watching. SAMANTHA I'm just calling to make sure you aren't hanging from your shower rod. CARRIE You called an hour too early. SAMANTHA So, what's the V-day plan? CARRIE Miranda and I are going to dinner and then a really violent slasher movie. SAMANTHA Perfect. CARRIE And you? SAMANTHA I am making Smith sushi. Pause for reaction. CARRIE Wow. Do you make sushi? SAMANTHA We took a class a while back -- and when he walks in the door at seven- thirty, I am going to surprise him by laying on the dining room table - -- covered with homemade sushi. CARRIE Boy, you do have time on your hands. 188 INT. CARRIE'S APARTMENT -- MOMENTS LATER -- WINTER 188 Carrie walks over to the book shelf and places the Cinderella valentine on it. She looks down at the bottom shelf. The Vogue magazine is looking up at her -- She picks it up. 189 INT. VILLAGE RESTAURANT -- LATER -- WINTER 189 A small, village restaurant festively decorated for Valentine's Day. Pink balloons float on the ceiling, their red ribbon strings hang at eye level. Carrie and Miranda sit at a table. At all the other tables -- Couples! MIRANDA Is it me or is Valentine's Day this year on steroids? CARRIE I think it was like this last year but we played for the other team. A WAITRESS (23) approaches them with pink menus. WAITRESS Good evening. Here's our special Valentine night menu. All the selections are romantic in theme and designed to be split for two. Are you having wine? CARRIE/MIRANDA Yes. WAITRESS A glass or a bot -- CARRIE/MIRANDA Bottle. WAITRESS I'll be right back to take you and your girlfriends order. The waitress leaves. Miranda looks at Carrie. MIRANDA I could do a lot worse. 190 INT. VILLAGE RESTAURANT -- LATER -- WINTER 190 The wine bottle is now empty. Carrie and Miranda eat. MIRANDA Why would you look at the Vogue today of all days? CARRIE `Cause -- I'm an emotional cutter. (Beat;then) I deserve what I got. Running all over New York believing that I'm finally getting my happy ending. "See everyone, love does conquer all. Look at me in my one of a kind wedding gown marrying the love of my life." Waitress stops at the table. She picks up the bottle. WAITRESS Would you like another bot -- CARRIE/MIRANDA Yes. She leaves. CARRIE And Miranda... in that article -- I did not say "we" once. It was all: "I" want and "I" think. MIRANDA It was from your point of view. CARRIE My point of view... Exactly. The whole wedding was my point of view. I let the wedding get bigger than Big. I am the reason he didn't get out of that car. 116A. MIRANDA You can't put this all on yourself. (beat; then) Okay. I said something I shouldn't have said to Big at the rehearsal dinner. 117. CARRIE What do you mean? MIRANDA I was really upset after Steve showed up and I bumped into Big and -- I said that you two were crazy to get married. Carrie is stunned. The waitress arrives with the new bottle of wine. WAITRESS Here we go. Your Shiraz. She is opening the bottle. Tension. She pops the cork -- starts to pour. MIRANDA Stop -- It's fine -- Thanks. The Waitress puts the bottle down and walks away. MIRANDA (CONT'D) I'm sorry, I was upset-- Steve had-- CARRIE I have been going over this and over this in my mind for five months -- and -- for five months you kept a secret like that? MIRANDA I tried to tell you once but the Vogue article came out -- CARRIE Once? You tried to tell me once? You should have tried to tell me every single day! MIRANDA I know, I was looking for the right time. CARRIE There is no right time to tell me you ruined my marriage! The Room is now at "attention." 118. MIRANDA It just happened -- I wasn't thinking. Carrie grabs her purse -- to leave. MIRANDA (CONT'D) Carrie, please -- Don't go -- I -- Carrie stands up -- the festive balloon strings bob in front of her face. She pushes them away. CARRIE And I think what hurts the most is that you kept a secret from me. I have never ever kept a secret from you. Ever! She starts out. Stops, comes back -- through the ribbons. CARRIE (CONT'D) No, I'm lying. For the last five months I've been thinking that it's a huge mistake that you left Steve. (beat) There. How does it feel? She turns and pushes balloons out of her way as she starts out. A KISSING COUPLE (20's) is BLOCKING her way. CARRIE (CONT'D) Excuse me! They stop -- She squeezes by them. Miranda is devastated. 191 INT. BEACHOUSE/DINING ROOM -- NIGHT -- CONTINUOUS -- WINTER 1 19 Candles are lit. Samantha enters wearing a sexy sheer robe and carrying a giant tray of homemade sushi. The phone rings. The machine picks up. Smith leaves a message. SMITH (V.O.) Babe -- we're way behind on set. I still haven't been released. I'll get there as soon as I can. She SIGHS -- places the tray on the table. Looks at the wall clock: Seven-thirty. 118A. 192 INT. BEACHOUSE/DINING ROOM -- LATER -- WINTER 192 Eight o'clock. Samantha is sitting in the robe near the table. Not pleased. 193 INT. BEACHOUSE/DINING ROOM -- LATER -- WINTER 193 Eight-thirty -- Samantha is pacing. She takes a piece of sushi -- pops it in her mouth and chews -- pissed. A WOMAN MOANING is heard. She walks over and glances out the window into Dante's living room. Candles are everywhere -- he is naked and GIVING HEAD to naked BLONDE WOMAN. She is writhing in pleasure. Samantha watches -- even more pissed. CARRIE (V.O.) It was the same Valentine night Samantha had planned -- minus the sushi. 119. 194 INT. BEACHOUSE/KITCHEN -- LATER 194 Samantha now wearing sweat clothes, sits with her arms crossed -- waiting. The door opens and Smith enters. SMITH I'm home! He see's Samantha sitting there. He smiles. SMITH (CONT'D) (CONT'D) Man, that was a long day -- the crew went into double overtime. SAMANTHA You are three hours late. SMITH Bummer. I know. Did you eat? SAMANTHA Yes, I ate. I ate the sushi that I hand made for you. The sushi that I planned to lay all over my naked body as a Valentines surprise for you. SMITH Why are you so upset? I called. SAMANTHA I slaved away in a kitchen all day to make this meal for you. 120. SMITH You made some sushi -- it's not a big deal! SAMANTHA Not a big deal? She stands up. She picks up some pieces of sushi. SAMANTHA (CONT'D) You see this -- This took me five fucking hours! She throws sushi at him. He dodges them. SAMANTHA (CONT'D) I am not the type of woman who sits home all day waiting for a man! (beat) You love California so much -- enjoy your hand-made California roll! She throws more sushi and storms out. Smith looks at the subzero fridge. A sushi piece slides down the front. 195 S-C-E-N-E--O-M-I-T-T-E-D 195 196 S-C-E-N-E--O-M-I-T-T-E-D 196 196A S-C-E-N-E--O-M-I-T-T-E-D 196A 196B INT. CARRIE'S APARTMENT -- DAY -- WINTER 196B A FLORAL ARRANGEMENT sits on the hall table next to the answering machine. A card reading: "I'm sorry -- Miranda" is nearby. The answering machine is recording an incoming call from Miranda. MIRANDA (V.O) It's me. Pick up. Are you there? Carrie is standing in the bathroom; looking out at the answering machine, brushing her teeth. CARRIE (V.O.) Three days of "I'm sorry" calls and e-mails and flowers -- and I still wasn't ready. It was the longest we'd even gone without speaking. 120A. 196C EXT. CARRIE'S APARTMENT -- DAY -- WINTER 196C Rain. Carrie walks up to her stoop. A CAB idling in front. The cab window goes down. Miranda is sitting there. MIRANDA Carrie. Carrie looks. Stops. MIRANDA (CONT'D) Hi. I need to talk to you. CARRIE How long have you been waiting here? Miranda looks to the meter, then back to her. MIRANDA Seventeen dollars long. (beat) Please get in. It just turned to eighteen. Carrie looks at her, hesitates, starts over to the cab. 196D INT. CAB -- A LITTLE LATER 196D Rain pours down the windows. Carrie and Miranda sit in silence. A MIDDLE EASTERN DRIVER sits behind the wheel. CLOSE ON: THE METER. It reads 22.00. 121. This is weird not talking. CARRIE I'm upset. MIRANDA Carrie, I understand -- but it just happened -- I never meant to hurt you. (beat) You have to forgive me. Carrie looks over at her. CARRIE You know -- 122. MIRANDA What? CARRIE No. MIRANDA Please. What were you going to say? CARRIE You badger me to forgive you in three days -- and you won't even consider forgiving Steve for something he did six months ago. MIRANDA It's not the same thing. CARRIE It's forgiveness. Miranda thinks -- Carrie looks at her. CARRIE (CONT'D) And -- I know you're not the reason my marriage fell apart. I was just - desperate to have someone else to blame. Miranda thinks. The METER clicks. 197 S-C-E-N-E--O-M-I-T-T-E-D 197 198 S-C-E-N-E--O-M-I-T-T-E-D 198 199 S-C-E-N-E--O-M-I-T-T-E-D 199 200 S-C-E-N-E--O-M-I-T-T-E-D 200 200A S-C-E-N-E--O-M-I-T-T-E-D 200A 201 INT. THERAPIST'S OFFICE -- DAY -- WINTER 201 Steve and Miranda are sitting in front of a THERAPIST. MIRANDA I don't know if I can trust that it won't happen again. 122A. THERAPIST Steve - you're very quiet today. STEVE Miranda, I know I made it hard for you to trust me. But -- You made it hard for me to trust you. MIRANDA Me?! 123. STEVE The way you treated me and cut me out of your life like that? I mean, yeah -- I broke a vow. But what about the other vows? Like promising to love someone for better or for worse? What about that? Miranda looks down at her hands. Steve looks at the therapist. STEVE (CONT'D) How do I know she won't punish me for the rest of my life? THERAPIST You don't. And she doesn't know for sure that you won't have another indiscretion. (beat) All you can know... is that you want to move forward and risk that you love for each other won't allow that to happen. Silence. THERAPIST (CONT'D) And that's what we'll discover here. Steve looks over at Miranda. Miranda looks at Steve. 202 EXT. CENTRAL PARK -- DAY -- SPRING 202 Forsythia bushes are in bloom. Carrie and Miranda walk. They carry sandwiches. MIRANDA So, we're done with our last session and we're not allowed to talk for two weeks while we figure out if being together again is something we really want. And then - - we had to pick a place to meet -- and if we both show up on that day - - the past no longer exists. Showing up is the promise we make to each other that we're willing to let it all go and move forward. 124. CARRIE Can you do that? MIRANDA I don't know. I have a lot of thinking to do. CARRIE Thinking -- or feeling? MIRANDA What do you mean? CARRIE Miranda -- you're a lawyer. You can argue both sides of any case -- but, why we feel what we feel -- isn't logical. It's emotional. Sorry, Harvard -- I'm afraid you're going to have to make this decision based on your emotions. MIRANDA Well, then -- I'm screwed. I don't know what I feel. CARRIE You will. There will come a moment when you'll know. And if it's: yes - - all that brilliant logic will go out the window... with the past. MIRANDA And I thought picking the place to meet was a challenge. CARRIE Where is it? MIRANDA The Brooklyn Bridge. Halfway between both our places. CARRIE Very logical. And yet poetic. MIRANDA Poetic -- if we both show up. Otherwise -- you're on a bridge -- rejected. Not a good plan. 125. 203 INT. CARRIE'S APARTMENT -- LATER -- SPRING 203 Carrie walks in carrying a Starbucks cardboard caddy with two coffee. Louise is sitting at her desk, working. LOUISE I have two pieces of good news. CARRIE And I have two coffees. LOUISE I just got a heads-up from your realtor. The apartment on Fifth finally sold. Carrie sips coffee. Nods. LOUISE (CONT'D) You have sixty days before the new owner takes possession and you are out of there. CARRIE What's the other news? Louise holds up her hand. There is a diamond ring on it. CARRIE (CONT'D) Oh my God -- LOUISE I'm moving back to St. Louis -- we are getting married in the fall. Louise beams. Carrie hugs her. 204 EXT. BEACH -- DAY -- SPRING 204 Grey day. Samantha is sitting on the beach reading "The Secret." CARRIE (V.O.) Meanwhile, back in Lost Angeles... She rolls her eyes, and tosses it down in the sand. 204A EXT. BEACH -- A LITTLE LATER 204A Samantha walks on the beach. The dog is walking with her. 125A. CARRIE (V.O.) ... Samantha had money, a career and a man who loved her... Still, she couldn't shake the feeling that something was missing from her life. The dog runs up onto the neighbor's deck. 126. SAMANTHA No! Come back here. 205 EXT. NEIGHBORS'S DECK -- MOMENTS LATER -- SPRING 205 Samantha is on the neighbor's deck looking for the dog. SAMANTHA Where are you, baby? She rounds a corner -- and comes face to face with Dante -- showering in the outdoor shower. Water runs over his NAKED and PERFECT BODY. He sees her and smiles a hot smile. She is thrown -- overwhelmed. SAMANTHA (CONT'D) Sorry -- I'm your neighbor and my dog ran up on your dick-- (catching herself) --Deck! There is a GROWL sound. She looks -- the dog is humping a towel on the deck floor. She looks back at Dante. DANTE Want to join me? Speechless -- She shakes her head: No -- she scoops up the dog and hurries away. He calls after her. DANTE (CONT'D) I'm Dante. Stop by -- anytime. Samantha takes a peek back and continues on her way. 206 EXT. BEACHOUSE/BEDROOM -- DAY -- SPRING 206 Samantha is having lunch outside while on the phone. SAMANTHA Smith is interested - but the dates will have to work with the series. Dante appears on the deck next store in a wet suit. He unzips it while looking at Samantha. SAMANTHA dips a chip in guacamole and eats it. He pulls his wet-suit down and smiles at her. She dips another chip. He steps out of it and looks at her -- almost torturing her. She looks the other way, dips another chip in guacamole and eats it. Then another. 127. 207 INT. BEACHOUSE/KITCHEN -- DAY -- SPRING 207 Samantha is in the kitchen on the phone. She picks up a slice of messy pizza from a delivery box on the table. SAMANTHA We agreed that no one else from the show but Smith was going to be on the cover. She walks to the window and looks out. Dante is on his deck putting on sun screen. He glistens. She chews. 208 INT. BEACHOUSE/DECK -- NIGHT -- SPRING 208 Samantha is in the jacuzzi -- she is looking up at Dante who is on his deck smoking a joint. He indicates for her to come over. She shakes her head: No. He walks away. She presses a button on the control panel. The jacuzzi jets start. She re- positions herself "on" them, then... She reaches over and grabs a giant hot fudge sundae and... starts eating it. 209 INT. LOWER EAST SIDE RESTAURANT -- DAY -- SPRING 209 Miranda sits in the window -- having a cappuccino, alone. On the table a legal pad with a list of PROS and CONS. CARRIE (V.O.) With her two weeks just about up, Miranda's list of pros and cons were equal. She throws some money down on the table and takes a final sip on her cappuccino. As she stands up, she catches sight of herself in the mirrored wall. Cappuccino foam covers her top lip. She remembers. She knows. 210 EXT. BROOKLYN BRIDGE -- LATER THAT DAY 210 Miranda stands on the bridge. Alone. She looks at her watch. CARRIE (V.O.) It suddenly dawned on Miranda that Steve's list might have had more cons then pros. Just as this reality hits -- the CROWD parts and Steve is seen RUNNING up the bridge... towards her. 127A. 211 EXT. BROOKLYN BRIDGE -- MOMENTS LATER 211 Miranda and Steve walk along the bridge towards Brooklyn. 128. CARRIE (V.O.) And Miranda never looked back... 212 INT. STEVE AND MIRANDA'S HOUSE -- NIGHT -- SPRING 212 Steve and Miranda are making love -- it is passionate. CARRIE (V.O.) Well, almost never. Miranda turns her head back to look at Steve. MIRANDA Kiss me. 213 INT. CARRIE'S APARTMENT -- DAY -- SPRING 213 Carrie's apartment is transformed. It is sleeker, polished, more grown-up, with a warm, modern feel. CARRIE (V.O.) And at home -- everything felt and looked different -- and yet still very much me. Carrie -- BLONDE again -- walks out of the kitchen with Lilacs in a large vase. The door bell buzzes. 214 INT. CARRIE'S APARTMENT -- MOMENTS LATER -- SPRING 214 Carrie opens the door. Miranda stands there with a very pregnant Charlotte. CARRIE Sorry. This is a very exclusive party. MIRANDA We're on the list. Miranda Hobbes plus one...and a half. 215 INT. CARRIE'S APARTMENT -- LATER -- SPRING 215 WOMEN FRIENDS chatting and having fun. The front door is open and a coat rack is visible in the hall. A couple of WAITERS (20's) move around. ANTHONY comes up to Carrie. 129. ANTHONY A woman just put a glass down on your new desk without a coaster. I told her if she did it again I'd break her arm. CARRIE Thanks. He walks on. Miranda wanders up to Carrie. MIRANDA Where's Samantha? Her plane landed two hours ago. CARRIE You know her, probably ran to the hotel gym for a quick work-out. Samantha appears in the doorway wearing a summer coat -- the dog is in her purse. SAMANTHA There's no place like home. CARRIE Sweetie! They kiss -- She goes to Miranda; they kiss. MIRANDA There's a rat in your purse. CARRIE And that rat better be house trained. A CATER WAITER walks over to her. CATER WAITER Can I take your coat? Samantha nods and takes off her coat. Revealing: She has a belly. A very non-Samantha big fat gut. Carrie looks at it. Miranda looks at it. Carrie and Miranda exchange looks. Charlotte comes running down the hall. CHARLOTTE Samantha! Samantha raises her arms to greet her. Her blouse rides up, the gut peeks out. Charlotte reacts; shocked. 130. CHARLOTTE (CONT'D) You have a -- dog! SAMANTHA Did you ever think you'd see the day -- me with a pooch. All three shake their heads: No. 216 INT. CARRIE'S APARTMENT/BATHROOM -- LATER -- SPRING 216 Carrie, Miranda, and Charlotte are in the bathroom. MIRANDA So, she has a belly. So what? CARRIE No, a belly on anyone else is a "so what?" A belly on Samantha is a: "So what the hell is going on?" CHARLOTTE She never mentioned it on the phone? CARRIE Never. And when has she ever not talked about every detail regarding her body? CHARLOTTE Should we even bring it up? MIRANDA What -- like a fat intervention? "We love you -- have a salad?" No. We should let her bring it up. There is a knock... Samantha opens the door. She's eating a piece of cake. SAMANTHA Ladies, we can talk about my gut later-- right now, I'm bored to tears here. She gives them a look. They smile, relieved. 131. 217 INT. CARRIE'S APARTMENT -- LATER -- SPRING 217 Everyone has left. Samantha is sitting with Charlotte and Miranda and Carrie. They are having coffee. SAMANTHA I eat -- so I won't cheat. MIRANDA What exactly are you eating? SAMANTHA Everything except Dante's dick. CARRIE Language, please -- this is a grown- up apartment now. SAMANTHA I guess I didn't realize how big I was until I saw it on your faces. CARRIE How -- and I say this with love -- How could you not realize it? SAMANTHA I've been avoiding mirrors. CHARLOTTE I'm proud of you for not cheating. SAMANTHA I don't know if there's anything to be proud of. I stuff my face to stop myself from doing something that feels natural to me. Carrie reaches over and rubs Samantha's back. CARRIE Why didn't you say something? SAMANTHA I guess I didn't want to admit it. And when you're in denial -- you don't dial. CARRIE Now, listen -- this isn't about the weight. You'd be gorgeous at any size. But are you happy? 132. SAMANTHA (Silence; then) Relationships aren't always about being happy, right? (beat) How often do you feel happy in your relationship? CARRIE (to Charlotte) I'm pretty sure that's to you. CHARLOTTE Every day. SAMANTHA You feel happy ever day? CHARLOTTE Not all day -- everyday -- but everyday. MIRANDA When was the last time you felt happy? SAMANTHA Six months ago. They react. SAMANTHA (CONT'D) What am I going to do? CARRIE What does your gut tell you? SAMANTHA I know but -- (beat; hard) Smith stayed with me through chemo. If he could stay with me through that, I should be able to stay in this relationship for him. CARRIE Sweetie... You just compared your relationship to chemo. Samantha looks at her, then Charlotte, then Miranda. 133. CARRIE (V.O.) (CONT'D) There we were...the three mirrors Samantha couldn't avoid. CARRIE (CONT'D) And Samantha? Samantha looks. Carrie points. The dog is humping a pillow on Carrie's furniture. CARRIE (CONT'D) That pillow cost three hundred dollars. 218 INT. BEACHHOUSE -- DINING ROOM/SUNSET -- SPRING 218 Samantha is sitting -- waiting. Smith enters. SMITH Hey -- You're home! I thought you were staying the week. He kisses her. She looks at him. Touches his face. SAMANTHA We need to talk. SMITH Awwww... man. I knew this was coming. SAMANTHA Yeah. This isn't working. (beat) I've done my best. I've given it five years and fifteen pounds. SMITH What -- You don't love me any more? SAMANTHA Yes, I love you - ah, fuck it -- I'm just gonna say the thing you're not supposed to say -- I love you but I love me more. And I've been in a relationship with myself for forty-nine years and that's the one I need to work on. She stands up and wraps her arms around him, whispers. 134. SAMANTHA (CONT'D) You'll find a wonderful woman who loves being in a relationship. SMITH What will you find? SAMANTHA I don't know. But that's a risk I'm willing to take. She notices the gardenia ring on her finger. She starts to take it off. Stops. Looks back up at him. SAMANTHA (CONT'D) No. I'm keeping this. Every time I look down at it I want to think of you. She kisses him on the lips. GENTLY. SOFTLY. 219 INT. AIRPLANE/FIRST CLASS -- NIGHT -- SPRING 219 Samantha sits in first class. She is crying... while eating a hot fudge sundae. A STEWARDESS leans down. STEWARDESS We're landing in new York. I'm gonna need to take that now. Samantha nods, and finishes eating the hot fudge sundae as fast as she can. Scraping, almost licking the bowl. CARRIE (V.O.) As someone returned to my life... 220 INT. CARRIE'S APARTMENT -- DAY -- SPRING 220 Carrie stands at the door with Louise. CARRIE (V.O.) ... Someone left. LOUISE And I put all the unopened mail from your P.O. Box in the manila envelopes on the bottom shelf there. She points to the shelf in the new bookcase. Carrie looks. 135. LOUISE (CONT'D) And please -- please do not make a mess of CarrieBradshaw.com -- it's my masterpiece. CARRIE What am I gonna do without you? LOUISE You'll find some other girl... but she won't have my style. CARRIE St. Louise, you brought me back to life. Emotion floods Carrie; she chokes up. So does Louise -- LOUISE And you gave me Louise Vuitton. Carrie laughs -- they hug. LOUISE (CONT'D) Serious. We need to stop cryin'. Louise breaks the hug and takes her "love" key chain out of her purse -- hands it to Carrie. LOUISE (CONT'D) Your keys. CARRIE Wait -- don't forget your "love." LOUISE No, I found my love. I'm leaving that with you. Carrie smiles. Louise starts out the door, turns back. LOUISE (CONT'D) See you at my wedding. CARRIE I'll meet you in St. Louis. Louise gives one last look, and leaves. Carrie closes the door. Looks down at "love" in her hand. 136. 221 INT. CARRIE'S APARTMENT -- NIGHT -- SPRING 221 Carrie is sitting at her desk... typing. CARRIE (V.O.) Now, there were no more distractions. (beat) And as I moved on... 222 EXT. MIRANDA'S APARTMENT BUILDING -- DAY -- SPRING 222 Samantha walks past Lovro and Magda sitting on chairs out front, sipping ice tea, and up to Miranda's lower east side apartment stoop with the dog on the leash. CARRIE (V.O.) ... Samantha moved in. The HOT TATTOOED LATIN GUY is still sitting on the stoop out front with the ferocious looking pitbull. She starts up the stairs. He checks her out. She turns. SAMANTHA Hi, I'm your new neighbor. HOT NEIGHBOR Diego. SAMANTHA Samantha. They smile. There is a connection. Samantha looks down. The dog is humping the pitbull. Diego nods approval. 223 EXT. UPPER EAST SIDE RESTAURANT -- DAY -- SPRING 223 A very, very pregnant Charlotte carrying shopping bags is being seated at a banquette by the HOSTESS (26). HOSTESS When are you due? CHARLOTTE Next week. HOSTESS You look gorgeous. 137. CHARLOTTE (touched; embarrassed) Oh, thank-you. The Hostess walks away as Charlotte settles in and looks around. Her eyes WIDEN. Big is sitting across the room at a table -- alone. He hasn't seen her. Charlotte starts to panic as the WAITRESS (20's) comes over. WAITRESS Hi, can I -- CHARLOTTE No, I'm sorry -- I can't stay -- Help me -- pull out the table. I can't -- Charlotte pulls herself up off the banquette. As she tries to slide out, her belly and shopping bags knock things off the table. Crash. DINERS looks. Big spots her -- their eyes meet. She moves away as quickly as she can through the room. He gets up and follows after her. 224 EXT. UPPER EAST SIDE RESTAURANT -- DAY -- SPRING 224 Charlotte exits the restaurant -- visibly upset. Big is quickly on her heels. BIG Charlotte. Charlotte wait -- He catches up to her - and gently steps to her. BIG (CONT'D) You're pregnant -- don't run. CHARLOTTE I don't want to see you. She starts crying and talking though the tears. CHARLOTTE (CONT'D) I'm so mad at you. I was always on your side and then you did that to Carrie -- No, no -- I'm not going to cry -- I'm not going to waste tears on you -- (strong; stomping foot) I curse the day you were born! Charlotte's eyes widen. She stops moving, entirely. 138. CHARLOTTE (CONT'D) I think my water just broke. (beat) Oh my God -- Taxi! BIG My car's right there. Get in my car. CHARLOTTE I don't want to get in your car -- I hate your car. Taxi! BIG Charlotte -- we need to get you to the hospital -- Please get in my car. It's right here and ready. Charlotte finally nods. Big hurries her to the car. 225 INT. HOSPITAL CORRIDOR -- LATER 225 Carrie hurries down a corridor -- looking for a room. She spots it, knocks and enters. 226 INT. HOSPITAL ROOM -- CONTINUOUS 226 Carrie enters. Harry stands there. Beaming. CARRIE Hi. Congratulations... A girl! HARRY It's my lot in life to be surrounded by beautiful women. She kisses him and walks over to the bed where Charlotte is holding ROSE, a beautiful baby with thick dark hair. CARRIE Oh my God. She's gorgeous. CHARLOTTE Say hello to Rose. Carrie kisses Charlotte on the head. CARRIE What a beautiful name. 139. CHARLOTTE After Harry's "Bubbie." HARRY Now, we got a Lily and a Rose. Carrie sits on the edge of the bed. CARRIE Well, I have to say you two are very cool customers -- just making the "baby's here" call without all the "I'm in labor" drama. HARRY Oh -- there was plenty of drama. CHARLOTTE My water broke in front of a restaurant. CARRIE Very dramatic. HARRY Wait -- she's not done. CHARLOTTE It broke while I was talking to Big. CARRIE What? HARRY See. Drama. CHARLOTTE I bumped into him and I got so upset I started crying and then - my water broke. HARRY He brought her to the hospital. Stayed until the baby was born. CHARLOTTE I think he was hoping to see you. Silence. Carrie is having a hard time with this. 140. CARRIE Well -- today is not about him. It's about beautiful baby Rose. (beat; forced up) So -- we know she has Charlotte's hair -- what else do we know? Harry and Charlotte give each other a sad glance. 227 INT. HOSPITAL CORRIDOR -- LATER 227 Carrie walks out of Charlotte's room with Harry. CARRIE She's a doll. Mazel tov! She kisses Harry on the cheek and starts away. HARRY He asked me to ask you to call him. Carrie stops. Turns around. Looks at him. HARRY (CONT'D) I know! It's none of my business. But I felt bad for the poor schmuck hanging around the hospital waiting room hoping to see you. I swear every time he heard someone in heels coming down the hall -- his heart stopped. CARRIE Harry -- it's so much more complicated than you can imagine. HARRY I know it is -- and you have every right to never call him -- but I'm just a big pile of love today --and I feel bad for the guy. He said he's been writing you -- but you never responded. CARRIE (beat; then) He's never written me. HARRY He said he wrote because he didn't have your phone number. 141. CARRIE No. He's never written me. Ever. HARRY Then, why would he say that he had? Carrie looks at Harry. Lost. Confused. 228 INT. CARRIE'S APARTMENT -- LATER -- SPRING 228 Carrie enters her apartment. She glances over at her bookcase -- Remembers. JUMP CUT TO: Carrie opens the bookcase drawer and takes out a Manila envelope marked: P.O. Box. JUMP CUT TO: Carrie dumps the contents of the envelopes on the desk. JUMP CUT TO: Carrie quickly sorts through the mail -- looking -- looking for something. A letter -- something. Nothing from him. She leans back in her chair -- more confused. Her eyes drift up to her computer. She wonders if -- JUMP CUT TO: Carrie is logging onto CarrieBradshaw.com. She types in PASSWORD. JUMP CUT TO: CarrieBradshaw.com's "welcome page." She clicks on EMAIL. JUMP CUT TO: Carrie scans through emails -- none are from Big. Frustrated she logs off. 229 INT. CARRIE'S APARTMENT -- LATER 229 Carrie is still at her desk, lost in thought. CARRIE (VO) Two hours, two manila envelopes and countless emails later, I was just about to give up on the Big riddle when -- She looks back at her computer screen and notices: "CB-assistant." Carrie sits up. Clicks on it. CARRIE (V.O.) (CONT'D) I had told Louise to put Big in a place where I would never have to hear from him again. 142. She types in her password. Nothing. Picks up her phone. Dials a number. CARRIE (CONT'D) Hey, Louise -- it's me. What's the password to get into your assistant file? Call me. She hangs up and places the phone on a pile of mail -- which causes the mail to fall over onto the floor. CARRIE (CONT'D) Shit. Carrie reaches down to pick-up the mail -- she notices the "LOVE" key chain has fallen as well. She picks it up and looks at it, has a hunch. CARRIE (CONT'D) Oh my God. JUMP CUT TO: Carrie types the password: "L-O-V-E." Yes! The file opens -- her eyes widen. There on the screen are many, many, many emails -- all from JJP@JJP.com. CARRIE (V.O.) (CONT'D) As soon as I typed in "love" -- there he was. She clicks on the first e-mail. It opens: It's the love letter from Beethoven, retyped. CARRIE (V.O.) (CONT'D) And because Big still didn't have the words... he retyped a love letter from Beethoven. JUMP CUT TO: New Email: A love letter from Lord Byron. CARRIE (V.O.) (CONT'D) And Lord Byron. JUMP CUT TO: New Email: A love letter from James Joyce. CARRIE (V.O.) (CONT'D) And James Joyce. JUMP CUT TO: New Email: A Love letter from Voltaire. CARRIE (V.O.) (CONT'D) And Voltaire. 143. JUMP CUT TO: Carrie sits in the chair. Breathless. Overwhelmed. CARRIE (V.O.) (CONT'D) There they were. "The Love Letters of Great Men - Volume One." Plus one more... Written by John James Preston. New email -- It reads: "I know I screwed it up -- but I will love you forever." Carrie impulsively picks up the phone -- starts to dial. CARRIE (V.O.) (CONT'D) I wanted to call him - but our love... Carrie and Big: volumes one, two, and three... stopped me. She puts the phone down and is about to "delete" the e mail -- suddenly; the phone rings. CARRIE (CONT'D) Hello. LOUISE (O.C.) I didn't hear my phone. 230 INT. BRIDAL SHOP -- CONTINUOUS -- SPRING 230 Intercut with Louise, standing in a wedding gown. Her MOTHER (45), GRANDMOTHER (65), and SISTERS (20 15, 8) sit watching. LOUISE We are shopping for my wedding gown. ANGELA, her youngest sister calls out. ANGELA That one makes you look weird. LOUISE (calls over) Momma -- can you please -- This is a work call. The Mother motions for Angela to sit down. She does. CARRIE No, it's okay I figured it out. 144. LOUISE Well, I was going to call you anyway -- today is the final day on the Fifth Avenue apartment. You have till six before they change the locks. CARRIE I don't need to go over there. LOUISE And do you NOT want those never- worn shoes? CARRIE Oh -- I completely forgot about -- LOUISE `Cause if you don't -- send them on to me. I'll squeeze my feet into them. CARRIE It's already five o'clock. LOUISE Hello? There are never been worn four hundred dollar shoes! CARRIE Five twenty-five. (beat; hears herself) Bye. Carrie drops the phone and jumps up. 231 EXT. CARRIE'S APARTMENT -- MOMENTS LATER -- SPRING 231 Carrie runs down the stairs... she spots a passing CAB. CARRIE Taxi! It SCREECHES to a halt. She runs to the cab. 232 INT. ELEVATOR -- MOMENTS LATER -- SPRING 232 Carrie steps into the elevator. She presses "PH," steps back. The doors close. 145. 233 INT. PENTHOUSE APARTMENT -- MOMENTS LATER -- SPRING 233 Key in the lock -- Carrie enters. She looks around. CARRIE (V.O.) The light in our pre-war apartment looked completely different post- war. 234 INT. PENTHOUSE APARTMENT/BEDROOM -- MOMENTS LATER -- SPRING 234 Carrie walks into the bedroom and over to the closet. She pushes open the other double door... Revealing -- Mr. Big - standing there holding the Manolos in his hands. He looks up -- surprised by her. BIG I was going to get these to you. I didn't want it to be a total loss. CARRIE (V.O.) It wasn't logic -- it was love. She walks into the closet and over to him. She throws her arms around him. He drops the shoes. They kiss. It's passionate. Very -- very passionate. 235 INT. PENTHOUSE APARTMENT/WALK-IN CLOSET -- LATER -- SPRING 35 2 Carrie and Big are nestled up next to each other on the carpeted floor of the empty walk-in closet. His suit jacket is off. Her shoes are off. CARRIE Why did we ever decide to get married? BIG (beat; then) I guess we were afraid it meant something if we didn't. She looks at him and nods. It's true. BIG (CONT'D) I'm sorry to have done that to you. Silence. She touches his lips. 146. CARRIE I'm sorry to have done that to you... (beat) And you know the funny part? BIG Is there a funny part? CARRIE We were perfectly happy before we decided to live happily ever after. BIG Yep. The jokes on us. She nods... she looks around. CARRIE Good closet. BIG Thanks. CARRIE Comfortable. Is this what you had in mind when you installed the carpet? BIG I'd like to think I was that smooth. CARRIE We better get up before the new owner bust in on us. They start to get up. Carrie rises first. He starts to get up, first -- sitting on his side... BIG And the way we decided to get married -- All business... No romance. That's not the way you propose to someone. He moves further up -- onto one knee -- where he stops. BIG (CONT'D) This is. She looks down at him -- Is this happening? He holds out his hand. She places her hand in his. 147. BIG (CONT'D) Carrie Bradshaw -- love of my life - - will you marry me? It is everything Carrie Bradshaw had convinced herself would never happen. Could never happen. And here it is. She nods. Speechless. Overcome. He smiles. BIG (CONT'D) See, this is why there's a diamond. You need to do something to close the deal. She laughs. He notices her never-worn Manolo on the floor. He picks it up. Holds it out to her. She lifts her foot and places it in the shoe. Cinderella style. 236 INT. COURTHOUSE/ROOM -- DAY -- SPRING 236 Carrie stands with Big in front of a JUDGE. She is wearing the simple white suit and her never-worn Manolos from the closet. CARRIE (V.O.) And in the end... Carrie Bradshaw married John James Preston in a label-less dress. Big Smiles. She smiles. Both calm. Sure. JUDGE By the power vested in me, by the state of New York, I now pronounce you husband and wife. You may kiss the bride. Big and Carrie kiss. Then, he whispers into her ear. BIG Ever thine. Ever mine. Ever ours. 237 INT. COURTHOUSE/LOBBY -- LATER 237 Carrie and Big walk through the courthouse lobby toward the front door holding hands. BIG You okay that it was just us? CARRIE Perfect. You and me -- like I said. 148. BIG Still. Would have been nice if you had the girls here. He holds the door open for her as they walk outside. 238 EXT. COURTHOUSE -- CONTINUOUS -- SPRING 238 Carrie and Big walk out of the courthouse into the sun. BIG Which is why I called them. Carrie looks. Miranda, Charlotte, and a MORE SLENDER Samantha are standing there. They SCREAM and throw rice. MIRANDA/SAMANTHA Congratulations! CHARLOTTE Mazel tov! As the rice hits... Carrie screams and Big laughs. A GUARD hurries over to them. Carrie is spitting out rice. GUARD Excuse me -- excuse me! You're not allowed to throw rice anymore. SAMANTHA Honey, get over it -- It's New York! She winks at the guard. He shrugs and walks away. 239 INT. COFFEE SHOP -- LATER -- SPRING 239 Big, Carrie, Miranda, Steve, Brady, Charlotte, Harry, Lily, rose, Stanford, Samantha are casually gathered around a couple of tables that have been pushed together. A WAITRESS comes over balancing hot plates. WAITRESS Who had the ham and eggs? Big raises his arm. The waitress hands the plate down... Carrie intercepts it and places it in front of Big. 149. CARRIE (V.O.) It wasn't a fancy designer reception either. Just food and friends. The Waitress hands out the other breakfasts. People LAUGH. Samantha feeds bacon to the dog -- who is wearing a tiny bridal veil on his head. 239A INT. BARNES AND NOBLE -- DAY -- SUMMER 239A Carrie's books are displayed on a BOOK KIOSK. Carrie stands in front of it READING to a crowd from the galleys of her new book. She is wearing READING GLASSES. CARRIE Maybe some labels are best left in the closet... 240 EXT. VITRA -- NIGHT -- SUMMER 240 Bustling. Carrie, Miranda, Charlotte and Samantha -- back to her fighting weight -- walk down the busy street dressed for a night on the town. They laugh as they go -- their designer purses swinging. CARRIE (V.O.) ... Maybe when we put a label on people... bride, groom, husband, wife, fat, thin, married, single... we forget to look past the label and see the person. They arrive at the club entrance. A line of PEOPLE wait to be let inside. The DOORMAN (30's) spots Carrie, lifts the red rope and lets the girls in -- closing it after them. 241 INT. RESTAURANT -- LATER -- SUMMER 241 The four girls sit at a table drinking "Cosmopolitans." CHARLOTTE Hmmm. This is delicious. MIRANDA Why did we ever stop drinking these? CARRIE Because everyone else started. 149A. SAMANTHA (sips; then) Well, that is an oldie but goodie. CARRIE And speaking of an oldie but goodie... A WAITER brings birthday cake to the table. The number: "50" stands proud and tall among the glowing candles. He places it down in front of a proud Samantha. 150. CARRIE (CONT'D) Wait -- wait -- a toast. The girls lift their glasses to Samantha. CARRIE (CONT'D) To Samantha... fifty and fabulous! Samantha smiles, touched -- then blows out her candles. CARRIE (CONT'D) To us... and the next fifty! Miranda, Charlotte and Samantha raise their glasses. ALL To the next fifty. They sip and look at one another. CARRIE (V.O.) And there, in the same city where they met as girls, four New York women entered the next phase of their lives... dressed head to toe in love. Samantha licks some icing. Charlotte cuts the cake. Miranda helps. Carrie smiles and sips. CARRIE (V.O.) (CONT'D) And that's the one label -- that never goes out of style. 242 EXT. VITRA -- CONTINUOUS 242 From outside we catch just a glimpse of Carrie and the girls at their table inside the busy club. The CAMERA starts to move away -- passing the line of PEOPLE waiting to get in. At the front of the line four TWENTY-SOMETHING WOMEN stand waiting for the red rope to be lifted. As the CAMERA moves past them and UP -- the Doorman lifts the red rope and the twenty-something women SQUEAL with excitement and anticipation as they hurry inside. The CAMERA continues UP and UP and over the busy and exciting city. FADE TO BLACK.